Temps contre temps (2014)
The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
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One of my all time favorites.
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Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
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Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
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Through painfully honest and emotional moments, the movie becomes irresistibly relatable
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