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The Naked Street

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The Naked Street (1955)

August. 01,1955
|
6.5
|
NR
| Drama Thriller Crime
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To make an honest woman of his pregnant sister, Rosalie, callous New York mobster Phil Regal intimidates witnesses and bribes a store clerk to get Rosalie’s condemned boyfriend, Nicky Bradna, out of prison. But Regal’s meddling deeds soon backfire.

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Hellen
1955/08/01

I like the storyline of this show,it attract me so much

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Lovesusti
1955/08/02

The Worst Film Ever

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Afouotos
1955/08/03

Although it has its amusing moments, in eneral the plot does not convince.

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Voxitype
1955/08/04

Good films always raise compelling questions, whether the format is fiction or documentary fact.

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HotToastyRag
1955/08/05

If you've never seen an Anthony Quinn movie, The Naked Street is the perfect one to start with. He's handsome, angry, warm, loyal, frightening, and passionate. He plays the powerful gangster brother to Anne Bancroft, and when she gets herself in the family way, he takes matters into his own hands. . .My mother and I aren't the only people in the world who thought Anthony Quinn should have played the title character in The Godfather; later in his career he continually played Italian mob bosses, as if to make it up to his fans who were disappointed in Marlon Brando's ridiculous performance. The Naked Street is what started it all. Tony is so perfectly Italian, it's hard to believe he actually wasn't! To my fellow Italians out there, what would you do if your younger sister got herself in trouble by a no-good criminal? Plan to bust him out of jail, of course! The real punishment would be to force him to marry her-and what Catholic wouldn't want a legitimate baby from his sister?The Naked Street is intense and gritty, for the time it was made. Film noir fans will find a gem in this largely forgotten film. Anthony Quinn gives a great performance and sufficiently scares the pants off of Farley Granger, as well as the audience! A young Anne Bancroft balances out her need for rescue with the rebellious streak that got her into the mess in the first place. For a great noir weekend, rent The Naked Street and Pickup on South Street.

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blanche-2
1955/08/06

Anthony Quinn stars in "The Naked Street," a 1955 film with Farley Granger, Anne Bancroft, and Peter Graves.Quinn plays a gangster, Phil Regal, whose sister Rosalie (Bancroft) is pregnant and unmarried. Nowadays, this would be a cause for celebration. Back then, it was a scandal. The father is Nicky Bradna (Granger) who is at the moment on death row for killing a liquor store owner while he was stealing his money.Regal is a wonderful son to his mother (Else Baeck) and a protective brother, but he's basically involved in lots of illegal activities.Phil wants Nicky to marry Rosalie, so he drops bundles of cash in the right places. Suddenly the witnesses have second thoughts about what they saw and the DA is willing to give him another trial. Soon he's out, married to Rosalie, and driving a truck, which is not what he wanted to do. But big brother insisted.It doesn't take Nicky long to start acting up - he and Rosalie suffer a tragedy, he doesn't like his job, and Regal wants him out of the way.Pretty good noir, and Anthony Quinn does a wonderful job showing us the human being beneath the tough gangster. Anne Bancroft is very young, but excellent in her part, and Farley Granger does well as the loser husband."The Naked Street" is a derivative story, so it's not particularly special, but it is worth a look.

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filmalamosa
1955/08/07

Moralizing 50s gritty crime movie. I like the pure noir versions better.Anthony Quinn is a big time gangster he protects and adores his family. His sister gets knocked up by a good looking hood who is on death row. Quinn gets him off on condition he marry his sister and walk the straight and narrow; but Nikki (the hood) doesn't do the straight life well and starts to stray and abuse his wife.Quinn gets rid of him by framing him for murder and gets him the death sentence. But enter a newsreporter who has a thing for the sister and the police get a crack that allow them to go after Quinn.It is OK, I don't like the socially relevant stuff (Quinn's college were the rough streets of Brooklyn) it was the beginning of the PC stuff we are deluged with today.I gave it a 4 for that reason other wise it would have gotten a 6.

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bmacv
1955/08/08

Maxwell Shane's The Naked Street opens with a `torch' murder under the low-rent end of the Brooklyn Bridge; it's a hit ordered by mob boss Anthony Quinn. Quinn finds family problems vying for his attention, however. His kid sister, Ann Bancroft, has been left pregnant by a murderer on death row (Farley Granger, who here could double for Eddie Fisher at about the same time). Quinn intimidates the original witnesses and secures Granger's release in order for him to make an honest woman out of Bancroft.Investigative reporter Peter Graves, meanwhile, is working on an exposé of Quinn's underworld empire. He gets nowhere, however, until Quinn's quick fix of his sister's dilemma starts to unravel. Her baby is still-born (probably due to all the sherry her groom bought her to brighten her confinement), leading Granger to start to womanize and brush up his criminal skills. This only provokes Quinn, who tries to undo his earlier meddling by meddling some more....The Naked Street blows in some high-minded social commentary in an attempt to supply moral uplift to an otherwise gritty crime drama. In that, it keeps step with the fads of the mid- to late-fifties, with many reminders of the `tenement' origins of criminals (despite the fact that, as here, these monsters' mothers are invariably old-country saints). And the plot's ironies, though obvious, hold interest.But Shane, who six years earlier had done the more authentic City Across The River along similar lines, can be a clumsy director. He lets too much of the story get told through Grave's voice-over narration rather than telling it himself, on film. And there are nagging little lapses: there's a phony hijack in which a car runs a truck five times its size off the road; at an illegal all-night poker game in the back room of an ice-cream shop, the neon sign blazes `Millie's' to beckon every cop in the five boroughs. Still, Quinn does well in one of his last `heavy' roles, and early Bancroft offers glimpses of the fame to come. But the puzzle is, what was there in this role tempting enough to lure Granger back from Europe?

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