Against the Wind (1949)

Excellent but underrated film

A different way of telling a story

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This unusual but typically low-key product from Ealing Studios (best-known for a series of classic comedies made between 1946-1955) is a semi-documentary depiction of the saboteur training undergone by a band of hand-picked civilians and their subsequent missions behind enemy lines; therefore, in both theme and quality, it anticipates the later, more acclaimed Hollywood offering DECISION BEFORE DAWN (1951) which, incidentally, I just caught up with a couple of weeks ago. The cast is mostly made up of the usual familiar British faces (James Robertson Justice, Gordon Jackson, Jack Warner, Robert Beatty, etc.) but 2 major roles are, very effectively, portrayed respectively by French and Canadian actors: Simone Signoret (appearing in her first English-speaking film when on the verge of attaining stardom on her home ground) and Paul Dupuis. Being in this company, there cannot fail to be lighter moments – especially during an early sequence where our heroes are being shown the tools of their trade i.e. booby-trapped dead rats, manure and even sausages! – among the continuous perils and occasional tragedies they have to face away from home (including being forced to cold-bloodedly execute a compromised companion and swallow the omnipresent suicide pill to escape torture at the enemy's hands).

This seminal British war film has been "hommaged" a thousand times in the last sixty years from "Charlotte Gray" to "'Allo,'Allo !" via Where Eagles Dare" but despite countless copies and lampoons it has retained its power .Fast paced and seeming shorter than its 92 minutes,"Against The Wind" is shot in crisp black and white by Lionel Banes . From the opening sequence depicting priest Mr R.Beatty walking into the Imperial Institute a number of beautiful interior shots seamlessly meld into the introduction of the undoubted star of the piece Miss Simone Signoret.It is she on whom the camera lingers for just that extra second.She takes Mr Beatty to the office of S.O.E. boss Mr J.R. Justice.Slimmer and more hirsute he is still a nascent Sir Lancelot Spratt,outwardly irascible,inwardly compassionate. He briefs Beatty on his plan to parachute a group of saboteurs into occupied Belgium.As the story progresses we are introduced to the other members of the team as they go through their training. Miss Signoret has recently had tragedy in her personal life and wants to go into action to make amends.Forbidden from doing so by Mr Justice who rightly questions her motives ,she is drinking heavily in a nearby pub when she is joined by Mr J.Warner,one of the group in training. This is a key scene in the film and Miss Signoret is extraordinary in it as the camera closes in on her face and we see anger and determination turn to despair.Mr Warner,too often dismissed as a lightweight,is first class in support here. However she eventually gets her wish and joins Mr Warner and his comrades on their mission. Just as they take off Warner is revealed as a traitor but it is too late to call them back and it is not until they are hiding up with the Resistance that Miss Signoret as wireless operator gets the message that he is a spy.Without any hesitation she shoots him dead as he shaves at the sink. Briefed to bust an important S.O.E. operative from jail the team snatch him from a train in a brilliantly handled sequence that has been often imitated but never bettered. There is a splendid vehicle chase through narrow streets congested with cattle,beer drays and a religious procession.This last has been particularly well cut in Eisenstein fashion without being an obvious copy. Perennial TV favourites Mr J.Slater and Mr G.Jackson make a strong impression in smaller roles but it is Miss Signoret's strength and beauty that commands the attention. "Against the wind " is a film that deserves to be better - known. Indeed you may think you have seen it before,but you probably haven't. But I can guarantee you a lot of other film directors have.

this is an excellent film of the mid Ealing period Critchton's tight direction and Bridgewaters music intertwined with each characters role in the film is truly marvellous! as time has passed all but one of the cast members have died, with the exception of Giselle Preville who plays Julie the wireless operator. i have watched this film many times and cannot get enough of the opening score by Bridgewater. i throughly recommend this film as an all time Ealing great, although many Ealing aficionados will probably not agree, as it received a very Luke warm reception in 1948 possibly due to public tiredness of all things to do with war.

Despite the usual budgetary restrictions, this manages to convey a sense of the danger and great sacrifice made by these brave people who fought for our freedom. Charles Crichton brings out the human story rather than the all-action tale of some movies. Scenes with John Slater visiting his wife seems slightly corny now, but then must have seemed so close to events (just 3 years after the end of WW2). And the outcome later makes it all the more poignant. I thought a movie like this would be good to show in schools, as a part of history lesson. I love all those character actors they were part of my childhood, and they were such real actors and people. (Take note Arnold, et al) And I still haven't got over Jack Warner's Max (our own Dixon of Dock green) who would have adam 'n' eved it!