Iron Man (1953)

Too much of everything

The Age of Commercialism

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

While it doesn't offer any answers, it both thrills and makes you think.

This is an entertaining movie, but one that goes for the cheap, easy ending, where Jeff Chandler's character of Coke decides to fight clean and loses to Rock Hudson's Speed. I think it would have been a better to have Coke be so angry about his former friends abandoning him that he approaches the O'Keefe fight with such fury, displaying it in the ring as well, that he ends up either killing or seriously injuring O'Keefe. Only then does he realize what his style of fighting can do. Perhaps, in the end he redeems himself by fighting with more restraint in the next battle, and losing, or maybe, as someone pointed out here earlier, his win at all costs drive makes him an outcast. Let me say, that despite the rather cheesy ending, The Iron Man is a good movie, well acted and worth watching.

Can it be merely coincidence, even in the relative innocence of 1951, that the boxers in Iron Man go by the names of Coke and Speed? (The fact that they're played by Jeff Chandler and Rock Hudson, whom viewers today will identify as, respectively, a cross-dresser and a gay man, adds another latter-day dimension to their sweat-lubricated clinches.) In any case, their stimulating monikers do no injustice to the story – a jacked-up, strung-out fight movie that's a worthy entry in that oddly distinguished, brutal genre.It starts in Coaltown, Pennsylvania, a mining community where the only excitement is wondering when the shafts will cave in. When Chandler takes on a bully and thoroughly thrashes him, his brother (Steve McNally) and girl (Evelyn Keyes) see a glamorous future and fast money for him – and for them. The only catch is that Chandler isn't a born boxer: He's clumsy and gets pummeled. But when he's hurt (and then jeered at), he falls into blind, murderous rages, going after his opponents by fair means or foul. He wins purses and titles but not the hearts of the fans – they don't like dirty fighters, and come only in hopes of seeing him get his comeuppance. But they keep coming, and soon Chandler's poised for the heavyweight title.The story, ably directed by Joseph Pevney, follows a familiar course: The fallings-out with his brother and his wife, the big-time sportswriter who becomes his manager (Jim Backus), the fixed fight, the fallacious sense of invincibility. And the ending is a little too pat and feel-good. But it's one of Chandler's best roles (he's as good as Kirk Douglas in The Champion, if not so convincing as Robert Ryan in The Set-Up, both of two years earlier). Evelyn Keyes has but two things to do: First egg him on, then beg him to stop, but she's, as always, distinctive. (She gets slugged by him, too.) Hudson's another case entirely. In the part of the loyal sparring-partner who turns into the challenger, he's confined to playing L'il Abner – a good-natured but dim-witted lout. But in the final grudge-match, he reverts to the sheer, feral physicality of which he was capable but rarely called upon to display – and, in its final scene, he all but steals the movie away from Chandler. He's the breakout star.

A well-cast Jeff Chandler, in his physical prime at about age 32, plays a Pennsylvania miner named "Coke" Mason who reluctantly becomes a boxer in order to earn some extra money. (He wants to use this money to marry girlfriend Evelyn Keyes and open up a radio store.) "Coke" is a mild-mannered fellow who proves to be an indifferent fighter until he's goaded into anger. Then, with an almost audible "click," he turns on his opponent in a murderous rage and attacks him without mercy. This streak of brutality quickly earns him the enmity of the crowd even as it causes his rapid rise in the standings. Meanwhile his friend and fellow boxer "Speed" O'Keefe (Rock Hudson) has the boyish good looks and clean-cut manner which make him a crowd favorite. Inevitably the two meet in the ring to decide the world heavyweight championship.These ingredients could easily be combined into a serviceable B-movie but there's a problem here: the character played by Evelyn Keyes. The script can't decide whether she's the faithful girlfriend who's appalled by the violence of the boxing ring or instead the greedy golddigger who sees her boyfriend as a means to a life of wealth and comfort. This confusion about her character proceeds to muddle the script's conception of other characters. Stephen McNally as Chandler's ambitious brother also has the makings of a villain as does Joyce Holden as the "other woman." However, since Keyes might (or might not) be the story's real villain, these two characters are often left in a state of limbo -- not quite good, not quite bad. An air of indecision thus lingers over many parts of the movie and keeps it from having the desired impact.The movie's fight scenes lack the gritty reality of those in, say, "Raging Bull," but this movie almost seems slanted at a female audience so instead of blood and bruises we get attractive "beefcake" shots of Chandler's and Hudson's bare torsos, gleaming with sweat and shaved of hair. (Knowing what we do now of these two actors' private lives, it's easy to imagine how much they enjoyed filming these "beefcake" scenes -- not to mention getting buck naked for the showers that followed!) Fans of "beefcake" get a bonus in also seeing James Arness stripped to the waist for an early fight scene with Chandler.Though it's hard to imagine Rock Hudson as the heavyweight champion of the world, he has an eager, likable quality that hasn't yet been hardened by the movie-star status soon to settle around him.This "Iron Man" is a re-make of a 1931 "Iron Man" starring Jean Harlow. Notes indicate that the Jean Harlow version was also re-made in 1937 under the title "Some Blondes Are Dangerous" but information on this movie seems to be missing from the files.Finally, you can tell how old this movie is by one simple fact: virtually all the boxers in it are white!

Jeff Chandler plays Coke Mason a coal miner who has a "killer like fighting instinct when provoked). His brother George (Stephen McNally) recognises this and convinces Coke that fighting will earn him more than enough money to open up the radio shop he dreams of owning with his Gal Rose (Evelyn Keyes).Thats about all of the plot I will give away. The movie also starred a young Rock Hudson who plays the "nice guy" Tommy Speed O'Keefe ( I can understand how Rock was a ladies favourite).The storyline did enough to keep me interested however the fight scenes which really are crucial to the character development of Coke Mason were atrocious. Yes the movie is 49 years old now, but Chandler's attempt at demonstrating ring skills were laughable. He looks more like the HunchBack of Notre Dame rather than a deranged "maniac fighter". His opponents would have more likely buckled over in laughter at seeing his stance.To ensure that Jeff Chandler came over as a nice guy by movies end and ensure a happy ending for all, Coke goes from dirty to clean by movies end and wins the respect of all. It would have been a better plot for Coke to self destruct and chronicle how the win at all costs attitude can destroy you. I assume however that at the time Chandler wanted to remain a fan favourite and good guys did that.I gave the movie a 6/10.