Rage (2010)

The Worst Film Ever

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

One of the most extraordinary films you will see this year. Take that as you want.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Writer Dennis Twist (Rick Crawford) drives into town to end his extra-marital affair with lover Dana, but winds up invoking the wrath of a mysterious motorcyclist on the way. En route home, Dennis finds himself terrorised by the leather-clad, black-helmeted biker, who will stop at nothing to satisfy his rage.Low budget horror/thriller Rage borrows so heavily from Steven Spielberg's Duel that its writer/director Chris Witherspoon feels obliged to acknowledge the fact with a scene where two incidental characters discuss the 1971 movie at length. In doing so, his film becomes an homage (which sounds so much better than rip-off, don'tcha think?). As if nicking the plot wasn't enough, Witherspoon also names his central character Dennis—presumably after Dennis Weaver, who played the lead in Spielberg's movie—and gives his film a similarly snappy four letter title.For his final act, Witherspoon turns to the slasher genre for inspiration, his motorbiking psycho becoming a seemingly indestructible bogeyman à la Michael Myers, not just targeting Dennis, but also his poor wife Crystal (who, in one particularly brutal scene, is beaten up and raped), and an elderly couple who live across the street who meet a gruesome fate via the business end of a chainsaw.However, despite the flagrant cribbing and a general lack of originality regarding the plot, Rage didn't have me flying into one. Witherspoon's film is actually a reasonably well crafted thriller, one that certainly belies its budgetary limitations, delivering some decent thrills and spills, cool characterisation (Dennis is such a slime-bag), and a smattering of gnarly violence. I doubt very much if it will launch Witherspoon as the next Spielberg, but as 'homages' go, I've seen plenty worse.

"SPIELBERG'S DUEL MEETS HALLOWEEN" - screen spotlight"SENSATIONAL HORROR FILM-MAKING AT ITS FINEST!" - horror unlimited.comSounds good doesn't it?First off, it don't come close to Duel or Halloween. Secondly, I switched it off after 29 minutes.The lead actor is OK. Most of the other actors appear to be friends of friends. The audio has a quality epic feel, but feels really misplaced. Blame it on the director, camera- man, editor, there's something amiss with it. It feels like it was made by someone who probably spent some time in film school. An intermediate.Edit: I did bother to see it through to the end. It took some effort to do so, and no, the film does not improve.

Chris Witherspoon, you are one sick mother, I love this stuff. This is not a high budget movie by any means but wow I really could not stop watching. It is like my tittle says a non stop edge of the seat movie the imagination of the writer is way out there and I hope he has more of this stuff to come in the future. One of my employees and a good friend is of work right now with a broken arm because of road rage he was attacked with an aluminium snow brush and used his arm to block a blow. This is real life road rage to the extreme. I really enjoyed this in a strange way I don't want to sound like a saddest but if you like gruesome in a stretch of a real life scenario you have to watch this movie.

Dennis Twist (Rick Crawford) is about to have the worst day of his life. After a seemingly minor confrontation with a motorcyclist over the availability of a parking spot, an increasingly violent response follows. A response that will draw suspicion, blood and eventually death in Chris Witherspoon's 2010 film, Rage. The idea behind the altercation between Dennis and is unnamed antagonist is as innocent as it is commonplace. How many times have you waiting for a parking spot only to have someone wheel right in? The difference between our encounters and that to which Dennis meets is that most irate motorists might stop at a flipping of the bird or honking the horn. But the mysterious motorcyclist will take his frustration to the next level. He will follow and torment Dennis in public washrooms to his own home in order to exact some kind of unequal revenge for the slight. Dennis believes he knows the person behind the helmet that is tormenting him. Dennis has been unfaithful to his wife and he believes that the motorcyclist is an acquaintance of the woman to which he was having an affair. It was an interesting plot development that added a thin layer of mystique, but I don't think the audience was as fooled as Witherspoon (who also wrote the screenplay) intended. Things escalate gradually until they go off the rails once the Biker follows Dennis home. Invading the Twist abode, the Biker takes his violence to the next level by savagely assaulting Dennis and his wife. A prying neighbor also gets into the mix and is met with the bloodiest fate of the independent cast. Rage was one of those small entertaining movies that got us to the edge a few times but couldn't push us over. Writer/director Chris Witherspoon doesn't have a lengthy resume, but his directing talents were on full display with impressive framing shots and some coloring techniques (sequences in black and white) that showed both a confidence and a playfulness behind the camera. The acting is relatively strong. The Biker has no dialogue so the movie rests on the shoulders of Rick Crawford and he is competent in the protagonist role. Without words (or even a face) to go with our villain, it was hard to connect with his motivation. Why he would resort to a small chainsaw in a scene that I would title 'Collateral Damage' was a bit of a stretch, but we were still appreciative of the blood spillage and the distraction from the main target. Over the course of a year, we screen countless independent film sent to us with producer's intention of promoting the flick – hopefully with a favorable review. Some films we are kinder to than others, but Rage needs no coddling. It is a proficient and capable film that was low key and dark in nature punctuated by some moments of incredible unease (the bedroom scene was particularly well done). That means we can easily recommend Rage and we hope to have not heard the last from director Chris Witherspoon.