Critical Care (1997)

A Major Disappointment

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The film makes a home in your brain and the only cure is to see it again.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Directors as renowned and diverse as Sidney Lumet only come along every so often. This great director had such an incredibly long career as a filmmaker before his unfortunate passing earlier this year. His career spanned fifty years and practically every genre you can think of. Only a few times did Lumet tackle comedy, and Critical Care is one of those times. The movie takes place in a hospital where Dr. Werner Ernst (James Spader) becomes helplessly involved in a legal battle between two half-sisters who are fighting over the $10 million inheritance of their comatose father. Werner has to put up with this feud as well as his senile supervisor, Dr. Butz, played by an almost unrecognizable Albert Brooks, who insists that Werner only take care of patients with health insurance. Werner must maneuver around the legality of the hospital in order to do what is right for the patient in this twisty, wacky, nutty, and all around fun flick from the late and great Sidney Lumet.Critical Care is a fairly straightforward film when you boil it down. There isn't a lot going on here, but what it has to offer is entertaining enough. It's a witty little film with fun characters and great performances. I thoroughly enjoyed James Spader as the film's lead, as he carries the film well, but the film is really lifted up by its supporting cast. Helen Mirren plays the head nurse on Spader's floor, who has a profound outlook on life, even if she has very unorthodox ways of showing it. She isn't in every scene but when she stops by it always seems she is there to give some sort of advice or perspective on the wacky situation the other characters find themselves in. Jeffrey Wright has a small part as a dying patient who sees visions of the devil coming to take his soul. The devil is played by highly unexpected Wallace Shawn. The sub story that develops between Wright and Shawn, as well as Mirren, is a fascinating parallel to the central story of the film.Kyra Sedgwick and Margo Martindale play the two half-sisters fighting over their father. Sedgwick is a seductive model whose devious ways get Spader into more trouble than he bargained for. Martindale is a deeply religious woman who uses God as her safety net for everything she says about her father and the situation she is in. Her over the top character effectively pokes fun at devout Christians who believe Jesus is the answer to all problems, something I'm always a fan of. But my favorite character of them all is easily the curmudgeonly Dr. Butz, played incredibly well by Albert Brooks in an hysterical role. Dr. Butz is grumpy, unethical, and very technologically challenged, making for some silly yet amusing running jokes in the film. I looked forward to every scene with Brooks as the nutty geezer and was always satisfied with whatever scene he appeared in.When you get right down to it, Critical Care is a film that you watch, enjoy, then forget. I really liked this flick. It made me laugh and it didn't waste my time or insult my intelligence. It's simple enough and not something to do back flips for. It's a small film, very minimalistic, but makes the most out of what it has. The actors are great and the variety of characters are all fun. I couldn't see myself watching this film again but it was at least an effective use of an hour and forty minutes of my time.

Man, talk about a missed opportunity.This oddly obscure medical film from prolific and uneven legend Sidney Lumet attempts to bridge the gap between comedy and drama, and although occasionally in succeeds (mostly in the snarky repartee between doctor James Spader and nurse Helen Mirren), it mostly fails due to a lack of depth in its characterization, and everything is attempts to do, "Scrubs" has done better at least 10 times a year.It's basically the plot of the second half of "Million Dollar Baby", from the doctors' point of view, with all the random hospital jokes and long-winded speeches that come with that. Actually, considering Margo Martindale's presence at the vegetable's side, it feels more like that film that I was comfortable with, heh. But, being a James Spader movie, there has to be a random sex scene in the middle of it, and it got me out of that funk. It's not as kinky as I would have anticipated, although he does tape it. Actually, the cast is *shockingly* fabulous and makes me sad that they were wasted in such a middling film. In addition to Spader, we have Kyra Sedgwick (in a bizarrely-dressed performance), Helen Mirren, Anne Bancroft, Albert Brooks, Jeffrey Wright, Wallace Shawn, Colm Feore AND Edward Hermann. Really, you got THAT group together and made a lame, jokey hospital melodrama? Shame on you, Lumet.It moved quickly and rarely grew painfully tiresome, but as every joke felt flat and every emotional scene fizzled harmlessly, it just made me nostalgic for the time two hours earlier when I was watching "Scrubs". Those were great times.{Grade: 5.5/10 (C+/C) / #55 (of 66) of 1997}

Well I liked this a lot. I have only seen THE NETWORK so far from the same director and I am more willing now than before to check more. Thought provoking as few films can be & having a context dealing with many interesting, philosophical topics, this will probably appeal to the majority of serious film fans. Located in a hospital, it comments on euthanasia, doctor's and medical personnel everyday life, medical care VS. money but then again, much much more.Not long before the end, and after some smart religion-centered dialogs, I was a bit disappointed by the "religious" overtone given mostly the "nun"-character, but in the next scenes the film delivers again...Highly recommended, but it can be a bit depressing at times for the very sensitive ones.

This film should be required viewing for all physicians, insurance execs and lawyers. The story is a dark comedy which looks at the twisted mess that is our modern healthcare system. James Spader is perfect as a cynical medical resident who learns the hard way about the realities of dealing with a patient's family, lawyers and the insurance games played by hospital administrators. As a family practice physician I can say that the plot of this film rings true on many levels....the stress of being a resident, the battle between family members, insurance companies and hospital administrators and the conflicting expectations of all involved. A favorite of the Sundance Channel and with good reason. A great flick...