Kentucky (1938)

I like the storyline of this show,it attract me so much

Purely Joyful Movie!

The film never slows down or bores, plunging from one harrowing sequence to the next.

Amazing worth wacthing. So good. Biased but well made with many good points.

I'll have to begin with the biggest negative to this film. Do we really need yet another film where young Bobs Watson demonstrates his ability to cry hysterically????? In "Boys Town" it was touching, but it got sickening after a while.Beyond that, this is a really good film. Particularly because one of its supporting actors, and in my view the real star of the film -- Walter Brennan -- who at 40 years of age was able to skillfully play the grandfather (who had been played in childhood by Bobs Watson).The titled star of the film -- Loretta Young -- doesn't arrive until 18 minutes into the film, but I think that tells you something about the intent here -- to make a good film, not just highlight the stars. She's beautiful, and one can see why she was a star. This was one of her few color films. The other star is Richard Greene, a British actor who was building to a great career until the war intervened, and never quite got it back together after the conflict. He's very good here.What isn't so good any longer is the color, which has faded somewhat and is a bit uneven, particularly on Loretta Young's face. Almost makes this look like a colorized film, but it's real Technicolor. And, the age and lack of restoration has made the print shown on TCM not crisp. However, the original production standards here were high, and it's noticeable.This film is far better than its listing description, which makes it sound like a hillbilly film with two feuding families. Yes, the families are feuding, but they're not hillbillies...they're the horse-racing elite of Kentucky -- families divided years before by the Civil War (that part of the story is highlighted in the first 15 minutes of the film, then it forwards to the "present" time...where Loretta Young and Richard Greene come in).Films all have happy endings. Right? Wrong. The ending here is bittersweet, at best. And throughout the picture, 3 key characters die. But again, that proves that the producers here wanted a solid story, and they deliver.A fine film. Watch it!

this movie played twice on THIStv, a great channel.Kentucky is one of my favorites. I am teaching a Southern History course, and I use the "Southern" any movie about the South to talk about how Hollywood viewed blacks, the different classes of southern society. A great movie similar to this that also starred Walter Brennan is Maryland Fox 1940 Hattie McDaniel is in this one It takes place on a large estate in Maryland, and has to do with steeplechase and fox-hunting. Both of these movies are fun a bit dated with the racial views, but in the context of a good story,a dn history well worth watching. Where can I get a copy or view online Maryland? also please write thistv and let them know you like movies such as Kentucky,Maryland They must have purchased a cache of 20thCenturyFox films, they showed the 1953 Titanic on Sunday. Also anyone who has done research on the Southern as a genre please let me know I am planning to do an aritcle.

***SPOILER ALERT*** The bad blood between Kentucky thoroughbred horse-breeders the Goodwins and Dillons date back to the early days of the Civil War. That's when the Dillons decided to join the Union against the Confederate South that the Goodwins fought and died for. In fact it was Thad Goodwin Sr., Russell Hicks, who was gunned down by Capt. John Dillon Sr, Douglas Dumbrille, a then officer in the Union Army as he, under order from President Lincoln, had Goodwin's prized thoroughbred horses forcibly taken away from him.Now some seventy five years later, in 1938, the feud was reignited when banker and horse breeder John Dillon Jr, Moroni Olsen, turned down a loan to Thad Goodwin Jr, Charles Wladron, who desperately needed the cash to saved his beloved Elmtree Farm. It's at Elmtree where Goodwin bred his champion, over the years, thoroughbreds. The loan was turned down after Goodwin won a gentleman's bet, rolling dice, over Dillon to have a choice to pick any three year old colt at the Dillion Whistle Ranch Farm. To make thing even more complicated Goodwin playing the commodities market heavily invested in cotton futures, hedging his bets, that crashed! This caused him to literally drop dead on the sidewalk from a massive heart-attack.It's when Dillon's son John, Richard Greene came back from England after studying to be a banker, like his dad, that things started to heat up in the Blue Grass of Kentucky. John wanting to be a horse trainer instead of a banker also got romantically involved with the late Thad Goodwin's daughter Sally, Loretta Young, whom he kept his identity, of being a Dillon, from to win her over.Using the name Mr. Bossman Jack talks Sally and her Uncle Peter Goodwin, Walter Brennan, into letting him stay at their horse farm and train their only racehorse Bessy's Boy to run in the upcoming Kentucky Derby. It turned out that Bessy's Boy broke down when Sally rode him, after her car broke down, to get help for her dying mom Grace, Leona Roberts, leaving the Goodwin's with no horses for Jack to train.Finding the note that Old Man Goodwin got from John Dillon, on their bet, about getting one of his prize Three Year Olds Sally together with her Uncle Peter picked up this jet black colt at the Dillon Farm whom they named Bluegrass; And the rest is movie horse-racing history. Great horse racing action sequences coupled with beautiful Technicolor photography makes "Kentucky" a stand out of a movie despite it's schmaltzy and predictable storyline.Jack's cover, as Mr. Bossman, is blown when Sally finds out he's actually a hated Dillon from the racing secretary as she tried to talk to him before the big race that Bluegress was entered in. It's when Bluegress won, on a foul, that Sally began to realize that Jack, despite being a Dillon, was on the up and up not like, in her mind, his greedy father who, which was a real stretch on Sally's part, drove her dad to his death.**MAJOR SPOILER** With the big race-the Kentucky Derby-next Jack who had by then confessed to Sally who he really is, a Dillon, tells her not to have Blurgrass hit by his jockey during the race. It will only have him quit and end up the track by the time the race is over. Going against her Uncle Peter's orders, who wanted Bluegrass whipped in the stretch run, both Bluegrass his jockey and Sally ended up in the Churchill Downs Winners Circle. But ironically the old frail, and having a bad ticker on top of all that, Uncle Peter who all his life dreamed in owning a Derby winner wasn't there with them! Uncle Peter left the scene, or this plane of existence, just as the big race ended with his heart, the excitement was just too much, giving out on him.Superior horse racing movie not only because of the great racing in it but because the acting of Academy Award winning Walter Brennan as Uncle Peter Goodwin as well as the rest of it's top flight cast. There' also the added attraction of having guest appearances in the film of such greats of the American Turf as Man O' War and his 1937 Triple Crown son the speedy War Admiral. There's also making a guest appearance in "Kentucky" the 1935 Triple Crown winner Omaha the only offspring of a Triple Crown winner in horse-racing history who's sire was 1930 Triple Crown winner Gallant Fox who's incidentally also in the movie!P.S At the start of "Kentucky" we see Uncle Peter asleep on his easy chair with the newspaper, that's covering his face, headline Seabiscuit, who also makes a guest appearance in the film, to face War Admiral at New York's Belmont Park in $100,000.00 Match Race. The Match Race between he two champion horses actually took place at Pimlico, known as Old Hilltop, outside of Baltimore Maryland not in New York's Belmont Park.

The Yankee ransacking prelude more or less spells out the eventuality that years later Young is going to fall for Greene and that their respective families are going to trample the path of true love. Quite literally, as the updated story is now played out against a bluegrass background.Get yourself into Hollywood mode and dispense with the logistics of script and story, and instead enjoy everything else. The performances, even though they embody strictly cliché and (predictably racial) caricature, are still marvellous for those who love a Fox-style wallow - Brennan won that year's Best Supporting Actor Oscar. The film is generally well and pacily edited, and the racing sequences are particularly exciting.The real star of this show though, for me, was the sublime photography which I can honestly say offered the most richest and well-preserved example of pre-40s 3-strip Technicolor I have so far seen. Even after more than 50 years, its luminescence (at least in this Channel 4 print) was breathtakingly striking and full of lustre, with yellow in particular registering far more strongly than I have previously seen in a 30s Technicolor movie, and natural outdoor verdance looking as if it had been sprayed with kiwi fruit dye. No doubt deployed deliberately to enhance the otherwise routine nature of the story, it would still take a considerable kick of horsepower to elevate the film to the grandeur of, say, 'Gone With The Wind', to which it bears more than a passing dramatic resemblance.