Henry Goes Arizona (1939)

You won't be disappointed!

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Story: It's very simple but honestly that is fine.

When you have as leads scene stealers like Frank Morgan and Guy Kibbee in the leads of a film it makes viewing something like Henry Goes Arizona a must. Frank Morgan is in the title role. Morgan is an unemployed old actor who gets word that his brother died and left him his Arizona ranch and a niece he never knew about, Virginia Weidler. But upon getting there the place is in hock with liens for back taxes and run by the crooked foreman Douglas Fowley for his own nefarious purposes and those of his real boss crooked lawyer Porter Hall.Guy Kibbee is the avuncular town judge, sympathetic to Morgan and Weidler and helps when he can. Add to that Slim Summerville as the sheriff with some interesting ideas concerning penology and you have a dream film for character actors. I always like it when occasionally the big studios like MGM do not cast their leads and allow their character players to strut their stuff in their own. Morgan, Kibbee, Summerville, and Porter Hall. That is one great quadrifecta.

While Frank Morgan is most known for his appearance in "The Wizard of Oz", his forte was making nice B-movies for MGM. His affable personality shone through in these pictures and most are well worth seeing--and the quality of the films make them seem like A- pictures--short enough to be a B but higher quality.Despite the weird title, "Henry Goes Arizona" is one of Morgan's better films. He is lovely in the lead and it helps that he had able support from Guy Kibbee, Slim Summerville and, especially, Virginia Weidler.Then the story begins, Henry (Morgan) learns that his step-brother has died and left him his ranch out west. Considering Henry is broke, he eagerly jumps at the chance to take control of the place. However, when he arrives in Tonto City (tonto is the Spanish word for 'idiot'), he learns that his step-brother had been murdered and Henry is not about to stick around and be killed himself. But his sweet nice, Molly (Weidler) believes in him and so he belatedly decides to stay. But being a total wimp, you wonder just how long Henry will stick around Tonto City.An enjoyable script and some enjoyable acting make this worth seeing. By the way, notice Morgan on a horse...he really did know what he was doing despite acting out of his element!

This little known film was shown the other night thanks to TCM. It proved to be a delightful surprise. The film directed by Edwin Marin and based on a story by W.C. Tuttle, makes a well spent sixty-six minutes.Best of all is Frank Morgan, who plays a man who suddenly learns about he has inherited his step-brother's ranch in Arizona after having failed in Manhattan. The film is fun because of the contrast the cattle farm presents for city slicker Henry Conroy.The supporting cast is excellent. The charming Virginia Weidler plays Molly, who takes to Henry immediately, as she thinks she has found a father figure at last. Guy Kibee, Slim Summerville, Douglas Fowley and Owen Davis Jr., are seen in minor roles.The film is a lot of fun thanks to Frank Morgan who is amazing in it.

This film is just pure delight. If you want a serious flick on the world's problems, this isn't one of them. Half of it doesn't even make sense, which is a great part of its easy charm. Is this really Arizona in 1939, or did the director even bother checking out the place? It really doesn't matter. If Frank Morgan was half as nice a man in real life as he is in this picture, then I wish I had known him. Young Virginia Weidler is a delight. Morgan's comedic timing ought to be studied in film schools. He can move from yes to no and back to yes on a dime. The first scenes in the film when, as an out of work actor, he's offered a vaudeville job as the target of a drunken sharpshooter, is a masterpiece of fast dialog and twisting body language. Nobody ever dithered like Frank Morgan. Thanks to TCM for showing it and don't miss it the next time.