Bloodbrothers (1978)

Great Film overall

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Apparently there are those who feel that the changes made to the novel on which Bloodbrothers is based render the film version less than a classic. Ironic since the Academy bestowed a nomination on the film for Best Adapted Screenplay. But I think this film is still very worthwhile to view.Tony LoBianco and Paul Sorvino play a pair of middle aged 40 something brothers who cut loose and act like juveniles on the weekend. Especially at Kenneth McMillan's bar where all kinds of bragging about all kinds of things about length and volume take place. Sorvino is a laid back soul and unlikely to grow up since he's not married and has no reason to grow up. But LoBianco rules a tyrannical household where his wife Leila Goldini is continually afraid and his younger son Michael Hershawe is anorexic from not eating. His oldest son Richard Gere is not sure that he wants to become an electrician like his father and uncle and the grandfather before them.Two things are impressive about the brothers. Both believe in the value of the dollar and being good providers. Both also are true to their trade and take pride in their work. That's a thing rarer and rarer these days. LoBianco's lecture to Gere is one of the best scenes in the film I felt.Sad to say there are some less desirable qualities in them, especially LoBianco. The fact that he is the family breadwinner makes him feel he's king of the castle with the rights of royalty to maybe even get a bit of something on the side. When Goldini finds proof of that it sets in motion a train of events that brings down the DeCoco family.He's got the showiest role and the most to work with in developing a character, but Tony LoBianco really steals this one. Big surprise to me that he was not put into Oscar contention. LoBianco goes through quite a range of emotions with his DeCoco brother. And it's all a mystery to him that he's got the problems he has in his household because his father sure didn't.By the way note that Richard Gere seems to have the same kind of issues with his family in the Bronx that John Travolta has with his Brooklyn based family. Of course Travolta's Tony Manero comes a lot less dysfunctional group, but the Maneros and DeCocos have a lot of similarities.It might not be the book that others have read and cite. But Bloodbrothers is fine drama if disconcerting.

Kim Milford, the greatest actor of the latter half of the 20th century, and all around American icon turns in the most under rated performance of his career. Milford, star of the classic Sci Fi film "LASERBLAST" is not held down by the weaknesses of co-star Richard Gere. In fact, the brilliance of Milford's artistry is elevated by the fact that no other actor in the film can match him.This is an unfair criticism of Gere, since the only actor of Milford's caliber is the legendary Michael Tedesco, who's portrayal of such characters as Jellyroll and Tbob elevate him to the same level as Milford.One must wonder how this film would have turned out if Milford was not cast. Milford, who would also be burdened with Mark Hammill in Corvette Summer has shown a long tradition of carrying films to greatness that would otherwise be destined for failure.

******SPOILERS****** Hard hitting yet sensitive story about a blue collar family living in a working class neighborhood in the Bronx NY and the ups and downs that they go through in the movie. The movie has to do with an Italian/American family, the De Coco's. The De Coco's have a son that's torn between being a construction worker and working as a recreational assistant at a local hospital. In hospital Stony want's to work with and help young children who have severe emotional problems like his little brother Albert, Michael Hershewe. Powerhouse performances by Tony Lo Bianco, Tommy De Coco, Paul Sorvino, Chubby De Coco and a very young and electrifying Richard Gere as Stony De Coco in one of his first major movie roles that showed the great talent that he had long before he became a top Hollywood super-star. Stony at first trying to live and work like his father Tommy and uncle Chubby wanted him to he then begins to slowly lose his interest. Being the sensitive type Stony finds it hard to live up to his father Tommy macho image and how that mindset effects his little brother Albert who's suffering from emotional problems due to having sever eating disorders.There's also Tommy's womanizing that leads his wife Marie, Lelia Goldoni, to try to have an affair with that weirdo Jackie, Raymond Singer, who lives in her apartment building who always had eyes for her. When Tommy finds out about this supposed affair ,from a phone call from Jackie's mother, he goes haywire and almost kills Marie and ends up himself in the hospital with what seemed like an emotional breakdown. Stony seeing what this type of lifestyle was doing to his parents leaves his job as a construction worker, that his father Tommy broke his back to get him, and decides to leave with his younger brother Albert for good. Stony in an attempt to say goodbye has an emotionally packed confrontation with his father, Tommy, and uncle, Chubby, that was the best of so many great scenes in the movie.Simple yet powerful movies about people that Hollywood doesn't make too many movies about these days. Another great scene in "Bloodbrothers" was a talk between Chubby and his friend and bar owner Banion, Kenneth McMillan, on how he threw his son Paulie, Bruce French, out of the house when he found out that he was gay. Chubby tried to get both father and son back together later by going to Buccellati jewelry on Fifth Avenue where Paulie worked to get him to attend his fathers birthday party. Chubby loses it when Paulie not only refused to show up at the party but didn't even want to sign a birthday card for his father that Chubby gave him. You could see the two different worlds that both Chubby and Paulie lived in and how they just couldn't come to any common ground on just a simple matter like that. And there was also a moving story by Chubby that he told Banion in regard to his son Paulie, that Banion felt he lost because of his gay lifestyle, about his own son ,the son that Chubby lost who tragically died in infancy. Almost in tears Chubby tells how he loved and looked after his nephew Stony as that son who he lost and never lived to see grow up. Also very good in the movie are Stony's two girlfriends Cherie and Annette, Kristine De Bell & Marilu Henner, who more then anything exemplified the two worlds that Stony was torn between."Bloodbrothers" is a forgotten movie until you see it and realize that it was one of the most underrated motion pictures of the 1970's. A touching moving and tragic film with a great and stirring musical score that shows that there is nothing uninteresting about working people when it's a movie about working people as good as "Bloodbrothers".

When I was a teen, I saw BLOODBROTHERS as a double feature with a horror movie (don't ask me which one). I thought the movie was overwrought then but I sorta enjoyed the fact that the film was dealing with ordinary folks. I've seen the movie recently and whoa, what a terrible melodrama. Except for Gere and Tony Lo Bianco, the film is almost unwatchable. It's badly shot. Looks really cheap. And the level of melodrama in the script and direction is, well, actually revolting. What were they thinking? Every scene with the mother and the kid. Every scene with the wife cheating and Lo Bianco finding out. All the hospital scenes. They all scream melodrama. BLOODBROTHERS is not a very subtle movie. It hammers every emotions and blue-collar story-lines with the light touch of a sledgehammer.The only reason to watch BLOODBROTHERS is for Tony Lo Bianco, an underrated actor if there ever was one, and a star-making performance by a then young Richard Gere. Whenever Gere is on screen, he eclipses everything else. He really stands-out from the grubby looking project. If you need to see where Gere started out, you have to watch this but if you're looking for a good story about ordinary folks, avoid this movie at all cost.