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Yesterday's Enemy

Yesterday's Enemy (1960)

May. 03,1960
|
7.1
|
NR
| Drama War

Set during the Burma Campaign of World War 2, this is the story of courage and endurance of the soldiers struggling at close quarters against the enemy. The film examines the moral dilemmas ordinary men face during war, when the definitions of acceptable military action and insupportable brutality become blurred and distorted.

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Reviews

ThiefHott
1960/05/03

Too much of everything

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GamerTab
1960/05/04

That was an excellent one.

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Wordiezett
1960/05/05

So much average

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Tymon Sutton
1960/05/06

The acting is good, and the firecracker script has some excellent ideas.

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arthur_tafero
1960/05/07

This is a watchable British war film, where everyone is appropriately sweaty and greasy, but there are several details that make the film highly unrealistic. The Japanese commander is obviously Chinese. I found that annoying. The entire film had the look of being done in all studio shots; no realism at all. Baker is fine; as is the entire supporting cast. The Asian actors give it their best shot, but only the Japanese assistant is believable. I did like the depiction that the British were no more clever, ethical, or braver than the Japanese; the British always did a much better job of that than Americans ever did (with the exception of Letters From Iwo JIma). All in all, the plot was rather mundane; but did the best it could.

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Martin Bradley
1960/05/08

This Hammer production broke away from the traditional horror movies for which they had become famous in the 1950's and like "The Camp on Blood Island" was a Second World War drama concentrating on the war with the Japanese. Set in the Burmese jungle, but filmed in the studio, it is a mostly all-male affair full of very familiar British faces. With Val Guest in the director's chair and Stanley Baker playing the officer in charge it is often highly effective (and surprisingly brutal). Indeed Baker is so good, (he was nominated for a BAFTA as indeed was the film itself), you might think you are watching a much better film than you actually are. It's certainly not free of clichés but it also poses some interesting ethical questions, (what constitutes a war crime, how far should an officer go in pursuit of his goals?). It may be no classic but it's no disgrace either and is worth seeing.

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malcolmgsw
1960/05/09

This film was made right in the middle of a period when cinematic interest in the Far East war was at its height.The big film of 1958 was The Bridge On The River Kwai.Also that year Guest directed for Hammer The Camp On Blood Island.In 1960 the film of the successful play The Long and The Short And The Tall was released.I recall that there was a storm of protest from veterans of the Burma campaign,as they claimed that civilians were not killed and mistreated.Baker gives a powerful performance as an officer under pressure.He was on his way up to stardom.The same year he would star in another Guest film,Hell Is a City,this time starring as an unconventional detective. One does have the suspicion that this film was made rather on the coattails of Kwai and The Long and the Short and The Tall.Elements from the plot of that film are in this film.Furthermore in both films the platoon ends up being killed by the Japanese.Although now released on video this film is pretty much unknown.Despite a clearly limited budget this film is effective at evoking the jungle and the tough decisions that Baker has to make and not least the ironical situation he finds himself in.

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Frank Ferry
1960/05/10

Obviously, TCM's recent showing of this film was an eye-opening experience for many people, as it was for me. The other reviews (with the exception of the one with the historical ax to grind, completely unsubstantiated by the film) express all my own reasons for appreciating the film. The excitement I want to share is this: After 63 years of movie-watching, chancing on a film entirely unknown to me... one that I have never even seen included in anyone's list of "Great War Movies"... that is so well-produced, -acted and -directed... just so damn GOOD. And to have that incredible feeling of DISCOVERY... another prize addition to my "collection" of film-going experiences.And it was gratifying to see Phillip Ahn, so familiar from the 40's, play a key role so effectively.

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