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Please Murder Me

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Please Murder Me (1956)

March. 01,1956
|
6.5
|
NR
| Drama Crime
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A lawyer tries to exact justice on a woman he defended in court -- a woman whom he found out was guilty after getting her off.

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Spidersecu
1956/03/01

Don't Believe the Hype

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Hayden Kane
1956/03/02

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Bob
1956/03/03

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Fleur
1956/03/04

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Cristi_Ciopron
1956/03/05

A refreshing and well written movie to enjoy, with obviously cool and superior acting, not only from the couple of leads (he got 2nd billing), Foran has a supporting role, everything in a genre now perhaps less used, the cool urban suspense movie, which is the bourgeois side of the age's trend (no low lives, thugs, gangsters, and it requires both strong plot and acting), cool enough and enough dramatic, set, like another very good one, 'Jordon', in a bourgeois milieu, with the leads aware that they are giving signature roles, it uses the device of a recorded confession from a broken man, and for a time there follows a courtroom drama, enlivened by excellent performances, with Burr wholly convincing as an attorney, the plot seems very simple, with the twist being the murderess' love for the painter, so that the lawyer's vindictive jealousy comes across as petty and mean, the widow makes up for her 1st murder, by a 2nd one, but this time out of love and care, which shows that the lawyer's claim that the painter would be another, 3rd fall guy, is false, he expects her murderous burst precisely out of her love for the young painter, so that while the lawyer remains in the sphere of the vindictiveness, she ascends to proving her love, albeit by losing, presumably, her own life; the whole is less about what the director does, than about what the movie itself does to you.There are semitones of eeriness in the scenes with the three characters (the lawyer, the widow, the painter), the menace, the lawyer's game. The sets give a deep joy.Burr looked intelligent and shrewd; Angela L., chilling for a while, then humane, more so than her defendant. Far from being convinced that the woman doesn't love the painter, he's sure that she does, and uses even this to get his revenge. Her second murder proves that she genuinely loves the painter; her love is intense, she kills the lawyer, to keep the painter, which ingratiates her to us. She cares about being with the painter. So, it's she who gets the upper hand. Why did the unsparing lawyer claim she doesn't care for her lover? Foran (a legend of the unpretentious westerns) is the murdered husband; Lamont Johnston plays the 3rd man, the painter.

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Paris55
1956/03/06

I bought this movie in a DVD collection called "Dangerous Dames" (6 movies on two DVDs). I agree with most of the previous comments provided re Please Murder Me. What I want to share is that Raymond Burr played this part as a possible audition for him to play Perry Mason the following year. I must admit that Burr and Angela Lansbury were great in this forgotten film noir. Interesting 2012 trivia - in early 2012, the Hallmark Channel HD has brought back Perry Mason in its chronological episode order. After two hours of the Perry Mason episodes, his Please Murder Me co-star, Angela Lanbury stars in two episodes of Murder She Wrote. I was not born when Mason was originally on the air and watched it in re-runs much later as a young teen when we only had 5-6 channels. Now I am thankful that they brought the Mason series back. Great channel programming and I wonder if Hallmark knows of this movie connection between the Burr and Lansbury.

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madmonkmcghee
1956/03/07

Rather tepid noirish courtroom drama that is mainly saved from forgettability by Raymond Burr's performance. As for Angela Lansbury, well.....let's just say unfortunately she's not the victim. In truth the real victim is the viewer for having to sit through a more than usually tedious courtroom scene that d-r-a-g-s along for about a third of the movie. After that things kinda pick up, but not quite enough to save the movie. The final plot twist is a real stretch of anyone's credulity, and most movie fans will not be overly surprised. I'm sure many noir addicts will want to see this just because of Burr's presence, and hey there are far worse movies to waste your time with. But why not watch a better movie instead?

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GManfred
1956/03/08

Don't know where this picture originated. There is no studio at the beginning of the credits and it doesn't look like a TV production, although several of the players went on to successful careers in Television. Besides Burr and Lansbury, John Dehner and Denver Pyle did lots of TV work on many different shows. It also May have been a 'B' from an obscure studio and played with a weak 'A' picture.In any case, the end result is a watchable film well-acted by some old pros and without any outlandish plot device acting as a Deus Ex Machina - surprisingly well-written. The engrossing storyline makes up for some dead time in the middle. Not a bad effort all around.

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