Ladies & Gentlemen, the Rolling Stones (1974)

very weak, unfortunately

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Great movie. Not sure what people expected but I found it highly entertaining.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

The movie is of 2 performances in Fort Worth on 6/24/1972 (afternoon & evening), and 2 in Houston (University of Houston) on 6/25/1972. Of the 15 songs, 9 are from the Houston shows (5 from the afternoon show) & 6 from Fort Worth. The Houston afternoon show was my first concert, thanks to my brother (ticket price $5.50). You can tell the Fort Worth shows by the lights behind the stage that are aimed at a high reflecting fixture above and in front of the stage which would bounce the lights onto the stage. Hofheinz Pavilion's ceiling in Houston was too low for this setup, so you have the basic light setup for the time. Seeing the Stones 15 times, this was the only time I saw Mick Taylor play with them. His guitar work on Love in Vain and Gimme Shelter is great, and the way the guitarists lock in together on Tumbling Dice and Rip This Joint is something to see. Other highlights - the energy of the show opener Brown Sugar, Keith on Bye Bye Johnnie, Mick's confidence on Street Fighting Man, Charlie Watts & Bill Wyman throughout, the horn section (both Texans), and Nicky Hopkins (you can hear him once in a while in the film - live, he was pretty drowned out). I also think Ian Stewart is at the piano for Brown Sugar. Anyone interested in the Stones should see this film. A great band at a critical time.

"Ladies & Gentlemen, The Rolling Stones" (Directed by Rollin Binzer,1973) Although I would perhaps include The Rolling Stones' performance in "The T.A.M.I. Show" along with this, that was a different era and line-up of the group, still including the musically-versatile band founder, Brian Jones, on guitar, dulcimer, mandolin, maracas, recorder and whatever else warranted his talents.And although there are many great live or pseudo-live performances of the band, ranging from their half dozen or so appearances on "The Ed Sullivan Show" (the earliest of which rank with the aforementioned "T.A.M.I" showcase) to "Hullabaloo," to "Ready Steady Go!," to "Shindig!," and even a full-set, 1971 videotaped show at London's Marquee Club, where they got their start as a blues cover combo, one really cannot count these as full-feature, theatrical documents of the group. Nor can one, I suppose, count the initially British-only TV performance (since made commercially available from a color print, after the Stones reacquired it from The Who) of "The Rolling Stones' Rock & Roll Circus." And besides, although riveting, lead singer Mick Jagger was apparently higher than a cut-cord, helium balloon for that one! But for a pure, near-cinema verite (conceding they rehearsed their music sets) concert film, you can't get any better than this, save for a front row seat at one of their gigs from either the 1972 or '75 tours, the latter of which was, sadly, not filmed (at least to general knowledge). That tour contained the infamous ride Jagger took on an inflatable phallus, musically just as tight, theatrically even more the spectacle, though not in support of as great a studio recording. This film, culled from footage at two Texas concerts in the summer of 1972, to promote their then-new Atlantic/Rolling Stones Records LP release, "Exile On Main Street," remains not only the best concert film of the band, but among the best, straight rock concert films ever! I saw this film in a theater only once, in re-release on a 1980 double bill with the then-newly-released "Rock 'N' Roll High School," starring The Ramones, and it has to rank as one of the greatest double bills I have ever seen in a commercial theater--while away at college in Amherst, Massachusetts. One, the best celluloid document of a world-famous rock & roll band, in their prime and playing one of their best sets; the other, the best re-creation of a rock & roll drive-in movie, starring the world's most famous, two-chord garage band.Of course, the theater in which I saw it didn't have the benefit of the quadraphonic sound included for the film's initial release, but was nevertheless an awesome experience to see larger-than-life images of Jagger and Keith Richards (with his streaked, rooster's mane shag) double-sucking the mike, the camera close up on Jagger in a blue jumpsuit one second, panning the stage to a shot of Mick Taylor on a lead solo or Bobby Keys blowing sax the next, or downstage, then back up to Jagger, shimmying the stage at the second show in a white jumpsuit! "Dead Flowers," "Happy," "Sweet Virginia" and "Tumbling Dice" are high points, but it's all excellent, if only a little too short.I don't know about the validity of information contained in a previously-posted review, that someone associated with the film's production said existing prints of this film were damaged? All I can say is that I saw what appeared to be an intact film in '80; have since acquired a bootleg VHS copy of it in the early '90s, which appears to be mostly there, though something seems weird about the very beginning of it versus how I recall from the theatrical screening. But that could also be just my impaired memory--like those notorious Twins of Glimmer, I too have done some chemical dabbling over these many years! In any event, if you get a chance ever to see this on a big-screen--do yourself a favor and go see it! Also, you may try cruising the Web and/or eBay for an illegitimate DVD/VHS copy of the film--at least will get a sense of what all the fuss is about here. I think you'll find the superlatives justified.The Stones are well past their prime these days, almost the equivalent of a very well-compensated, touring oldies act ("The Strolling Bones" as some have said), making records that don't matter but to their legions of fans numbering in the millions & spanning a few generations now. But this film captures them perfectly, when they were very much an in-the-moment, happening entity, still releasing records of reckoning, really worthy of their moniker, "The World's Greatest Rock & Roll Band!" But even Richards, the group's heart & soul, if not nominal leader, has said that dubbing given the Stones is overused, that on any given night the world's best rock & roll band is a different group; maybe that garage outfit playing their hottest set at some roadside shack in the boondocks is, on that night, the "world's greatest" rock act. For that humble admission alone, seeing this filmed recording of The Rolling Stones at the peak of their powers is an investment of time well worth spent!

This is my favorite Rock N Roll movie, as it is just a straight concert unlike the documentary without talking or opinions forced on the viewer. The film features the Rolling Stones live in Ft Worth Texas with two performances edited together. All other live recordings or films about the Rolling Stones take second place to this film. The primary difference other than their ages with other film is the great musicianship added by lead guitarist Mick Taylor. For once the Stones are shown with a five star guitarist in full bloom, Mick Taylor adds the musicianship to take the band to stellar levels of playing, i.e. Led Zepplin or Cream shows. Coupled with Jagger's first class stage antics and an excellent horn section, the band is highlighted in a raw format that is long gone from their highly polished and commercialized recent tours. The film is unreleased on video and DVD, but easily found via fan circles, trade shows, and down loadable bit torrents. Should appeal to masses of music fans.

This collection of numbers recorded over two nights in Texas, 1972 prove that the Stones, at least for a little while, really were the Greatest Band in the World. Here we have the Stones doing what they do best: Guitar fueled R&B with pop flair and youthful rebelliousness thrown in for good measure. The renditions of Gimme Shelter, Midnight Rambler, and Can't Always Get What You Want surpass anything recorded to date, live or studio. You have to love the acoustic performance of Sweet Virginia. The contributions from Bobby Keyes, Jim Price, and Nicky Hopkins make it clear the Stones were brilliant collaborators. Mick Taylor frankly steals the show, particularly with his slide work on All Down the Line. But there's no getting past the fact that this is Mick and Keith's band: their performances are consistently stellar. Mick's leadership and Keith's suspensions are what made this band great in the first place.It's really a shame that this footage does not have a widespread release. Clearly, the 1972 tour was the nadir of their career.