The Mole and the Car (1963)
(The Little Mole and the Car), Krtek finds a broken toy car a child has discarded, and slowly puts it back together. There is a level of moral instruction to this: as the little mole carefully repairs the toy, children are cautioned about the wastefulness of city life and mass consumption, but also encouraged to learn how things work. The automobiles function as an allegory for the larger mechanized world, and how it is at odds with the natural one
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As Good As It Gets
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.