Chained (1934)

One of my all time favorites.

Memorable, crazy movie

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Exactly the movie you think it is, but not the movie you want it to be.

Chained (1934)This is one of those early romantic movies Clark Gable and Joan Crawford used to do.Diane Lovering (Crawford) is the unapologetic mistress of a New York shipping magnet, Richard Field (Otto Kruger). Richard would love to divorce his wife Louise (Marjorie Gateson) and marry Diane, but Louise likes her lifestyle too much the way it is, and threatens to take Richard's two sons away where he would never see them again.Richard feels guilty about this and buys Diane an ocean cruise to Argentina to ease her pain, his guilt, and to give her time to think about whether she wants to stay in this kind of arrangement the way it is or not. On the ship she meets Mike Bradley (Gable) who has a South American cattle ranch.Naturally, they fall madly in love with each other, but Diane's loyalty to Richard keeps her from sealing the deal until she talks with Richard first. When she arrives back in New York, she finds out that Richard is divorcing Louise, despite never seeing his kids again. Diane resigns herself to marrying Richard and sends Mike a quick Dear John letter.Later, Diane bumps into Mike while shopping downtown and discovers that she still loves Mike more than Richard. What now?

Despite having heard her name a number of times,I have somehow never got round to seeing Joan Crawford in a film!,which led to me searching around on Amazon UK for a film that would allow me to finally break my non-Crawford watching chain.The plot:Meeting up with her long-term lover Richard I. Field,mistress Diane Lovering starts to hope that she is about to become part of Field's cruise ship business empire,thanks to Field announcing to Lovering that he is finally going to divorce his wife Louise.Despite having hardly seen his wife for over a year,Field's plans are left in tatters,when Louise reveals that she won't divorce him,due to the doors that have opened since she has gotten the 'Mrs.Field' title.Desperate to heal the sadness that Lovering has suffered from his failure to get a divorce,Field arranges for Lovering to go on a cruise ship of his,which will allow her to go on an all expenses paid South American cruise.Spending time on her own thinking about Field,Lovering soon catches the attention of a wealthy ranch owner called Michael 'Mike' Bradley,which will lead to Lovering wondering if she is really chained to Field's love.View on the film:Teaming up for the 4th (of 8) times,Clark Gable and Joan Crawford each give excellent performances,with Gable showing a devilish side which contains real warmth,as Bradley finds himself getting closer to Lovering.Walking round the cruise ship with a dazzling elegance,Crawford places Lovering's concern for Field right at the heart of the character,thanks to Crawford showing a real charm in the largely improvised scenes she shares with Gable,which along with showing the characters flirtatious side,also displays Lovering's fear of someone getting hurt.Taking the character in an unexpected route,Otto Kruger gives a masterful performance as Richard I. Field,as Kruger keeps away from dipping in sleaze,to instead give Field a genuine sense of sincerity,as Field finds himself unable to stop the chain that he has with Lovering from breaking.Filmed just after prohibition had been lifted in the US,director Clarence Brown displays the wealthy world that the character's inhabit by covering the movie with lashings of booze,which are joined by glamorous tracking shots which show Crawford's beauty and also show the beauty of the luxury cruise (something that only the very rich could afford at the time) that Lovering is on.Sadly not being able to match the glamour that Crawford gives the movie,or the stylish tracking shoots that Brown uses,the screenplay by Frances Goodrich, Albert Hackett, John Lee Mahin and Edgar Selwyn keeps away from looking at the seedier aspects of the title,which leads to no real sparks being allowed to set off between Lovering and her would-be lover's,that cause this chain to break apart far too soon.

Diane Lovering (Joan Crawford) is about to win the lottery by wresting away ocean liner CEO Richard Field (Otto Kruger) from his harridan spouse who refuses to give him a divorce. Needing more time to convince his wife otherwise he sends Diane on a lengthy cruise replete with maid and a stateroom the size of a small cafeteria. On board she meets Mike Bradley a rancher in Argentina who attempts to romance her. After slowly wearing Diane down she resolves to return to the states and break it off with Field but when she sees what the tycoon has sacrificed for her she goes through with the marriage. Wealthy beyond her wildest dreams and loved by a decent man she is still nagged by her decision when she bumps into Bradley at a gun store a year later.Gable and Crawford never looked better in this above average entry of their numerous teamings together. In more than one scene we are treated to cinematographer George Folsey's cameras warm embrace of the handsome Gable and radiant Crawford offering concrete evidence of the icons they were and remain. The star wattage however is dimmed by the rational and civil discourse displayed by Field who maintains decorum throughout even in the face of possibly losing his new wife to Bradley. In addition Diane for a good chunk of the film has to check her passion as she attempts to keep Bradley at arm's length. But whether in conversation or a clinch these two sharing the screen together constantly reinforce Norma Desmond's Sunset Boulevard declaration about pictures with matchless chemistry.Crawford, more restrained, sophisticated and understanding than in most of her roles gives one of the better performances of her career. Garbo director Clarence Brown might have had some influence in toning her performance down but for the most part he maintains a steady framing of the two leads struggling with coitus interruptus.Otto Kruger as Field is decent and noble in the face of the calamity he faces, maybe too much to the film's detriment. Stu Erwin is annoying as Mike's flunky while Oona Mundsin as Diane's maid casts more glances than dialogue. There are brief moments of ethnic insensitivity with some at the expense of Akim Tamiroff who nevertheless gets the biggest laugh in this otherwise well mannered and tame romantic melodrama that succeeds solely on the merit of its well showcased charismatic leads at the top of their game.

Even if you took out the typical yet entertaining love triangle between Gable, Crawford and Otto Kruger, you'd still have a film that offers fun each time you see it. Personally, I'd never miss a film with Gable playing the tall-dark-and-handsome heartthrob who gets the girl in the end... his natural talent for the quick-witted quips was (and still is) what attracts us men to him and his manly, muscular physique to our women. Isn't he what all of us guys want to emmulate?! Crawford, although I hate her with a passion, is an actress who I can't deny has a great flair for acting. And when it comes right down to it, how can anyone hope that Kruger would win over a man as perfect as Gable? It's the typical boy-gets-girl, happily-ever-after ending that was so popular in the thirties that audiences ate up and some still do today. It's a cute little farce worth watching every once in a while.