Our Very Own (2005)

So much average

Please don't spend money on this.

Lack of good storyline.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This film is a 'must' for all those people who say they do not understand Middle America, because it shows life there very clearly and accurately (minus any reference at all to religion, unlike 'Junebug', which is full of religion as well). The film is set in 1978 in the town of Shelbyville, Tennessee, which is (genuinely) the home town of the Hollywood actress Sondra Locke, who is going to 'return home' for a visit. The occasion is the annual Tennessee Walking Horse National Celebration. (Tennessee Walkers, for those who don't know, are an internationally famous type of horse bred and trained in that area.) I know this part of Tennessee well, and never thought I would see a movie in which Tullahoma, Tennessee, was mentioned (it is the next town along from Shelbyville). One of the actors in the film, Derek Carter, comes from Murfreesboro, which is just on up the road a piece. The priceless character actress Dale Dickey, who plays a waitress named Skillet (a 17th century word for frying pan which survives only in the American South) comes from Knoxville. The brilliant writer, producer, and director of this film, Cameron Watson, comes from Louisville, Kentucky, not a long drive away either. Many of the actors come from such places as Alabamba, Georgia, Virginia, and Ohio. They know how to play the characters in this remarkable ensemble film with genuine truth and compassion. It is a truly magnificent achievement by the whole team, and the script is particularly brilliant. One reviewer said there were too many plots and sub-plots, but that is the whole point: this film is intended to show the rich fabric and cross-weave of life in such a town, with all its stories going on at once and relating to one another, like those novels by French author Jules Romains (of which I have read no less than 31), whose literary theory of 'unanisme' advocated the portrayal of social groups or small societies as living organisms, such as we see here perfectly accomplished on screen. This is exactly what a small Southern town used to be like before they were all destroyed by the malls, and now by cellphones. How well I know that 'the kids' in that area all looked forward to 'driving up to Nashville' as their main source of excitement, or at least it was then. There are two main groups in this film: three women who grew up together and now have their grown-up lives and vicissitudes, and a group of five young kids who form a tight group of pals, three boys and two girls. These kids give wonderful performances, especially the amazingly charming Autumn Reeser as a girl with the equally unusual name of Melora. The main performance in the film is however by the brilliant actress Allison Janney, who is married to the hopeless alcoholic Keith Carradine, and is mother of Jason Ritter, Melora's boyfriend. Janney brings Oscar-level acting to this film, and conveys such tragedy, pathos, and desperation, with such gentility and understatement, that she provides the central core to the story. Her plight is truly heart-rending, as her furniture is repossessed, her car is smashed by her drunken husband, the house is about to be repossessed, her checks all bounce, they won't let her have groceries at the supermarket, and she endures total social humiliation in front of all her life-long friends. Her best friend played by Cheryl Hines is also marvellous. They muse to each other at local social events: 'Do you know just about everybody we grew up with is still here?' 'Yes, I reckon most of them are.' This is the social counterpoint to 'our very own Sondra Locke' who escaped from the town to lead a life of inconceivable glamour and to star in movies with Clint Eastwood. I bought this DVD of a film of which I had never heard because I wanted to see Mary Badham, who had not appeared in anything for 39 years, but her part was so small there was little to see, alas. (I had just seen 'This Property Is Condemned' of 1966 in which she was so amazing, and was curious about 'what ever happened to her', as she was so talented.) The film has wonderful performances by Hilarie Burton, Faith Prince, Beth Grant, Michael McKee, and any number of other fine players. Everybody is good, and the whole thing worked like a dream. They must all have believed deeply in what they were doing, and Cameron Watson is a superb director who knows how to get the most out of a story, his actors, and a sense of place. Hats off to all of these people and to all those fine folks who 'want to go to Nashville', to the delightful 'Valley girls' I used to know in Cowan and Winchester, to red-neck Tracy City with its cute cheerleaders, to cerebral and beautiful Sewanee, to a dreaming Monteagle, to the whole area, both mountain and valley. What a wonderful part of the world it is. It deserved this movie, to explain itself to outsiders. I wish all the outsiders could see it. All of the rich dialogue, with its quaint local expressions such as 'I swanee!' and 'by Pete!', is accurately there, a true joy to the discerning ear. This film is a triumph of reality over illusion.

There are a number of endearing moments in this movie that cannot be understated. Although the young members of the cast are the subject of the movie, the married couple played by Alison Janney and Keith Carridine are impeccable. Alison is especially great in this movie. The late John Ritter's son Jason is walking in dad's footsteps and the old man is smiling from above. Autumn Reeser carries the "girl next door" role like no other. Mary Badham maintains her mystique as an adult that she fostered as a child. Fascinating take on her part.I could go on about the characters but instead, I'll relate to the movie. I think what connects to people in this movie is the American Gothic theme that we all connect to. We all have those dull fitful evenings are teenagers wanting more in life. We relate to the eagerness to be great in this world. We understand the conflicts that can linger at home and how we all keep it on the fringe. And we all know someone who is or did go through some of the personal trials of these characters. The movie isn't just about them; it's a little about each of us.Watch it once, watch it twice, and watch it again. It will take root and blossom.

I completely recommend this film to anyone who wants to see a film w/ heart, soul & passion. I admit that walking into it I was skeptical, but I absolutely loved what Allison Janney & Jason Ritter brought to the production. Evey scene they are in, you can't help but pay attention to. Autumn Reeser is also a delightful surprise. I am only familiar to her work on the O.C. but after seeing her in this film, is relateable and completely an actor to watch out for in the future!See this if it comes to a theatre near you! I'm glad that some of the stars as well as the Director & Producers were in attendance at the Sarasota Film Festival. It gave me a greater respect for their work on this project. Congratulations to them all for not making a Hollywood crap film. We All Thank you!

I was very much drawn to the hometown feel of this film. I've actually been to Shelbyville, Tennessee, where the film takes place and the director, Cameron Watson, captures the town quite well. A lot of the acting is quite good as well. Allison Janney can do no wrong as she breathes life into her character throughout every moment. Jason Ritter's simplicity is something to aspire to as an actor. Character actress, Beth Grant, forces you to watch her as closely as you can to see what she'll do next; her most subtle movements are her most brilliant and truthful. And newcomer, Autumn Reeser, lights up the screen whenever she appears; overflowing with charm and grace, you cannot help but root for her to win. I expect to see a lot more of her in the near future.