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Better Living Through Circuitry

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Better Living Through Circuitry (1999)

January. 01,1999
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7
| Documentary Music
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A documentary about the Electronic Dance movement of the '90s. It is the first such full-length film on the topic. It was produced by Cleopatra Pictures and Entertainment Group, presided by Cleopatra Records founder Brian Perera. The film features interviews with BT, The Crystal Method, Electric Skychurch, Genesis P-Orridge, Frankie Bones, DJ Spooky, Roni Size, and DJ Keoki.

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Reviews

Evengyny
1999/01/01

Thanks for the memories!

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Kaydan Christian
1999/01/02

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Marva
1999/01/03

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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Geraldine
1999/01/04

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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tedg
1999/01/05

Social trends are often shaped by strange overlaps in market forces. You have to have a steady stream of "artists" who are compelled to do their thing, driven primarily by an urge to express. We have that in this music, because the barriers to entry are exceedingly low, so any untrained fellow with an ear can start and perhaps adapt to be successful in his or her own mind.You need a steady stream of consumers, in this case young people needy of the rage, of the hypnosis of shared energy. We are told that it is a "safe" place to do drugs, or alternatively that it is a worthy substitute for drugs. We are told that it is a place to go to be alone, and alternatively to be one with the crowd. On screen speakers tell us that the art is special while others tell us that the magic comes from being merely primitive and artless. Clearly, there is a match here between creators and consumers that works; anything that cannot be well characterized and is has power.Those two elements are well enough represented here. The structure of the film is a mess, but that is well enough given the fact that we don't want to know what is going on, and none of the people we see are sufficiently articulated to reach us as artists of insight.But there is a third element that this film misses, though its existence relies on it. There is a commerce; there is money that changes hands. There are guys that are not artists that somehow act as brokers to connect communities. They make all the money. Judge for yourself whether such a thing as a selforganizing underground can fit this mold. Regardless, that is the myth that is sold, and the business of this phenomenon is every bit as interesting as the phenomenon itself. And probably would tell us more about what it is.This film does not see itself.Ted's Evaluation -- 2 of 3: Has some interesting elements.

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chongo21
1999/01/06

First and foremost, this is an extremely entertaining documentary. Jon Reiss has taken a subject that lies in the background of mainstream society and exploits it for just about any viewer. The real strength of the film rests in the notion that you don't have to be interested in the subject matter to gain something from watching it. This happens to be a major problem with several documentaries, however, with Better Living, you really walk away with a strong, unbiased sense of the rave scene. The visual aesthetics and style of filming really capture the energy and feel of the electronic dance culture and the interviews are interesting to watch. Other features about the rave subculture (i.e. Groove and Go), although entertaining, seem to focus more on the elements of drug use and exploitation whereas this film allows the viewer to see the many different sides that the culture has to offer. Yes, the film does have its flaws but you should judge those for yourself. Definitely worth a Netflix rent - check it out.

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cofemug
1999/01/07

This is a great movie to watch. I had fun watching it, and respected the movie for everything. A great counterpiece to 20/20's specials. The movie had the visuals, and the interviews. It just felt awesome. It was a documentry, so it had lots of interesting interviews. If you have even the slightest knowledge of a rave, see this movie, and I dare you not to get sucked in to the music and the lights. A must see.My only problem was that it did not have that much about visual effects. It lightly touched on them, and they are a good part of the scene.9/10

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ashtonpowerscat
1999/01/08

An amazing look at the Undergound Electronic Dance culture known as "Raves." I saw this during ResFest (the cutting edge Digital Film Fest) and I was blown away by how energetic, intelligent and entertaining it was. I can't wait to bring my friends (and parents) to see it when it comes back to New York this spring.If you are in the scene or just curious about it, you owe it to yourself to check out this film that shows the "real deal." PEACE

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