Hell Up In Harlem (1973)

Touches You

Fresh and Exciting

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Sequel to Black Caesar, written and directed by Larry Cohen, has the Harlem gangster (Fred Williamson) taking on the mafia, the cops, and a traitor within his own organization. It's an enjoyable enough blaxploitation flick but not as good as Black Caesar. There's a lot of action and some of it is pretty chuckleworthy. The scene where the black gangsters attack the mob and make two of their bosses eat soul food is particularly amusing.It was obviously a rushed production. If you're looking for tight continuity, look elsewhere. They change the ending to the last film entirely, as well as other plot elements. Still, Williamson is good. Sexy Gloria Hendry returns and there's some new eye candy from Margaret Avery. It's missing a great soundtrack like the best blaxploitation films had. Edwin Starr's songs aren't that hot. Apparently James Brown's music was rejected by Cohen. The same music that would go on to be the great Brown record "The Payback." Bad move, Larry.

Tommy Gibbs (Fred Williamson) is also known as Black Caesar, he finds himself shot by a corrupted police officer in the middle of the street in New York City. Since Gibbs is an well-known gangster, he has the ledger with the name of every bad cop and government officials on the mob's payroll. Gibbs is now public enemy number one in the city. He brings his father (Julius W. Harris) to the mob, Gibbs teaches his father every he knows. But someone in the gang is double-crossing Gibbs and he knows, there will be hell to pay. Revenge looks sweet for Black Caesar.Written, Produced and Directed by Larry Cohen (It's Alive Trilogy, A Return to Salem's Lot, Q:The Winged Serpent) made an amusing, violent, if sometimes unintentionally funny sequel to "Black Caesar". Cohen is at his best, during some of the action sequences, the quick-paced editing and hand-held camera work. Williamson and Harris are fun to watch in this movie. Although the movie looks rushed, the story isn't as clear as its supposed to be and the film is quite sloppy at times.DVD has an sharp anamorphic Widescreen (1.85:1) transfer and an decent Dolby Digital 2.0 Mono Sound. The DVD's best feature is the humorous and informative commentary track by Cohen. At times, his commentary track seems to be more entertaining than the movie! DVD also includes the original theatrical trailer and an teaser trailer. "Hell Up in Harlem" is a lot of fun, despite some real flaws. Some of Edwin Starr's songs are quite good. If you are an fan of Soul Cinema in the 1970's. Don't miss it. (*** ½/*****).

A lousy action film starring Fred Williamson. He's back as the "Black Godfather." This time he's trying to outwit a crooked DA and mend the broken relationship with his father (Julius Harris). It's pretty dull and, as directed by Larry Cohen, very badly put together. The editing is atrocious and Cohen's script is alternately tough and sappy. The title is also somewhat misleading since very little action even takes place in Harlem. Williamson has presence but not much acting talent. Classy Harris saves the film from being a total debacle. D'Urville Martin is fine as one of Williamson's cronies turned priest and Margaret Avery is "Sister Jennifer," who for some reason appears to be in a walking coma.

I loved Larry Cohen and Fred Williamson's previous collaboration 'Black Caesar', one of the toughest and most enjoyable movies of the early 70s blaxploitation boom. That movie was a great success and in the rush to cash in with a sequel something was lost. Cohen was shooting his killer baby classic 'It's Alive' at the same time Williamson was making 'That Man Bolt', yet they still attempted to make 'Hell Up In Harlem' simultaneously! Cohen's script is weaker this time around and the emphasis is on fights (fists and guns) over character development and story. The movie is more of an action film than a crime drama and therefore much less interesting to me. Williamson is still a powerhouse, but the movie as a whole fails to satisfy. Gloria Hendry ('Black Belt Jones') and D'Urville Martin ('Dolemite') both return from the first movie but aren't required to do all that much. You could even call their roles cameos and not be far wrong. Julius Harris ('Superfly') also returns as Williamson's father, but this time round he has a much larger role, and almost carries the first third of the movie all by himself. The film directly follows on from 'Black Caesar' with Tommy Gibbs (Williamson) recovering from a near fatal gunshot wound. He relies upon his Pop to keep things together, and this enables Harris to blossom from a middle aged straight citizen into a cool dressing killing machine almost overnight! This is one of the most entertaining things about the whole movie, but not enough to stop it from being a disappointment. Even the score this time round is inferior, with no James Brown content. I think this movie was too rushed and suffers for it. It has its moments but isn't a patch on 'Black Caesar'. I've noticed that quite a few blaxploitation classics fail to deliver with their sequels (I'm especially thinking of 'Foxy Brown', Jack Hill's weak follow up to his sensational 'Coffy'). I wonder why that was? Greed perhaps, or lack of faith in the material, I don't know. Anyway, 'Hell Up In Harlem' is okay, but it could have been, SHOULD have been a lot better! 'Black Caesar' is still brilliant though, don't miss that one.