I Love Sarah Jane (2008)

Instant Favorite.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

I remember seeing this film back in 2008 around the time when it came out. I really liked it back then. Mostly because it's very minimalistic style. And I hugely liked Zombie movies (I still do, but not the modern fast zombies), so I had a chance to revisit the old memories. Zombie films were already overdone in 2008 and now the genre is finally out of juice. 'I Love Sarah Jane' somehow remains one of the few good modern zombie films, although the zombie apocalypse isn't in the main focus (probably because of the low budged). This film rather tells us story about orphaned kids and of course the first real love. And it is very hard not to love Sarah Jane (Mia Wasikowska) who looks strong, but is vulnerable inside, and can be pretty cruel if needed. If you are able to look pass at some minor flaws (the CGI special effects are not quite top notch), it is quite enjoyable short film from already tired zombie genre.

"I Love Sarah Jane" is an Australian 15-minute short film that takes place in a world where zombies are apparently nothing really abnormal anymore. This was made 7 years ago, so 2 years before "The Walking Dead". People who enjoy this show can check this one here out as well. Writer and director Spencer Susser is mostly known for his work on Joseph Gordon-Levitt's "Hesher". In terms of the story, this could have been better I think. The crush of the male protagonist on Sarah Jane occasionally feels really just side-action to the zombie plot. And it would have been actually fairly interesting to find out in detail about what happened to the father. They threw us an interesting quote, but sadly did not elaborate on it whatsoever. Anyway, this film is an interesting example on how differently careers can develop. Wasikowska is one of the biggest actresses in Hollywood right now from her age group, Brad Ashby has never acted in another movie before or after this one. It's obvious he is only second fiddle here to the title character. All in all, not a particularly great film though and only worth a watch for huge fans of zombie movies.

Zombie horror has become so exhausted and clichéd as of late that it's becoming exceedingly hard to find any fresh and original takes on this particular premise. Director/co-writer Spencer Susser gives the ol' lethal walking dead flesh-eaters bring about the end of the world as we know it story a much-needed potent and invigorating kick in the pants by focusing on how said apocalypse would have a profound impact on a handful of kids left to fend for themselves sans adult supervision. Naturally, said tykes would lose almost all residual traces of decent humanity and behave in the worst manner imaginable by degenerating into savagery (one particularly sadistic teenager gleefully tortures a hapless tied-up zombie), swearing excessively, and drinking beer. Moreover, there's a sweet central romance with the awkward Jimbo (well played by Brad Ashby) pining for the lovely Sarah Jane (a fine performance by the beguiling Mia Wasikowska, who went on to portray the title character in Tim Burton's "Alice in Wonderland"!). But it's the sudden moments of raw and vicious violence that provide an extra hard-hitting edge, with an especially disturbing conclusion in which Sarah Jane proves to be the toughest of the bunch. Cinematographer Adam Arkapaw gives the picture an effectively gray'n'gloomy look while the opening smooth tracking showing a corpse-strewn suburban wasteland is truly striking and impressive. Michael Lira's spare droning score likewise does the trick. The use of the cutesy ditty "Like a Lollipop in a Candy Shop" over the ending credits is simply brilliant. Why, this short even manages the remarkable feat of making the zombie (Richard Mueck in gnarly rotting skull-faced make-up) a rather pitiable figure as he's senselessly brutalized by the kids. Highly recommended.

This short film is like THE LORD OF THE FLIES meets OMEGA MAN....with lots and lots and lots of cussing. The film begins with a 13 year-old kid on a bicycle riding through a town where the homes are mostly destroyed, bodies lie in the road torn apart and burned out hulks of cars are strewn about the road. Some sort of apocalyptic event has obviously occurred and soon you see that a zombie plague has destroyed society--leaving some kids but no adults. And, like THE LORD OF THE FLIES, the kids mostly do nothing productive. One loathsome teen spends his time torturing a zombie who is chained up and the rest just stand back and watch. However, the boy at the beginning of the film goes in the house and tries to strike up a conversation with a young lady. After an awkward attempt at conversation, the two go outside to see the bully blowing up the zombie--but, of course, this backfires and results in a rather grisly ending.While there are lots of cool elements to the film and it sure could have been great, the overall production had me feeling like the whole thing was a definite miss. Despite great zombie special effects and some interesting plot elements, seeing nasty teens curse non-stop like drunken sailors isn't my idea of entertainment. Sure, in such an awful world, it would be understandable to have some cursing (heck, if I saw a zombie I'd surely let out an amazing torrent of epithets)--but to have practically every other word be "f-this" and "f-that" gets very old and shows a lack of discipline or respect for the audience (unless you only want to appeal to a minority of the viewers). Why in recent years independent film makers feel that dialog like this is "edgy" or "hip" is beyond me--it just shows a lack of imagination. And this is a terrible shame, because it's obvious there were some great ideas and execution in this film. Clearly an opportunity lost for greatness.