Nightkill (1980)

If you don't like this, we can't be friends.

Don't listen to the Hype. It's awful

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Please forgive me the rather goofy and bizarre user comment's subject line, as it's a reference towards the typically expressive and often overlong titles that were given to Italian so-called "giallo" movies during the '60s, '70s and early '80s. Due to its plot, character drawings and filming style, Ted Post's "Nightkill" frequently resembles the giallo prototype. Post's main role model and inspiration for this film was obviously Alfred Hitchcock, but more than half of the Italian gialli ever made were also inspired by the works of Hitchcock, so it's logical that I notice similarities everywhere! Short and simple: I liked "Nightkill"! It's a straightforward thriller that contains a few impressive shock- moments and plot twists that you honestly don't see coming. Throughout the largest part of the running time, you don't have the slightest clue of what's going on. On top of the unpredictability factor, there are a handful of genuinely suspenseful sequences (the body-dumping, the car chase between Katherine and an unknown assailant) as well as a thoroughly murky gloomy atmosphere and a downright fantastic damsel-in-distress performance by Jacklyn Smith. She depicts the unhappy wife of robust and arrogant Arizona business tycoon Wendell Atwell. Katherine wants a divorce so that she can start a new life with her lover (and Wendell's business partner) Steve Fulton, but he refuses. Without thinking it through, Steve poisons Wendell and they hide the body in the freezer. But then Steve himself vanishes mysteriously and later it's his murdered body that lies in the freezer! Meanwhile, the increasingly anxious Katherine receives several visits from her obtrusive lawyer Herbert and a cynical private detective named Donner. "Nightkill" is a recommended watch in case you're searching for a tense and compelling whodunit-thriller. Smith's performance perfectly captures the fear and solitude that her character goes through, while Robert Mitchum is given the opportunity again to play a mysterious character like he did in his old film-noir days. Worth mentioning as well: Sybil Danning never looked more beautiful than in this film!

I was surprised at how nail-biting this movie was, not only at the somewhat unusual plot, but by the dark and brooding performance by Robert Mitchum. Nightkill is a reasonable enough thriller with good twists and turns throughout, and an equally strong conclusion.Jaclyn Smith gives out a not-too-bad performance as Katherine Atwell, but in my eyes I felt as if she was trying a little too hard in some places. Mike Connors though portrays his cold and callous character of Wendel to good effect. You actually despise Wendel! In no doubt, however, it's Mitchum who steals the show; what a twist toward the end! Nice background music too: the score actually tells the story in some parts - very ominous.In a nutshell, Nightkill is a relatively suspenseful film, but what lets it down is the somewhat inept direction and weak dialogue in certain places. 7/10

SPOILER!!!!! I have just finished watching this film and I was very impressed. I collect Jaclyn Smith's films and most recently acquired this one on DVD.The story took all sorts of interesting twists. Was Wendell dead? Was Katherine (Jaclyn) being set up?I was hooked, and it was remarkable how everything came together. As soon as I saw Donner (Robert Mitchum) putting on gloves near the end, it clicked. We had not seen Wendell's face when apparently he was chasing Katherine but that added a air of mystery at the time, not seeing the 'dead' man's face.Robert Mitchum played a very good phoney detective.This is a rare occasion that nothing major is overlooked in the plot that the victim could have done differently. Katherine did nothing too irrational and didn't seem simply stupid at all.Jaclyn was a pleasure to see, especially knowing she made this film while "Charlie's Angels" was still in production. However, the downside, the moment when she had to display extreme emotion, (I'm sad to say) were sometimes cringe-worthy, the worst was when she was runnning round the house shouting for who she thought was Wendell to come out. But this was required for the role I guess, a very distressed woman. However, when she discovers Steve's body in the place of Wendell's, the film makers choice to make it slow motion with music and no sound of gasping, shrieking or crying was extremely sucessful in my opinion, it worked a lot better, the expressions on Jaclyn's face spoke for themselves easily!And the previous review about having to watch this is a second time is true, I look forward to that in a few months time, noticing the pieces being scattered to come back together later. This isn't Jaclyn at her best, but an excellent thriller with the bonus of featuring Jaclyn.

A very murky thriller. On the first viewing, I swear you won't be able to tell what's going on until....the last five minutes or so. This may be one of those mysteries that require a second viewing to fully understand how everything adds up. Good acting, though, both by Robert Mitchum, as a cunning detective, and by Jacklyn Smith, who's quite convincing as a woman involved in an increasingly threatening situation, with nobody to rely on in the whole world. (**)