Hard to Get (1938)

Simply A Masterpiece

In truth, there is barely enough story here to make a film.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

"Hard to Get" is what you might call a low-key comedy. There are some pratfalls, but the action is mostly at a relaxed pace, not frantic or riotous. Olivia de Havilland (as Margaret) and Dick Powell (as Bill) are delightful as the couple who find romance in a most unexpected (to them) way. She tears out of the house in a pique of rebelliousness but finds that the car's fuel tank is low. When she stops to get gas at a combination garage/motor court, she tries to charge the expense, but the attendant--who does not know her--refuses to extend her credit.She's actually from a wealthy family, but Bill doesn't know that and he forces her to work for the cost of the gasoline by making beds and dusting in the motor court's bungalows. She concocts a scheme for getting even, which involves her father, Charles Winninger (Ben Richards).If you believe the film, CEOs--like Mr. Winninger--spend their days wasting time or indulging in whimsical activities, like wrestling with their butlers, but it makes for a funny story.The cast is excellent. Together they create a light-hearted comedy that revolves around a growing romance.

I don't think I've ever watched more than one film starring Dick Powell, and I don't even remember which one that was, but finding him in this film was a delight. And throw in Olivia deHavilland, and you have a darned entertaining pairing in a pleasant romantic comedy. This is a solid "7".Powell has 2 musical numbers that are quite good. He plays it straight with "You Must Have Been A Beautiful Baby" -- one of the better renditions of the song I've heard. But hams it up a la Al Jolson with "Sonny Boy", and yes, in blackface; I know we're not supposed to like blackface, but this is a hoot.The story is not that unique -- rich society girl (deHavilland) is put in her place was one of the common folk (Powell). But, she soon discovers that he has the potential to get involved in big business, begins to fall in love with him, and influences her father to help him. But there are some distinguishing elements here -- petrol stations, motor courts, building skyscrapers, and a crazy business bet between rivals. SO while the basic story line is not that different, there are some unique aspects of the story that help elevate it beyond many period pieces.As already mentioned, Dick Powell and Olivia de Havilland at the top of the cast are top notch here, although in re screen time, this is very much Powell's picture. Charles Winninger, as the high society father, is interesting here; in his exercise scenes he does his own stunts, and at the age of 54, that was not too shabby. Allen Jenkins was always pleasant to see on screen, usually (as here) in a "buddy" role; Melville Cooper similarly makes the most of his butler role here. Bonita Granville wasn't very impressive as the high society younger sister, nor was Isabel Jeans as the high society mother (although I have the idea she played the role as directed). Grady Sutton was one of those character actors who just seemed made for certain types of roles, as here. Thurston Hall player the other big businessman well.If you're at all attracted to romantic comedies, give this one a watch. I think you'll enjoy it.

A spoiled rich girl wants revenge on the gas station attendant who humiliated her - he wants to sell his idea for auto courts across America; both are about to learn that some things in life are very HARD TO GET.This is a wonderful, hilarious screwball comedy, boasting good performances, genuine laughs & fine production values. Witty & winning, it is a shame it is so obscure today.Dick Powell appears to be having a terrific time as the young go-getter with the big ideas. As eager to please as a puppy dog, he enthusiastically hurls himself into the zany plot permutations. Whether impersonating Jolson singing ‘Sonny Boy,' or introducing the song hit ‘You Must Have Been A Beautiful Baby,' Powell is never less than entertaining.Lovely Olivia de Havilland is a pure pleasure to watch as she slowly bends to Powell's winning ways. Considered more of a dramatic actress, her considerable comedic talents are on full display here. The scene where she attempts to serve a fancy dinner while impersonating her maid is a quiet riot.An unusually large cast of supporting players help move the fun right along: cuddly Charles Winninger as Olivia's physical fitness mad dad; Isabel Jeans & Bonita Granville as his insufferably snooty wife & youngest daughter; Melville Cooper as Winninger's long-suffering valet; Allen Jenkins as Powell's dimwitted buddy; Thurston Hall as a banker with a dangerous love of practical joking; Grady Sutton as Olivia's flaccid suitor; and Penny Singleton as a wonderfully unsophisticated servant.Movie mavens will recognize Arthur Housman as a polite inebriate, and Arthur Hoyt, Vera Lewis & Jimmy Conlin as attendees at a flower lovers' banquet, all uncredited.Rear projection screening was the bane of the cinema for years, as its patently fake visuals tended to distract from the action. HARD TO GET, therefore, deserves some credit for its splendidly vertiginous high-rise construction segment, which really does grab hold of the viewer's spine.

A delightful comedy about a very ambitious gas station attendant that meets a spoiled rich girl...and her quirky father. Olivia de Haviland is the gorgeous gal. You may recognize a familiar voice in "Hattie", played by Penny Singleton, who went on to play "Blondie" in the first film of the series that same year(1938), and later was the voice of Jane Jetson. Fast-paced and original.