3 Ring Circus (1954)

I love this movie so much

Admirable film.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

I always loved Martin and Dean. Who knew that they could do a lot of performances with jumping on ropes or shelves. They must had to have at least 1,000 protein pills to get all the energy and fitness going haha!I have at least two favorite scene's on this, one was when Lewis and Martin had to serve custards to the public but the public were getting out of control that the machine began to malfunction. They were literally covered with Custard and you could hear the audience just laughing their heads off! Then we go onto the second, I loved when Jerry Lewis did a performance as a clown and he was talking of sadness to a little girl because she didn't find him funny. Suddenly he was successful making her laugh, the pair of them were so adorable, they just hugged with delight! It definitely warms your heart 💟This is the best Martin and Lewis film I've seen. Although I found the audio was very low so I missed out on the words on what they were saying. For the heck of it, I enjoyed so I can't complain further!

This must have been a tough film for Dean Martin to make. After all, his character is a bit of a jerk and he garners so sympathy or love from the audience in this one. As for Jerry, he is an oddball in this one--not bad at all, but also not exactly funny. Instead, he's amusing and it's nice to see him take on a lot of different jobs at the circus.When the film begins, Pete (Dean) and Jerry (Jerry) are leaving the army. They have no prospects and are mostly just concerned with getting a free meal when they wander into a circus. But Jerry would love to one day be a clown--but en route he tries his hand at lion taming, tightrope walking and even getting fired out of a giant cannon! As for the unlikable Pete, he's a schemer and loves it when the circus' resident prima donna (Zha Zha Gabor) falls for him--as he is allow to loaf about and not get fired because he's her boy- toy. Later, as Pete takes on more and more responsibilities with running the circus, he begins to act like it's his and is a pretty obnoxious guy--so much so that his pal, Jerry, becomes rather disillusioned with him. Does this sound like a comedy? No...well you get the picture. It has some sweet moments and Jerry gets to do quite a bit--but Dean is in a thankless role as the film lumbers along. Certainly not one of their better films since the chemistry that made the team enjoyable is a bit lacking.

As some of you may be aware, I’m no longer that much of a fan of Jerry Lewis – though I did acquire the Paramount 10-disc set of his vehicles recently; growing up I watched a number of them (and also a lot of his teamings with Dean Martin) on Italian TV – and, not having checked out the latter in ages, I was wondering how they held up. Since I can easily lay my hands on the films released on DVD, I opted to give another look to one which, for some reason, has yet to appear on the format and which had certainly been among the first I became acquainted with all those years ago.I’ve watched scores of films over the years set inside a circus (and should be getting to one more, THE BIG CIRCUS [1959], presently); many comic stars had tried their hand at this exciting and evocative milieu – so it was natural for Lewis (and Martin) to get in on the act as well. Jerry, of course, wants to be a clown but has to go through the ropes first – therefore, we see him as a lion-tamer(!) and, with Martin in tow, sweeping the tents, washing the elephants and as an ice-cream vendor, etc. – inadvertently, he even does a tightrope routine on a bike(!). Soon enough, his antics are getting more laughs than those of the company’s star clown who, naturally, is jealous of all this attention – thus becoming mean in Jerry’s regard, and is generally so soused that he becomes unfit for work! Another clichéd turn-of-events is the fact that the circus (owned by Joanne Dru) would be impoverished if it weren’t for a star attraction in the form of trapeze artist Zsa Zsa Gabor; for this reason, she acts like a diva and, worse for Dru (who, surprise surprise, is attracted to Martin), holds him under her thumb! Helping Dru out is old-timer Wallace Ford – who purports to give the boys a hard time but, predictably, emerges to have a heart of gold underneath; also on hand are Sig Ruman as the veteran lion-tamer and Elsa Lanchester as The Bearded Lady! Martin (and Lewis) gets to sing a couple of resistible tunes, one of them to a bunch of caged animals!; the soundtrack, then, includes his hit from the previous year “That’s Amore” (first heard in THE CADDY [1953]) and the Paramount standard “Lover” (from the superb Maurice Chevalier/Jeanette MacDonald musical LOVE ME TONIGHT [1932]). Anyway, at the bat of an eyelid, Lewis is awarded the spotlight of star clown (without having really demonstrated any outstanding comedic skills), while Martin – who introduces a spot of gambling to aid the circus – takes over the joint when Dru decides to call it a day. Eventually, Lewis and Martin also quarrel over the circus’ customary show at an orphanage – which Dru returns to compere…but, all’s well that ends well, as Dino has a change of heart and turns up to sing for the finale (following Jerry’s attempts to put a smile on a crippled girl’s face).As can be seen, the formula is typical Martin & Lewis: songs, girls, sentiment and Lewis’ love-it-or-hate-it shtick; if anything, it’s certainly colorful and mildly entertaining along the way – but hardly a classic of screen comedy and, while clearly a popular title in the Lewis canon because he gets to don the clown make-up (the film, in fact, was re-issued in a shortened version entitled JERRICO, THE WONDER CLOWN!), not one of the better outings from the team.

There are some strange echoes of the real life bust up between Martin and Lewis in the script. It's saddled with Jerry's sincere but misguided belief that he is a natural clown and screen heir to Emmett Kelly, who's makeup he closely resembles in some scenes, imitation being flattery I guess. The buddies, newly discharged from the army and penniless head for the circus where Jerry, longing to become a clown instead has to apply to be a trainee lion tamer (as if..) the usual water squirting elephants and disgruntled, drunken clown lead us to the quease-inducing finale when Jerry as the clown succeeds in making a sad little girl (in leg irons, yet)smile at his tears. For 1954 audiences I'm sure it was a pleasure break from post war blues but it's well past it's sell by date. TRIVIA: Unless I'm much mistaken the sequence where Dean Martin does acrobatics on some low bars is doubled by Nick Cravat who appears elsewhere in the film and was an acrobatic partner of Burt Lancaster.