A Smile Like Yours (1997)

Very very predictable, including the post credit scene !!!

Surprisingly incoherent and boring

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

'A Smile LIke Yours' is a pathetic comedy that actually makes no sense. I don't mean that the story was complicated, but the entire plot is based on one thing: a couple's desperate and expensive unsuccessful attempts to conceive children. People who tried that hard must've forgotten of the option of the adoption, to which this movie is not kind to.Lauren Holly plays Jennifer Robertson, a complete contradiction to anything offered by the women's liberation movement, exhibiting almost no sense of independence. She is quite a boring character as the dreamy housewife with absolutey nothing else on her mind but to have kids. Like a dumb 50's romance comedy, Greg Kinnear is her submitting husband who likewise displays no personality, no independence, and from us, no interest. They are the two most boring and often annoying characters, and they hardly make for topics of a comedy that should present itself with many mishaps, which should arise from a couple doing all they can to get pregnant. Except, they really don't do anything except go to a fertility clinic and shell out a whole lot of money to do what they could do in the privacy of their own (except for that in vitro fertilization number). The plot hardly allows for any mishaps, because well, the couple don't do anything to create any sort of bizarre situation. They just go to this clinic. So what?The subplots are meant to test the faithfulness of the couple, a necessary moral element of the story since the couple does plan on conceiving children together. Jennifer works at a new age shop with her friend (played by Joan Cusak), and they are in the business of developing aphrodesiacs. Christopher MacDonald plays the intrested buyer and Jennifer is the promising negotiator of a pretty price for her and her friend's product. The subplot hardly offers much to keep you interested (although Joan Cusak is pretty funny in the restaraunt scene).Danny (Kinear) is an architect, who finds an opportunity to make some extra money to cover the clinic bills, by taking on a job in Seattle, where his boss is the crass seductress (also another hopeless, helpless female character) who tries to influence Danny (as dumb as he is) to have an affair with her once things are conveniently rocky with him and his wife (for reasons I don't care to give away). Jill Hennesy is good in the role, but her character is too predictable, and too formulaic as a much needed element to create conflict for Danny. It is stupid and once again, hardly interesting. The overall movie itself is utterly boring, and hardly funny at all (save the restaraunt scene and the airline flight). The plot offers nothing that is really attention-grabbing. Even if the story was entirely about two people trying to conceive, the writers could've figured out several hilarious mishaps to develop out of that. Second, the main characters are completely boring. They are complete silouhettes of dumb 1950s comedies with happy wife and clueless husband. So, even without mishaps present in the plot, the characters themselves offer nothing interesting, let alone funny.Joan Cusak should've been in the lead and someone else should've taken Kinnear's part. Cusak would've made even a lousy story outrageously funny (as she sometimes does in her co-starring role here). This is definitely one to pass up.

Smile Like Yours, A (1997) Stillborn, awkwardly conceived comedy about a couple who cannot conceive a baby; Greg Kinnear is this building engineer and Lauren Holly designs perfumes, and many of their trips to the fertility clinic prove fruitless. A SMILE LIKE YOURS has cheap, sometimes embarrassing jokes, and clichéd complications and easy sitcom solutions. One of the cliched complications involves Jill Hennessy as Kinnear's co-worker who's attracted to him, and lures him to a hotel room during Holly's and his separation. It also tries too hard to be funny, delightful, and charming, that it fails being any of them. GRADE: D

This film is about a young couple having difficulties to conceive a baby. She(Holly)constantly surprises her unsuspecting husband(Kinnear) on the most unusual places. And each time she uses a new, self-made aphrodisiac and they have sex. However, something seems to be wrong with the man's potency. They go on and try everything they can, including a clinic with some bizarre fertility instruments.This is the premise for a romantic comedy about fertility, having a baby and the problems that can come out of this. It doesn't really work that well on a comic level. There are some modest chuckles in it, but not really funny-funny scenes. The actors however make this pretty enjoyable and carry the film along way. Given its length(98 min), you can't blame the film to be overlong either. The best moments come out of the conversations between some of the characters. Joan Cusack has some of the better scenes in the film and Shirley MacLaine has a ( very)small(too small?) part as Holly's mother.The makers also decided to put in some sort of affair of Kinnear's character with a beautiful colleague-architect(Hennessy), but this doesn't add much to the story. All in all this is pretty watchable and amiable stuff. There are "romantic comedies" that are far worse than this one, given the pretty silly premise. So if it's on TV and you've got nothing else to do, you might consider watching it. On the other hand, there are films that are also much better than this one. Good films about (having) babies are however very hard to find. 6/10(it doesn't really deserve the BOMB-rating of Leonard Maltin)

The best that I can say about this film is that it was mildly amusing at times, and that it was an adequate time killer. Unfortunately, this film is also so annoying that I wanted to slap these characters around. This is the kind of film that is so sweet, it hurts your teeth. The intentions were good, I suppose, but things get awfully tiresome when the dialogue is SO nauseating. When the two leads aren't together on-screen, this really isn't bad at all, but be afraid during those frequent moments when the loving couple starts talking to one another.