Desire and Hell at Sunset Motel (1992)
Right after Disneyland opens in Anaheim, California, in 1955, a toy salesman in town for a convention brings his wife with him so they can both go to Disneyland. They stay at a rundown place called the Sunset Motel nearby. Soon the wife is having an affair with a man staying at the motel. The husband hires a psychotic criminal to spy on them, the wife and her lover plan to murder the husband, and the voyeuristic motel manager is spying on everybody.
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Good movie but grossly overrated
Although it has its amusing moments, in eneral the plot does not convince.
It's entirely possible that sending the audience out feeling lousy was intentional
This story has more twists and turns than a second-rate soap opera.
Sherilyn Fenn and husband Whip Hubley arrive at the Sunset Motel in Anaheim. He's there for a toy convention. She's there to see Disneyland, which has just opened. They fight constantly. He hires psychotic beatnik David Hewlitt to spy on her. She's sleeping with David Johansen. She starts having strange lapses in memory. He dies during one of those lapses. This rather lame noir homage with shades of David Lynch feels designed to be a cult film, and is generally as lame as those kinds of movies are. One of the few bright spots is Paul Bartel who plays the motel manager. This film has the most idiotic and poorly handled twist ending I have seen in many years.
The movie was an attempt at film noir and while it succeeded visually, it failed story-wise.For most of the film, the viewer is too confused, particularly in two of the scenes where time and space seem to totally change, and one of the main characters (played by Sherilyn Fenn) has no idea what is going on. We don't either. The film also is too talky. It desperately needs a bit more action.On the plus side, the colors in here are nice and the characters are strangely reminiscent of the ones you would see in David Lynch's "Twin Peaks" television series (in which Fenn also starred.) Fenn, by the way, is easy on this male's eyes!!The 1950s lingo and references were fun (Davy Crockett cap, '50s products such as 20-mule team borax, beatniks, etc.).All in all, however, the best part of this film was the title.
Desire and Hell at Sunset Motel is one of those few and far between movies that are truly artful without being at all pretentious. The refreshingly original plot is not too complicated or deep, but the film is entertaining and clever in it's simplicity nonetheless. It's funny, it's sad, it's smart, and it's cool, but it's probably best suited for a slightly left of center personality. Unfortunately, the average movie goer probably won't get the point, but there's much more to this film than a few really nice bikini scenes. In a nutshell, "Desire and Hell ..." makes the relatively well-visited-in-cinema statement that "underneath their (shiny plastic veneer) exteriors, most things aren't what they seem " ... but the essence of this film is the wonderful "radioactive electric-toaster Disneyland bomb shelter daddy-O McCarthyism Americana" way in which it expresses the idea. If that was all gibberish to you, you probably won't understand or enjoy this film ...
This is a wonderful film, rich in imagery and layered dialogue. The cinematography is beautiful, the script clever and full of twists and homages. The music is wonderful and haunting. The acting is superb, and includes the only film appearance of David Johannson (Buster Pointdexter), that I'm aware of.Great film, one of my favorites. See it!