Made For Each Other (1971)

It's no definitive masterpiece but it's damn close.

Brilliant and touching

A Major Disappointment

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Joe Bologna and Renee Taylor hit a homer with this one. Unfortunately, the critics must have been busy at the concession stands when they rounded the bases. Where is the DVD? You might not find a better acted script or one that seems so believable despite its over-the-top characters. Giggy and Pandora are unforgettable as evidenced by the resonance the film left with me even after these 35 years since its release, the first and last time I saw it. The scene in which Pandora meets Giggy's parents and relatives at dinner is a classic. Director Robert Bean allowed the top notch cast to relate as they would in a real life situation, and it worked wonderfully. Joe Bologna and Renee Taylor are under-appreciated national treasures!

Saw this film for the first time tonight, on Turner Movie Classics.Having missed the first few minutes, and altogether ignorant of the film, I didn't know that it was 30 years old. But the principal's bright orange, full-length coat of an unidentified material, brought on a rush of uncertainty. She is no beauty, this woman - yet she reminds me of (somebody) Derisher, of "Nanny", only rubber-faced and unpretty.There's a great deal in common and feel with Neil Simmon's plays - the pain and torment of love among the unloveable, e.g., the girl friend kicks her boy friend in the groin and asks, "How much do you love me now?"). The parental years of the principals are identical to "Torchlight Trilogy" - grotesque and self-parody. The principal's vulnerability is totally believable and rather marvelous.Thirty years on, there's a lot of elemental clinical psychologyto "Made for Each Other". And one wants to keep that in mind.The Neil Simmon-like crying scene at the end was highly effective and moving until a moment before the clench, when one realized that one was a voyeur to a dreadful, cathartic and eventually successful, if not somewhat mangled, love match.I agree that this is "Like real life" but it's also Felinni-esque and somewhat grotesque. Probably the most moving scene for me was the New Year's Eve dinner scene when the mother gets hysterical, and her son leaves the room to tell her to friggin' SHUT UP! Killing. --And yet highly poignant with the poor Jewish guest sitting there getting slayed.I didn't dislike the movie, and did laugh out loud at times. It was utterly professional at all times, never manipulative - but there is a sense of passe to it that goes beyond the orange lip stick and tomato-red bola. En fin, glad that I saw it.

I saw this film once when it can out in 1971 and it has been in the back of my mind all these years. A super comedy that is all the more funny because it deals with real people like you and I. No fancy settings or beautiful people, two "misfits" careen through life tied together by the bonds of love, surviving all that the world can dish out. A real jewel of a film, wish it were on VHS.

Great comedy is rarer than the unicorn. Why keep this funniest of funny films from us? How about the initial scene with the encounter group and the hyper-anxiety frazzled to the bone woman complaining about the toilet that has leaked for years on end and has driven her far beyond mad. To which another male group participant meekly offers, "Did you try jiggling the handle?"