Two Family House (2000)
Buddy Visalo (Michael Rispoli) is a factory worker, a frustrated crooner who once had a shot at the big time. Buddy's dreams of greatness have been reduced to an endless series of failed moneymaking schemes. His latest is buying a two-family house for him and his wife, Estelle (Katherine Narducci) and converting the ground floor into a neighborhood bar where he can perform. The wrench in the works is that he also inherits the upstairs tenants, Mary,a pregnant Irish girl fresh off the boat (Kelly Macdonald) and her abusive, alcoholic husband, Jim (Kevin Conway). As Buddy's gang of Italians tries to handle the situation, the girl goes into labor, and a baby is born, forcing them all to confront the limits of their tolerance and compassion.
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Powerful
best movie i've ever seen.
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
This is a wonderful film, that deals with the challenges of ethnic stereotypes and the cultural biases that go with them. Stereotypes are a definite by-product of culture, yet for the most part, usually the worst expressions of a particular culture. In adhering to our birth culture we invariably absorb certain stereotypes, and biases, without even realizing it. People therefore become stereotypical to a greater or lesser degree, depending upon their independence of thought, and self-awareness. The less independent minded, or self aware we are, the more stereotypical we may become.Two Family House is a very well-crafted drama, involving interactions between, an Italian couple, an Irish couple, and an anonymous African American man. The chain of events triggered by their interaction, gives birth to a beautiful love story involving the Italian husband of one couple, and the Irish wife and her child, of the other. Challenged by events that pushes them to the limits of their respective cultural sensibilities, the film portrays how these individuals for various reasons, either succumb to, or transcend, the biases, they were born into. The beauty of the movie is that it shows that through tremendous effort and resolve, it's quite possible to break free of cultural stereotypes, and the irrational hate, that invariably goes with them.
A good story, very ethnic, in that new york/Staten island, working class kind of way, circa 1950s.I started watching this on HBO and sat through to the end. This is a story told by a narrator looking back on the unexpected events that lead up to his life. The characters are all very strong and believable, and you find yourself identifying with them, even if you didn't want to at first. Not a fast action flick, but easy to follow on a slow Sunday afternoon, which is what it was when i saw it. If you like nice narratives, gradual plot development, and sweet, unanticipated turns, this is a film to see.
Well, football is over, so I caught this on an early Sunday evening watching HBO. Never heard of it, and I honestly don't know how I started watching it - just flipping around I guess and I heard an Irish accent, so I watched for a bit. Turned out to be a very good movie, not a great movie, but interesting nonetheless. Michael Rispoli wins you over with his Italian nice-guy performance, and Kelly MacDonald is wonderful (for some reason reminded me of Donna Reed in It's a Wonderful life). Really, this was just a slice of life picture with some characters that were interesting and compelling. I know this isn't a really great review I'm writing here - I guess I just want to say that if you come upon the movie, give it a chance. It's not going to change your life, but you'll probably talk about with anyone you see who happened to see it to, and that's always a good thing.
It seemed strange to see the decidedly outer-borough "Two Family House" at an expensive Manhattan movie theater, until during the opening credits two old ladies sat in front of me, put their coats on the two seats between them, and proceeded to loudly comment on the proceedings to each other throughout the whole movie. Much like the friends of the protagonists do in this very sweet yet honest depiction of post-WWII life on Staten Island when an off-islander disrupts the quotidian.While it drags a bit here and there, and the voice-over narration sometimes re-states the already visually obvious, the very New York characters (including one played by "Pussy" of "The Sopranos") are real people in real situations and realistic traps. This is less schmaltzy than Barry Levinson's Baltimore nostalgia-fests. Filmed in Staten Island, Jersey City and Bayonne, the settings are accompanied by lovely period music by the John Pizzarelli Trio (who also does a cameo appearance as Julius LaRosa).This is one of those small, charming indie movies that seems to be a labor of love, like a jewel of a short story.(originally written 10/14/2000)