The Barnyard Concert (1930)
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant Overture. The setting, as the title implies, is a barnyard, and some of the instrumentation reflects that (including various animals used as instruments, like a tuned group of piglets whose tails Mickey pulls).
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Don't listen to the Hype. It's awful
Captivating movie !
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
For many of us, cartoons were our gateway to classical music. One of the most oft used is "Poet and Peasant." It has lots of moving parts and musical variations. It is quite joyful. Here, the animals aren't the instruments: rather, they play instruments. One of the funniest parts of this piece involves a pig who keeps playing the wrong note. The reason is put forth when he shows Mickey his music. Mickey is a conductor and this is a good deal of fun.
This is an early Disney cartoon featuring Mickey Mouse. There will be spoilers:It is said that even a journey of a thousand miles begins with a single step. With regard to the development of both Mickey Mouse specifically and Disney cartoons generally, the early Mickey Mouse shorts show the evolution of Disney animation. The early shorts, while certainly fun to watch to a greater or lesser degree, are the baby steps which had to happen for shorts like The Band Concert to be as good as they are. Disney animators learned their craft in the early days.I selected this short because it's all but impossible to avoid comparing it to The Band Concert. This short suffers in comparison, somewhat unfairly, because five years is a long time and you progress rapidly if you study what you do long enough.The gags here are typical of the types of gags being used in the late 1920s-early 1930s. The gags are cute enough, but they aren't as sharp and the timing isn't always as good as it could be. The best gag is the concluding one, where The Law of Unintended Consequences bites Mickey. There's an outhouse gag and Mickey gets music from animals, both staples of animation in this period. These shorts were a training ground and the payoff is the quality of the average short just four or five years later. The same holds for the Silly Symphonies series, where more experimentation was done. A hairpiece being sucked in by a tuba is nice training for an animator on the road to even better work.This short is available on the Mickey Mouse In Black and White, Volume Two Disney Treasures DVD set and is well worth tracking down.
A Walt Disney MICKEY MOUSE Cartoon.Mickey attempts to lead THE BARNYARD CONCERT of the ever popular 'Poet & Peasant Overture.'The musical soundtrack drives nearly all the action in this virtually plotless little black & white film. Clarabelle Cow & Horace Horsecollar get to showoff their instrumental virtuosity: she plays the flute while he attacks a drum. Mickey rather cruelly extracts music from almost anything, including a litter of nursing piglets.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Mickey Mouse plays a conductor in this short, leading a band of barnyard animals (hence the title of the short)who are playing the "Poet and Peasant Overture." This short was okay, but I wouldn't call it one of my favorites. There were some funny scenes like were a pig is playing a trumpet and his hair falls out onto his face, giving him a beard & moustache. One was copied from "Steamboat Willie" where Mickey pulls nursing piglets in tune to the music.