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Eye of God

Eye of God (1997)

October. 17,1997
|
7.3
|
R
| Drama Thriller Crime Mystery

A small Oklahoma town is stripped of its innocence when one of its boys turns up mute and bloodied by the lakeside. Unable to tell his story, the local sheriff embarks on a quest to uncover the roots of a gruesome crime. He's led to Ainsley DuPree and her new husband, Jack, a man whose interest in family may very well outweigh his morals.

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Reviews

Cubussoli
1997/10/17

Very very predictable, including the post credit scene !!!

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Listonixio
1997/10/18

Fresh and Exciting

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Lachlan Coulson
1997/10/19

This is a gorgeous movie made by a gorgeous spirit.

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Fatma Suarez
1997/10/20

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Toney Biegalski
1997/10/21

This is a wonderful study of the face of evil and its impact upon the lives of its characters. The narrative is nonlinear and may be confusing at first if one is not warned, but once a viewer is aware of this he/she should have no difficulty understanding the film. The storyline is initially split and follows two seemingly unrelated characters, which are somehow (at first we don't know) linked through a third subplot involving a small-town sheriff and some crime which has yet to be revealed. One storyline involves a teenage boy who has experienced the worst type of loss and is now emotionally alone in the world. And there is a small-town waitress who has established a relationship with an ex- con over years in a pen-pal program. The waitress has a glass-eye which is a symbolic reference to the movie's title. This glass-eye exists in the world of the inanimate, and the scenes of human despair and sorrow are reflected in and across it without judgment, action, or recourse, as the Eye of God viewing this world exists totally separated of its theater. At the film's end we are reminded of the story of Abraham and Isaac and that the actions of any Judeo-Christian god are very seldom held up to the same standards to which he holds his people. This movie took my breath away and haunted me for days after I initially saw it. It's memory still haunts me.

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rava-1
1997/10/22

I rented this one just as a Nick Stahl fan but was really amazed by how good it was. The disturbing tone and plot line stuck with me for days after viewing it. Stahl was wonderful as a traumatized boy who is just barely surviving his pain. Stahl's work in this film just hints at the depths of talent we may yet see from him. I don't think that Martha Plimpton has EVER been better in her role as a young woman searching for love and redemption. Hal Holbrook, his face a mixture of world-weariness, sadness and kindness, is the real center of the film and he does an amazing job. One of the most moving things about this film was the idea that deep tragedy can strike at the most seemingly mundane of moments. Coupled with this is the concept that one can never really know what is in another's heart or mind. Because of the narrative form, one knows tragedy will strike, but the director purposefully seems to suggest that tragedy could enter into any setting, at any moment, with no warning. The bookend examination of the story of Abraham and Isaac is ultimately successful because Isaac (like the characters and viewer) was asked to have faith without any proof that seemingly negative events may have a positive reason. The director doesn't offer any pat answers to this dilemma, but he does show that tragedy can overwhelm a person.

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George Parker
1997/10/23

"Eye of God" is a very ordinary, austere, plodding film about a murder and the events which lead up to it which features Holbrook and a small ensemble cast of supporting tier-two actors. Technically and artistically an okay shoot, this film shows us nothing new, is intentionally predictable, and is filmed on location in "dust bowl" Oklahoma leaving the audience with little to chew on. Not a particularly satisfying watch which manipulates the time domain for effect, "Eye of God" is best saved for broadcast. One can only wonder about the user comments for this flick as, at this writing, 76% of the user votes were (8,9, or 10) above the weighted average of seven.

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moses-11
1997/10/24

I thought it was quite good. It gave me a feeling I haven't felt since I saw Sleepers. I loved the way the director overlapped scenes, and used flashbacks to tell the story. This is success where Pulp Fiction failed. All the characters were believable, and all the performances were good. In particular, I was impressed with the depth of emotion Nick Stahl portrayed without saying a word for the whole first half of the movie. Sometimes the ending you don't want makes the movie that much better.

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