Dark City (1950)

Touches You

Simply Perfect

Sick Product of a Sick System

Although it has its amusing moments, in eneral the plot does not convince.

As most people already know, this was Charlton Heston's very first Hollywood film at Paramount. He's very thin, very young, and very good in it. I think the story has an excellent premise-- it's a noir version of Agatha Christie's AND THEN THERE WERE NONE, where a killer is picking off a group of cons one by one. But the script is a bit padded in the middle. It did not need 97 minutes running time...it could have been told adequately in 75 minutes. And one has to wonder which city is darker-- Chicago, Los Angeles, or Las Vegas (since the action occurs in all three places).Lizabeth Scott is good in all her dramatic scenes but sorry to say her lip syncing is pretty phony when she is trying to get over the illusion she's a singer. Don DeFore does a great job as a doomed gambler, and so does Ed Begley Sr. In his memoirs, Heston called this a good B film. I'm not sure producer Hal Wallis would have labeled it such. It's an A film that doesn't quite live up to its potential, but the moments of greatness in it (and there are some) do outshine the parts that don't work.

From 1950, Dark City is a noir starring Charlton Heston, Lizabeth Scott, Viveca Lindfors, Harry Morgan, Dean Jagger, Jack Webb, and Ed Begley. This was Heston's first major starring role; previously he had appeared in Julius Caesar, an independent film done in Chicago and starring Northwestern University students and graduates.Heston is powerful as Danny Haley, a not very likable gambler who hangs out with a low crowd. One night he and his friends play poker with an out-of-towner (Dom Defore) and cheat him out of a check for $5000 that wasn't his money. Later, he hangs himself, and the group is questioned by a police detective (Dean Jagger) who feels that Danny is above the group in intelligence and potential, but is going to be murdered if he keeps going the way he is.The dead man's brother, a psycho, is committed to tracking down every single person at the game and killing him. They start dying, too. No one knows what this man looks like, so Danny goes to see the widow (Lindfors) to see if she has any photos. That's when he realizes how scary this guy really is.This is an effective film that for some reason has several long numbers performed by Lizabeth Scott, who plays a nightclub singer and Danny's girlfriend. It was almost as if she was being showcased, and her voice was dubbed! She looks beautiful, but one wonders what the director, William Dieterle, had in mind.Heston is surrounded by first-class character actors and easily holds his own opposite them. His character is tough, and it isn't until a little later in the script that we see there's a heart there. It's a powerful performance. Scott pines for him with her breathless voice, and she's good as well.Fine film, interesting to see Heston at 27.

Dark City is a well crafted film. Most film noir fans will love it. It was released in 1950 and Stars Lizabeth Scott and Charlton Heston.Heston plays a gambler (Danny Haley) who along with two friends sucker a man from out of town into a game of poker. Only one problem...it wasn't his money to gamble with. He signs over his check with the knowledge, (I'm in big trouble!) It is later revealed that he hung himself.Now the story really takes off. The dead mans brother (who is insane), vows to track down those who were responsible for his brothers death, one at a time! This is a very intense storyline and will keep you on the edge of your seat.Heston is wonderful in this film as is Lizabeth Scott. Scott had been in the film business for a number of years by the time she made this picture. But remember, this was Heston's first film. To watch him, you would never know. However it didn't hurt to have so many veteran actors surrounding him. Names like Dean Jagger, Don DeFore, Jack Web, Harry Morgan, Walter Sande, and Mark Keuning. This was a solid cast! If you haven't seen it yet, I highly recommend it. You will need this for your film noir collection.

This film is crime noir since Danny Haley, its lead played admirably by Charlton Heston, in his first major Hollywood starring role is running an illegal bookie joint. The film, as no one else seems to have noticed, is about a man who because his British wife left him after the war and he is disillusioned by the military-industrial complex's fostering of postwar injustice, has taken up "hustling" instead of trying to play by the Establishment's rules. All throughout the movie, people keep blaming Danny for untrue things, his crime being in giving up on an increasingly corrupt postmodernist national government--i.e. neither being an altruistic Democrat nor an overworking Republican. In the film, Danny's place is raided by honest police officer Dean Jagger. The raid leaves Danny with no source of income. A stranger, Don DeFore, strikes up a conversation in Danny's hangout; he ends up in a poker game with Danny's bookie friends Soldier (Harry Morgan), Barney (Ed Begley Sr.) and Augie (Jack Webb). DeFore loses 5000 dollars in a crooked game, pays with a cashier's check and hangs himself in his hotel room that night--some of the money was not his...But, soon after, Barney is found hanged, and the rope was just put around his neck to make the crime look like a suicide. The jumpy, coward Augie and Danny figure that they are going to be the next targets, since they learn Arthur has a psychopathic brother, Sidney. They fly to Los Angeles to seek out the man's widow and get a photo of the brother. Soldier did not participate in the card game. He goes to work in a Vegas casino run by his old-time boxing friend Swede (Walter Sande). This intriguing setup is then turned toward Danny's life-altering meeting with Arthur's gorgeous widow (Viveca Lindfors). He has avoided making a commitment to Lizbeth Scott, a lounge singer who is very much in love with him. But seeing how determined the honest Lindfors is to make a life for her son, he decides to try to get enough money in Vegas to pay the widow back and pair with Scott. The kicker in the deal is the crazed Sidney is still hunting him and Augie as well. Cinematography is luminous B/W by Victor Milner, and the art direction by Franz Bachelin and Hans Dreier complements the great William Dieterle's direction effectively by my lights. Franz Waxman provided serviceable music, Sam Comer and Emile Kuri did complex set decorations; and the female participants looked lovely partly thanks to Edith Head's costumes.Larry Marcus' story "No Escape" has been adapted here by Ketti Frings, with John Meredyth Lucas. The script's episodic elements prevent this movie from being recognized for the fascinating character study it is. It is about what happens to those who for whatever reason stop trying to fight for life in the world of normative values, whoever the opponent, and who enter the world of the collective--crime--for whatever reason. In this story about Danny, the man who escapes the "dark city" he had thought to hide from life in, Charlton Heston is very good for his age. Jack Webb, a powerful radio actor, here turns in what I regard as his best screen performance ever as the nasty and cowardly Augie., Ed Begley Sr. was one of Hopllywood's best dramatic actors, infusing a small part in this feature with his usual dynamic intelligence; and Harry Morgan as the brassy "Soldier" is charismatic and effective. Viveca Lindfors is very well cast I suggest as the suffering but courageous wife; Don Defore was very good at playing a man shallower than he appeared, and here he has a lot to work with. This film is the first since Ayn Rand's "Love Letters" to reunite DeFore and Lizbeth Scott. Scott had limitations in drama although she was adept at comedy, and here she looks lovely as the singer, Fran. Others in the cast who showed to advantage included Dean Jagger, Walter Sande, Walter Burke, and many lesser known persons. Mike Mazurki was miscast as DeFore crazed brother but does his powerful best as usual. This is a very seminal-transitional film, I claim, from a period when noir films, crime or otherwise, had been set in the underworld, to the period where the breakdown of U.S. society had begun to affect law-abiding folk. It is also one of the post-war angst films wherein the war to "make the world safe for democracy" had been revealed as leading to difficulties for returning servicemen. It just misses being very good indeed.