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Abbott and Costello Meet the Killer, Boris Karloff

Abbott and Costello Meet the Killer, Boris Karloff (1949)

August. 22,1949
|
6.7
| Horror Comedy Mystery

Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).

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Alicia
1949/08/22

I love this movie so much

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Scanialara
1949/08/23

You won't be disappointed!

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ThiefHott
1949/08/24

Too much of everything

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Fatma Suarez
1949/08/25

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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DarthVoorhees
1949/08/26

Horror and comedy can make a very potent mix. 'Abbott and Costello Meet Frankenstein' is the undisputed masterpiece of this genre because it delivers on both concepts equally. I think this is something that poor imitators fail to realize. For a horror comedy to work there has to be both concepts. 'Meet Frankenstein' can still sort of work as a horror film. The monsters still have great dignity and pose a real peril to Bud and Lou. It's a great film and in my opinion the best the boys ever were. No wonder a semi-sequel was made. 'Meet the Killer, Boris Karloff' has none of the charm it's predecessor had. It's hard not to like an Abbott and Costello film but this one has a rough time balancing it's themes. For starters the film doesn't feel like Abbott and Costello were meant to be in it. It feels and plays like a real bottom of the barrel thriller that was hastily rewritten with Bud and Lou. Bud and Lou are not the focus here. In all honesty the film gets kind of boring because it spends long stretches fleshing out it's far fetched murder mystery. No one really goes into a murder mystery caring about the actual clues or detective work. This film actually thinks people pay attention to this stuff and so Bud and Lou spend a fair amount of time talking about evidence and police work. To be fair it sets up a sort of funny morbid gag where the boys transport a body across the hotel but the gag overstays it's welcome. It is repeated several times and each time it is done so with a reminder about leaving evidence. Since when did Bud and Lou feel the need to explain a joke to such degrees? I get the feeling that they were less than comfortable with the material here. Good comedy needs no intricate explanation and this is the only Abbott and Costello film that really does this. The cast is also way too crowded and convoluted. I don't really care about anyone but Bud and Lou. The film can't have it both ways. If it cares enough about it's murder mystery to devote detail to it than it has to set up distinct suspects. When the killer is revealed I just kind of shrugged and said where did he come from. Like I said earlier I think the film has trouble bending it's darker ideas with comedy. There is some macabre stuff here. People are being killed. I compare this film to 'Meets Frankenstein' in that Lou while being funny does generally look terrified. Here it feels as though there is a certain lack of sincerity in how the horrors are dealt with. A big aspect to this is that the most daring and macabre gag is repeated multiple times and thus loses all it's impact. The film does however reach a highpoint when Lou confronts the killer in the caverns. It is funny and yet we fear for Lou because we know there is danger to be had. For those looking for Karloff, don't bother. He has a funny scene with Lou but he doesn't look like he likes being here. I imagine he wasn't on the set very long as his presence is little more than a glorified cameo. They don't even take the time to develop him into a proper red herring because they put his name in the title. Lugosi would have been so much better in this role. It's hard to dislike an 'Abbott and Costello' film too much because they are so funny and deliver so much into their comedy. This film however is distinctly lesser than a lot of their efforts. It's funny enough if you want their comedy but keep in mind you do have to sit through a murder mystery and some really awkward genre bending. 'Meet Frankenstein' does everything this film tries to do so much better.

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AaronCapenBanner
1949/08/27

Abbott & Costello play Casey Edwards(the hotel detective) & Freddie Phillips(the hotel bellhop) who get mixed up in murder as someone has murdered the boss, Mr. Strickland, and Freddie is the prime suspect because he had just been fired, and publicly threatened him. Now forced to prove his innocence, he and Casey investigate the crime, which has many suspects, including Lenore Aubert and Boris Karloff(of course) who plays a swami trying to convince Freddie to kill himself, in order to stop the police from investigating. This fails, and the real killer is pursued to a dangerous cavern in the film's spooky climax, which is really the best thing about this haphazardly structured comedy thriller. Boris is largely wasted, comedy is often strained.

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gavin6942
1949/08/28

Costello plays a bellhop who gets himself caught up in a murder and soon becomes the number one suspect. His only alibi is that the police think he's too stupid to have done it. Over the next few days, more murders pop up, and Costello may be the only one who can crack the case.I have to admit that this was my first Abbott and Costello film. Outside of "Who's on First", I didn't really know who they were. But this was a fine introduction, as it was funny, and a pretty good mystery. Even after it was solved, I'm still not completely sure I understand it. But that's just more reason to watch it again.Anyone who is going to watch this one should be made aware of one thing: the title, as written sometimes, is misleading. Boris Karloff is not the killer. In fact Boris Karloff isn't even in the movie. He does play a character in the film, but that character is not himself. (Exactly what role he plays in the film is hard to say... his motives are quite odd.)

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noyb cutshall
1949/08/29

Bud Abbott and Lou Costello star in this classic "who done it" movie. The team provides their usual funny pratfalls and mix-ups but along the way they manage to provide a classic theme to this movie. With Abbott and Costello, Karloff managing his way into the picture as the grueling possibility of the killer.This may be Abbott and Costello's best attempt to provide some new material into their excellent routines. Costello's character, Phillips is mainly accused of murdering a well known lawyer after they have a public disagreement.Phillips arrives at the lawyers hotel rooms to apologize but he finds that the lawyer has been murdered. Abbott goes far and above the the call of friendship to prove his friends innocents but who really did do it? Watch and see.

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