The Brylcreem Boys (1996)

Nice effects though.

How sad is this?

This film is so real. It treats its characters with so much care and sensitivity.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

I'm an avid history buff - particularly interested in WW2. I did not know until watching this film the first time that Ireland was neutral during WW2. Who knew? Obviously not me.The acting is great and very believable. The scenes are beautiful - right out of an Irish painting - and the plot is engaging. Some very good American and British humor, to boot.Just to be on the safe side, let me warn you that SPOILERS FOLLOW.The only negatives to the film were I found it hard to believe that a British bomber would make it all the way back from a raid over the Continent and overfly England to over Ireland and not realize they weren't still over France. "'Clocks' shot out" or otherwise, that one seemed a bit of a stretch.And, I love a movie where the "guy gets the girl." So, I was disappointed that Miles died and the German Count actually returned after the War to marry Mattie. At least they named their kid "Miles."

The Brylcreem Boys takes as its subject matter a fascinating true situation but doesn't really seem to know what to do with it. Set in the neutral Republic of Ireland during WWII the story revolves around a group of British and German servicemen who find themselves interned in the same POW camp, separated by only a thin strip of land between two fortified fences through which they trade insults. And that's pretty much it, really. There's an unremarkable romance between a Canadian serving in the British RAF (Bill Campbell) and a comely local lass (Jean Butler), and a predictably resolved rivalry between him and German officer Count Rudolph von Stegenbek (Angus McFadyen), but for most of the movie you get the impression that the writers didn't really know what to do with the subject matter.The basic premise would seem to lend itself to a comedy in the vein of an old Ealing production: a prison camp from which none of the allied forces wish to escape, where their pay slips are received monthly, from which they receive day-passes to visit the local race meetings, and in which the only bars are the type that serve pints of beer. The comic possibilities would seem endless but the humour here is almost non-existent, as are any elements of suspense or tension, and the writers seem to approach certain aspects that could be of interest – the effect on Stegenbek of learning that his comrades slaughtered a French farming family who shielded Keogh (Campbell) for example – only to back off once the ground work is complete. The inevitable escape attempt, when it finally arrives, is glossed over in a few scenes, and the fate of the principals announced by a voice-over. All in all, while the film has some entertainment value, it's a big disappointment. And for my money any film about British POWs that casts a couple of actors from Charlottesville, Virginia and Dallas, Texas as the lead RAF characters has irreparably compromised itself from the outset.

I thoroughly enjoyed the film. The location, although set in Ireland, was actually filmed mostly at Jurby Airfield on the Isle of Man, which is an old RAF station and in many ways still as shown in the film. The shot of the cottage by the beach at Niarbyl is the same one used as Ned Devines cottage in Waking Ned.

The Brylcreem boys is a terrific film and is a must see for all history buffs. The events in the story are all true and give us a feel of what life was like during war-time Ireland. As an Irish person I related to the anti-war theme. This is a film that can be seen again and again,a nd enjoyed by all age groups. I highly recommend it. Ayn Madigan. London-Dublin