Ride, Vaquero! (1953)

Let's be realistic.

By the time the dramatic fireworks start popping off, each one feels earned.

One of the worst ways to make a cult movie is to set out to make a cult movie.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Two outlaws , Rio (Robert Taylor) and Esqueda (Anthony Quinn) , raised together as step-brothers , are reluctant adversaries in this fiery Western . Esqueda's mother raised Rio as her own , but this mutual fraternity will be modified in arriving a strange couple whose vision from law and justice differs quite from them . As the brothers will have a showdown when Rio defends an untameable owner (Howard Keel) and his wife (Ava Gradner) . Each owed the other their circumstances but is now the moment of reckoning . Then , there happens a real battle of wits among two siblings .The movie gets Western action , shootouts , a love story , thrills , an impressive town raid and results to be quite entertaining . It's an enough budget film with good actors , technicians , production values and pleasing results . This is a trigger-taut drama of the strangest brotherhood and facing off between the West's most upright man and his deadliest half-brother . Their brotherhood and friendship to break up when both of whom confront over the issue of whether to evict new settlers from their territory . The picture is a tale of justice , redemption and about a particular relationship between two brothers and a brave as well as pacific marriage . The basic plot is typical classic Western fare , but what makes this movie stand out is its style . The movie displays crossfire , love and hatred , fighting , round-up and exciting duels . It is plenty of violence and contains effective action sequences such as the ending when the cutthroats get together themselves and going through spectacular landscapes and go on riding until the trilling attack on the small town raid . The rousing climax as Taylor fights to make justice at the saloon , is justly exciting . Anthony Quinn is good as brutal bandit , he is excellent though sometimes overacting , his character bears remarkable resemblance to subsequent Spaghetti villains , as killing relentlessly enemies in cold blood . Robert Taylor gives a sober and sad acting as the good brother . And Ava Gardner is gorgeous , and wonderful , as usual . Support cast is frankly nice , such as : Kurt Kasznar , Ted de Corsia , Frank McGrath, Rex Lease , Monte Blue and the regular Jack Elam .Blazingly shot in Angiocolor by prestigious director of photography Robert Surtees . Moving and appropriate musical score by Bronislau Kaper . The motion picture was professionally directed by John Farrow in steamroller style . Here filmmaker John Farrow delivers a decently-paced film , though it has a few flaws and gaps . Farrow was a good craftsman who directed all kinds of genres , such as Drama : ¨Unholy wife¨ ; Historical : ¨John Paul Jones¨ ; Adventures : ¨Wake island¨ , ¨The years before the mast¨ , ¨Botany Bay¨ , ¨Back from eternity¨ ; Wartime : ¨Commandos strike at dawn¨ , ¨Sea Chase¨; Crime drama : ¨The big clock¨, ¨His kind of woman¨ , ¨The Saint strikes back : Criminal court¨ ; and Western : ¨A bullet is waiting¨, ¨Hondo¨, ¨Copper Canyon ¨and this ¨Ride vaquero¨ also titled ¨Una Vida Por Otra¨ or ¨Viva vaqueros¨ . Rating 6.5/10 .

Robert Taylor thought this movie to be one of his worst! But years later it has come into favor, not only for the unique story line, but because of his performance of the outlaw Rio. He is so unhappy, so silent, so restrained, that when we see him falling in love with Ava Gardner, we almost can not believe it. Anthony Quinn gives a wonderful performance as the head of the gang, he is dirty, drunken, and vicious, the complete opposite of Rio. Esqueda (Quinn) wants to run off all the ranchers, because they bring with them law, and civilization. His time has come, and he knows it. When Howard Keel (Cameron) brings Ava (Dehlia)to his ranch to start a cattle kingdom, she becomes restless and lonely because at every turn, Esqueda burns and ravishes their home. Quinn sees the changes in Rio when he spots him longing, from a distance, after Dehlia. When Taylor is caught after a raid by Keel, he offers him a job, at which point he leaves Quinn, because he wants to be close to Ava. His character is very conflicted by loyalty to Quinn, and his love for Gardner. He knows that they will meet and one will kill the other. He stays anyway, and in the pursuit of horses, saves Keel's life, for which Keel feels vindicated, because he always felt that Rio had some good in him, not knowing that \ he is in love with his wife. He leaves the ranch for a business trip, and when Ava asks Rio to take her to Quinn, so she can plead with him for her new life, he takes her there. When she threatens Quinn, she only stops when he tells her if she kills him she will also be killing Rio, because the gang will take his life. When they return to the ranch, she confronts Rio about the real reason he is there, and in the encounter he asks her why she saved his life. She is so needy, and lonely that she tries to seduce Taylor, and kisses him with such a hunger, that you can feels her needs thru the screen. He rejects her, slapping her, and leaving the home, knowing that he loves her, but that he is no good for her, and that Keel is the right man for her. Esqueda goes on the rampage, and they have a final showdown, where they are both killed. It is quite sad to see Ava, so conflicted, so unsure, seeing Rio dead, and knowing that he did it for her. She asks Keel for forgiveness, and he tells her that he can forgive anything that she can forget. A very interesting portrayal by all. A truly overlooked western, years ahead of its time in the films that would follow. Films that came out of the new Hollywood, method actors, method films. This could really be called a "method western."

Although it is supposed to take place in Texas, the film was actually made in Kanab, Utah, which accounts for the fact that it doesn't look a whole lot like west Texas to me.Cordelia and King Cameron (Gardner & Keel) locate to Texas after the Civil War and buy land in order to build a cattle ranch. Mexican bandit Esqueda (Quinn) along with his adopted white brother Rio (Taylor) burns down their house to send a message to other whites from moving into what he considers an intrusion of his territory.This oater is also notable for being one of the few non-singing roles Howard Keel did for MGM. He almost reminds me of a more cultured Joe Don Baker even right down to his western drawl. Gardner is being her usual dignified self and doesn't really add much here to the whole thing other than butting into the men's business.In fact, this film almost starts off as another repeat for Ava Gardner since she was in a similar love triangle with Clark Gable in LONE STAR (1952), except in this one, Taylor refuses her advances and pushes her away, not following the typical Hollywood convention of the time. Good twist on the part of director John Farrow. It adds a darker psychological dimension to the Taylor character.I also enjoyed Anthony Quinn's performance as the drunken Mexican bandit Esqueda, who cowers and sulks in his bedroom when things don't go his way. He comes across as a bitter, drunken buffoon who's obsession reaches a climax when Taylor defects to over to Keel's side, helping him build up their ranch.Quinn then takes over the town of Brownsville in order to force Taylor out into the open. It ends when Quinn & Taylor shoot and kill each other in the saloon while the wounded Keel lies nearby, no match for Quinn's earlier fast draw.Given Quinn's slightly hammy performance along with the darker psychological aspect Farrow's script gives to the Rio/Taylor character, I'm gonna give this one a 6 out of 10. It's not a keeper but it does hold my interest.

Set in the area around Brownsville ,Texas in the immediate post Civil War era this is a splendid if slightly over heated picture.The area is dominated by Mexican bandido Esqueda ,well played by Anthony Quinn, who with the aid of his Anglo sidekick Rio(a taciturn but effective Robert Taylor)seeks to ensure settlers do not occupy the region as he views them as a threat to the way of life he has established.Trouble arrives in the form of Howard Keel who ,with wife Ava Gardner by his side is set on resisting all attempts to drive him out of the territory.Rio is won over to the cause ,somewhat more due to the beauteous Gardner than to any principled reasons.The scene is set for the final confrontation between Rio and Esqueda in the town saloonThere are hints of a repressed sexual attraction for Taylor by Quinn in the script anticipating the theme of his role in Warlock( probably still the most grievously neglected Western classic) and the Taylor character displaying a penchent for an early version of gay chic in the clothing department underscores this The Quinn character is not a one dimensional villain-there is a reason for his stance and he displays a marked religious bentGood support from the great Jack Elam and Kurt Kaznar as the priest who takes a stand against Quinn.Gardner while beautiful was no great shakes as an actress and this together with an over stolid turn from Keel are the only real problems with the movie