True North (2006)

Terrible acting, screenplay and direction.

Bad Acting and worse Bad Screenplay

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The acting in this movie is really good.

When I saw Gary Lewis playing in the movie I was almost certain that this film is promising a lot. However, I was wrong. Lets start with good things: Excellent acting and camera directing which proves that movie was an art work (not so) long time ago. Everything is so convincing, almost like real. However, film misses a real plot. Simple plot is an idea of a real grandmaster, but it needs developments of characters and/or interaction with another plots. The movie is way too slow for its genre and way too profiled for an art film. Attempt to make a good movie has been lost somewhere on the horizon of the promising film-making. My opinion is that this is a real pity, since most of the people in this film project seems to know their job pretty well.

I have just watched this film on television. I can only say that it was a very emotional ending. I would like everyone to remember this happens on a daily basis through out the world and we should pause for a moment to take in the enormity of it. However fictional it may be, this is a story that had to be told. I feel the writer may have developed the story before the cockle pickers from China died in England, factual. But to answer the person who posted that the film was too conveniently wrapped up at the end. The ending can still be compared to the reality of cheap labour being smuggled into a country successfully but still meeting a fatal ending. This film is a very honest portrayal of the fatal dangers involved in people smuggling. And although I originally thought it would be a reality check for people attempting leave their home for the promised land of the WEST. I have changed my mind because these people are intelligent enough to know that the hard place they are getting into is better than the rock they are currently under. It is still a honest account that the WEST is not all that it promises. I know anyone intelligent enough to watch this film will know that Scotland's people are not Chinese killers, however I still hope that people's judgement of Scotland is not affected by it. p.s. FAQ The young star of the film first starred in a film set in Inverclyde Scotland called Sweet Sixteen, and didn't Peter Mullen walk into a brothel called funnily enough Sweet Sixteen in Belgium, Only a thought...

The skipper (Gary Lewis) of the Scottish trawler PD-100 has worked for more than thirty-two years to buy his fishing vessel but is bankrupt and near to lose his ship to the bank. While in the port of Ostend, Belgium, his first mate and son Sean (Martin Compston) accepts a lot of money to smuggle Chinese illegal immigrants to Scotland to keep the trawler with his father. The crewman Riley (Peter Mullan) helps him in the scheme, and they hide the group in a store below the boatswain store. However, a Chinese teenager hides in the engine room, stealing food and leaving money in the galley. The cook (Steven Robertson), who is a little slow and has issues with sex, finds the stowaway (Angel Li) and helps her. Sean decides to stay longer in the North Sea to get catch and avoid problems with customs, leaving the immigrants in the most subhuman conditions. When one of the Chinese dies, despair is triggered leading the crew to tragic actions."True North" is a simple, but very cruel and heartbreaking story of despair and how far a human being can go under the pressure of a desperate situation. None of the characters is evil, but their attitudes under unexpected situation are scary. Sean has no concern with the immigrants, but in finding a way to avoid problems with the coastal authorities; the cold Riley has a touch of humanity with the terrible situation of the stowaways; the cook surprisingly protects the girl; and the captain has the most despicable procedure when he feels that he may lose his ship. The direction and the performances are awesome, and the screenplay is excellent. My vote is eight.Title (Brazil): "Verdadeiro Norte" ("True North")

For a movie that had a very simple storyline to it (Chinese immigrants go on a ship seeking a better life in northern Europe), I was amazed at a couple things when I saw this very engaging movie at the Toronto International Film Festival with the dynamic and fun director present:1) First, this story feels so very true. No sugar coating. No over-dramaticism. Nor clunky lines. It's a story with what are real characters just being themselves, in a fairly enduring and harsh environment.2) Then, while I was wondering why the movie was called True North, when I thought I had it figured out, the story's message struck even deeper. True North is the unwavering north. Not another form of north that shifts as the tides do. And making moral decisions -- if there is such a thing as a moral righteousness, was a topic, perhaps as I think of what's important to me, and what I would sacrifice in the name of money, my livelihood, or my own wants -- was a topic that just worked for me.3) And because the movie just came out and told a story -- I just felt -- WOW! What an awesome piece of work. And when the director talked about his passion for shooting on a ship when it needed to be on a ship, and how very real the scenes were because of that, I was even more impressed. The shots were vivacious, interesting, and captured the feeling of being on a ship. How a propos!So -- for an engaging movie, and a director's 5 years of sweat and tears using real life to inspire this story-telling, I think you will be so very engaged with this movie. Check it out!