The Case of the Black Parrot (1941)

Load of rubbish!!

It's no definitive masterpiece but it's damn close.

Pretty good movie overall. First half was nothing special but it got better as it went along.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Lacklustre whodunit from Warners. Plot concerns a valuable antique cabinet being brought back from France to US. The furniture item appears a mysterious piece of work that may or may not be a copy of the real thing. Reporter Moore (Lundigan) and ditzy photographer Tripod (Foy Jr.) get involved with the cabinet and an exotic someone calling himself The Black Parrot. Soon a series of mysterious deaths occur surrounding the furniture piece. Is the Parrot responsible and just who is he really.It's a typical amateur sleuth programmer from that period. Unfortunately, the results are dimmer than most. Only the unknown method of killing registers as imaginative. Otherwise, the acting, visuals, and script are pedestrian, at best. Moreover, I don't recall a single scene not taking place on a set. It's a real cheapo for the otherwise respectable Warner Bros. I suspect the project was mainly to showcase pretty boy Lundigan-- who parades through his part-- in hopes of advancing his career. If so, I doubt that it worked for him any better than it does for the audience.

A lot of mystery movies came out in the 30's and early 40's which were not in the film noir tradition that flourished in the later 40's and beyond. This 1941 movie may be among the last in the who-dun-it style which featured an attractive couple, an amateur sleuth, sawdust headed cops, comic relief by an assistant to the main character, and a genuine puzzle. Here, the puzzle is also "how-dun-it." There is always an assortment of likely suspects, and always a least likely villain. Well, the elements are all here, and the lead actors are pleasant and nice to look at although neither of them became "A" list stars. Very much a time filler to watch, better than some, but not as good as STAR OF MIDNIGHT, say, or some of the Charlie Chan films of the same era. There are always loose ends in these movies, and I highlight just two of them below in a SPOILER QUERY.SPOILER QUERY: So how did the two victims of the Parrot actually find the secret murder method and how did they restore things before dying when death was instantaneous? Also, did the villain actually get away with the swag at the end when captured and taken out the door by the cops? No one mentions the real motive for the murders as the villain is captured, apparently holding on to the booty.

A stylish programmer. William Lundigan is always appealing and Maris Wrixon is generally fun to have around, if only for her name (though here she is quite good.)The plot is elaborate and somewhat preposterous. And I guessed the mystery within the first few moments. But it's chic and nicely turned out for a cheapie.

...not great. The premise of a stolen antique is somewhat different for this low budget war-era mystery. Could have been better, but the leading man is too stiff and the murders come too late despite the fast pace. Worth it only to see some ingenious means of death by furniture and to learn why the name of the criminal is the Black Parrot.