Two Girls and a Sailor (1944)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The best films of this genre always show a path and provide a takeaway for being a better person.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

...because...I dunno... there were just bad signs everywhere. An MGM musical in black and white? I was afraid of even more of "the Nazis are eeeeeevil" pronouncements that get overdone in WWII films. Believe me, I get that they were evil. And plus I have just never gotten the allure of June Allyson and that husky voice.But I was on Christmas break and it was part of a Turner Classic Movies tribute to those in the film industry who died in 2016 - in this case Gloria DeHaven - so I thought I'd give it a whirl. This one pleasantly surprised me.In a way the title does give the paper thin plot away - one sailor (Van Johnson as swabbie John Dyckman Brown III) in love with one of two girl performers (DeHaven and Allyson as the Deyo sisters, Jean and Patsy respectively). Complications ensue. But the fun is in the journey not the destination.There are some possible dark sides to this film. It starts out with Jean as an infant and Patsy a toddler watching over her backstage while mom and dad perform in vaudeville. A few years pass and now Jean is the toddler and dad is performing alone. It is said "mom made the big time" but you wonder - did mom run out on dad and her daughters? Is mom actually dead and dad just doesn't want to tell them? You're never told. The scene skips to present day - 1944 - and the girls are a sister act in a night club and then run a canteen for soldiers out of their apartment after that. But those childhood years of Patsy watching Jean have taken their toll, because now Patsy watches Jean like a hawk, making sure she doesn't take up with the wrong man while she doesn't seem to have time for a man at all. Is this a residue of what happened as children? Does Patsy not want Jean or herself to end up like mom? Again, nothing deep is ever said, but you have to wonder.And then somebody starts sending orchids to Jean. This alone has Patsy watching the nightclub audience wondering which one is the secret admirer. But when this (probably) same anonymous person gives them an old abandoned warehouse so they can enlarge their canteen - what they thought was a secret wish - and supplies all of the food and manpower to transform it, Patsy really goes into PI mode because now she is afraid some rich guy is out to make Jean a sadder but wiser girl. And the misunderstandings just go from there.In the meantime there is plenty of great music from Harry James,Jose Iturbi and orchestra, Lena Horne, Xavier Cugat and orchestra, and even Gracie Allen comes over from Paramount for a comical bit - minus George. Jimmy Durante performs here, but he also has a bit of drama and tragedy that figures into the plot - he's living like a hermit in the warehouse when the girls take possession - and he really surprised me with his dramatic range.Then there are those weird outfits Allyson and DeHaven wear. A couple of times one is wearing what appears to be the top to a dress with a particular pattern and the other is wearing the skirt. Is this some visual way of saying that one is pretty on the inside while the other is pretty on the outside? Jean is LOOKING for a rich guy and is pretty naïve yet mercenary, so Patsy has reason to worry. Meanwhile Patsy is not at all interested in the trappings of wealth. Or maybe I'm reading way too much into what was just meant to be some MGM musical fluff. I'd recommend this one. It was released right before D-Day, so things were looking optimistic on the homefront for the first time in a long time and the mood of this film rather goes along with that. It's almost an early "welcome back" film for all of the guys and gals in the service at the time.

This delightful MGM film came out during WWII. This picture was a product of those years. In a way, it was a way to inspire patriotism and play tribute to those young men that went to the war for their country. It's hard to imagine anything like this in these turbulent times we are living. These pictures were mindless entertainment to get the public's mind away from the realities the war was causing to a lot of people at the time.The story of the perky Deyo Sisters, a singing and dancing duo, working in the night clubs of the Manhattan of those years it at the center of the story. They were products of vaudeville, as shown in the sequence at the beginning of the story where Patsy and Jean are seen with the star, Billy Kipp, years before his downfall.The sisters decide to invite to their humble apartment the young men they met on the streets after they finished performing. The idea was to give these boys a good time in a wholesome setting. Jean, falls for a sailor who follows the sisters' act every night. Little do the girls know about the identity of this innocent looking young man. When Patsy points out to John Dyckman Brown, the sailor, her ambition to fix the abandoned warehouse next to them, she never expected her dreams to come true. When they open the place, they are able to get some of the performers working in the night clubs to come entertain the boys before they go to war.The film is highly entertaining because MGM made sure to give this project the priority it needed. Richard Thorpe, the director, did wonders with the material and the stars at his disposal in a truly inspired movie that is delightful to see anytime it's shown.June Allyson, in her screen debut, is marvelous as the sensible Patsy. Gloria DeHaven, at the height of her beauty and freshness, is quite a sight to see. Van Johnson and Tom Drake, play the girl's love interests with charm. The fabulous Jimmy Durante is rescued by the girls from oblivion. The musical numbers are wonderful. We see some of the best talent of that era such as Lena Horne, Harry James, Xavier Cugat, Gracie Allen, Jose Iturbi, and others that contribute to make this a winning film that gives other generation a taste of what it was like to be young in those years. Viewers paying close attention will see a young Ava Gardner among the girls in the chorus.

Saw this delightful musical, filled with great performers: James, Durante, Cugat, Iturbi, and many others, when I was eleven while in New York with my mother in 1944, and never saw it again until today 14 Feb, 2006 in TCM... easy going plot, well articulated with good acting, fine music and mainly everlasting songs... All in all, just great fun all the way... the fine start of June Allyson brilliant career...What a great feeling to live back those far gone days when even though in war, America was united as ever, with natural sorrow and hardships, but full of dreams, commitment, proud of itself, with high hopes for a better world... Made me nostalgic? Yes indeed!

I was nine in 1944, living in Cincinnati during WWII when this movie came to RKO Royal Theatre.I saw it twice then. Later, when we had moved back to Tennessee, I saw it again the Roxy Theatre in Clarksville, Tenn. About 1995 I read that "Two Girls And A Sailor" was released on VHS,I rushed to have my video store order me a copy. Now I have it, and watch it every couple of months. It's almost like being 9 years old again ! (And I'm still mad about June Allyson !)