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This Side of the Law

This Side of the Law (1950)

June. 17,1950
|
6.4
|
NR
| Crime

A man - trapped in a cistern - reflects on the dark events that lead to his lonely entrapment.

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Lovesusti
1950/06/17

The Worst Film Ever

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Reptileenbu
1950/06/18

Did you people see the same film I saw?

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Donald Seymour
1950/06/19

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Frances Chung
1950/06/20

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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sol
1950/06/21

***SPOILERS*** Almost unknown little film noir gem involving this down and out vagrant David Cunmmins, Kent Smith, who's made to impersonate ,for a cool $5,000.00, this missing millionaire Malcolm Taylor whom he has a striking resemblance to. Spotted at the L.A courthouse by shyster lawyer Philip Cagel, Robert Douglas, who pays his $50.00 fine Cummins is given all the information about the missing Malcolm Taylor and sent to his pad, mansion, on the Pacific Ocean coast to convince both his brother Calder, John Alvin,sister in law Nadine, Janis Page,as well as wife Evelyn, Viveca Lindfors, that he's the real deal or real McCoy the missing for some seven years Malcolm Taylor. Even though the three all fall for Cummins act the pet dog Angel doesn't and that's to make things later difficult for him as well as the person who put him up to this sham Philip Cagel.We already saw that Cummins was double crossed by Cagel at the very beginning of the film so we knew what a phony he, Cagel, was and how he was just using Cummins for his own greedy and selfish purposes. But what we don't know and later find out is that Cagel knows a lot more about the missing Malcolm Taylor then he lets on. And the biggest secret that he has is that he not only knows where Malcolm is, at the Taylor Sans Souci estate, but also how he got there.***SPOILERS*** As Cummins puts two and two together Cagel changes his plans to get his hands on he Taylor fortune, all three million dollars worth of it, by getting his partner in crime knocked off so he won't have to split the money with him. As Cummins gets out of his deep and pressing predicament, that Cagel put him into, he's forced to confront Calder who's been brainwashed by Cagel that he and Evelyn murdered his wife Nadine, by throwing her off a cliff, with Cagel trying to check out before he's noticed. It's then that the real hero in the movie the family dog Angel goes into action and puts an end to Cagel's evil plans together with Cagel himself.

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ksf-2
1950/06/22

At the beginning, a narrator speaks as we are shown a residence and the dog named "Angel" that guards it. The viewer is shown the top of a cistern, with "David" the narrator (played by Kent Smith) at the bottom of the cistern. Here's the flashback to tell his story...When David is picked up for vagrancy, someone pays his fine, and has a proposition for him: He is to pretend to be a millionaire, who had disappeared several years prior. Even the millionaire's wife can't tell he is an impostor, but things start to go wrong. The man he is impersonating wasn't very well liked, and David must find out why. Viveca Lindfors gets top billing as "the wife", but it's Janis Paige as the sister- in-law who (rightfully) steals the show. Watch for Monte Blue as the Sheriff. The acting isn't anything special, but the story is mildly compelling, and since we know right from the start that David ends up in the well, we get hooked on finding out how he ends up there.Written by Richard Sale, who had several novels and screenplays made into films. This one IS available on DVD, although you can catch it on Turner Classic Channel about once a year. Directed by Richard Bare, who wrote a book on the proper technique on film directing.

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dougdoepke
1950/06/23

A vagrant is bribed into impersonating a millionaire as part of an inheritance scheme. The trouble is he gets more than he bargained for.I'm not sure why this little noir-- and it is a noir (hand of fate, a web of intrigue, a spider woman, & dark atmosphere)-- remains so obscure. This Warner Bros. entry may not be top-flight, but it is respectable. That opening scene with the pin-light on Cummins' (Smith) ravaged face is a grabber. Several other moody scenes emerge along the way, plus a neat plot twist, that makes this thriller an entertaining 70-minutes.I'm guessing one reason for the film's obscurity is the cast, especially the lead, Kent Smith. He performs well enough. The trouble is he lacks screen presence, almost fading into the background at times. On the other hand, Lindfors and Paige split the women's time, such that neither is able to establish much presence of her own. John Alvin, however, comes across vividly in the thankless role of the weakling brother. Also, I'm surprised director Bare manages the dark material as well as he does, given that his previous career was exclusively with comedy shorts. (Note, for example, how Cummins has to work at getting a name off the ID bracelet—a good realistic touch.)Nothing memorable here, just a solid little noir.

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blanche-2
1950/06/24

Kent Smith, Viveca Lindfors, Janis Paige, Robert Douglas, and John Alvin star in "This Side of the Law," a 1950 film directed by Richard L. Bare. Smith plays David Cummins, a vagrant who is baled out by an attorney named Phillip Cagle (Douglas) who wants him to impersonate a missing millionaire in order to divide a $3,000,000 estate. Cummings agrees to do it for $5,000, but he walks into a hornet's nest: a wife (Viveca Lindfors) who doesn't seem to like him much, a brother (Alvin) who detests him, and a sister-in-law (Paige) who likes him a little too much. It's all pretty confusing, as Cummins tries to do the right thing by the millionaire's obviously hurt wife. Then murder complicates the situation further.The story is told in flashback, as we see in the beginning that Cummins is in grave danger -- as he tries to save himself, he goes over the events that brought him to his present problems.Fairly interesting story. I'm sure for Lindfors, a wonderful actress brought over from Sweden, this was hardly the stuff of star-making, but she does a good job. Paige is gorgeous.All in all, fast-moving and satisfying.

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