Athadu (2005)

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The fact that I am not an Indian and don't live in India is something you should consider when you read my review. I do lover Indian films and have seen a couple hundred...but I am definitely an outsider. "Athadu" is a film I enjoyed during the first half of the movie. But as the film progressed, my interest waned greatly. And the CGI- intensive ending really, really annoyed me.The film begins with a sweet little kid, Nandu, murdering some gangster type. Obviously this is NOT an ordinary little psychopath. Soon a guy sees the kid's psychotic promise and gets him to become a contract killer. The credits appear and then suddenly the boy has grown to be a studly man. He is now a super-assassin. In fact he's so good that he's approached with a bizarre proposition...he's to deliberately make an unsuccessful attempt on a politician's life. They explain that the injury will guarantee the guy an easy win in the election. However, when Nandu is setting up and readying for his shot with a rifle and scope, someone else shoots and kills one of the folk!! Almost instantly, the police KNOW where Nandu is and try to catch him...he's obviously a patsy for someone's evil plot.After evading the police, he finds himself in a train with a talkative man named Pardhu. It seems that Pardhu has been estranged from his small town family for over a decade and now he's finally returning. However, after conveniently telling Nardu EVERYTHING about himself, Pardhu is killed by police fire as shots ring out. Nardu escapes again and makes himself to the town where Pardhu was headed...with the intention of him assuming Pardu's life and identity. This is a nice setup and I liked this portion of the movie. But when the super-clichéd lady love interest is introduced, the quality and style of the movie changes. It had been an exciting and gritty crime film...but now a sappy and ridiculous romance. She turns out to be the most spoiled, obnoxious and self-absorbed woman I have EVER seen in a movie...and, inexplicably, you know that faux Pardhu will fall for her. This makes no sense...and having him KILL her would have made much, much more sense. What also doesn't make a lot of sense is seeing a serial killer slowly changing into a swell guy who comes to love his new family!While all this is bad, it gets MUCH worse at the end with a giant shootout with many baddies and faux Pardhu taking them all one and, naturally, winning. This is bad enough but so much of this is done in slow-motion, with crazy ridiculous CGI. It is so over-stylized and dumb that I found myself praying for the movie to end!!!The bottom line is that I know you will a few clichés in Indian movies...they are so often formulaic. But the awfulness of the woman took it from formula to the ridiculous...and the ending was hellishly bad. It's a shame....it really DID start off very well.

Nandu (Mahesh Babu), an orphan, is a top-notch professional killer in town. He maneuvers his operations with the help of his buddy (Sonu Sood). In one such operation, he falls into the eyes of the cops. While fleeing from the crime scene, he unintentionally becomes the cause for the death of a stranger called Pardhoo (Rajiv Kanakala), a run-away youngster who wants to return home after 12 years. Nandu assumes the identity of Pardhoo and enters his household in a remote village to escape from the cops. The rest of the story is all about how Nandu solves all the problems.Mahesh Babu is stylish and brilliant as professional killer. He suited the profile of Nandu to the tee. He lives up to his image of Prince Charming with his mesmerizing looks. He transformed smoothly from the character of Nandu to Pardhoo, yet shown the variation in histrionics that come out due to Nandu's guiltiness to impersonate Pardhoo.Trisha is in her elements in this film with traditional attire and cute mannerisms. The only difference between her characters in Varsham & NVNV and this film is that the voice dubbed by Savitha Reddy is mellowed down a bit, which is good. However, her role in this film is less compared to her past films.Sonu Sood is perfect. Prakash Raj is adequate as the investigating officer. Tanikella Bharani's get-up and dialogue delivery is different when compared to the roles he is offered these days. Brahmaji is effectively used for a comedy fight in this film. Nassar donned the role of an old man. Frail voice dubbing by SP Balu suited him. Brahmanandam and Dharmavarapu Subramanyam succeeded in creating good humor. Sunil is good as loyal friend. Kota and Sayaji Shinde are adequate. K Viswanath did guest appearance as CBI's local chief.Trivikram is known for his class entertainers that are loaded with sensible humor and nice emotional quotient. He tried something different for this film. The way he opened the film with a tree shot is terrific. You feel like you are watching Ram Gopal Varma's film in the first half an hour. His taking is trendy and stylish. When the scene shifts to village, Trivikram tries to lace in his typical humor. The screenplay of the film is not binding enough to blend these two stories (contract killer story and masquerader story). Nevertheless, he could not hold the similar tempo in the second half. The continuity and logic behind certain scenes is missing.Photography of the film is terrific. The camera angles, shot framing, lighting effects and camera movements are appropriate to the respective scenes. A tint is used for the first half an hour of the film which made this film appear like the Hollywood films made with Mexican backdrop. Cinematographer KV Guhan deserves a pat on his back for his fine work.

No doubt and ambiguity by far THE BEST MOVIE , in the Indian Film industry , How many times we see the movie it seems fresh. Editing , screenplay , everything seems to be a Hollywood setup with ecstatic story and songs . His acting and his posture in this film's awesome and picture perfect . thanks boss u rock .No doubt and ambiguity by far THE BEST MOVIE , in the Indian Film industry , How many times we see the movie it seems fresh. Editing , screenplay , everything seems to be a Hollywood setup with ecstatic story and songs . His acting and his posture in this film's awesome and picture perfect . thanks boss u rock .No doubt and ambiguity by far THE BEST MOVIE , in the Indian Film industry , How many times we see the movie it seems fresh. Editing , screenplay , everything seems to be a Hollywood setup with ecstatic story and songs . His acting and his posture in this film's awesome and picture perfect . thanks boss u rock .

The film starts with a note of suspense, with the local party leader getting killed by the hero. The film is about how he finds the actual culprit. In the process, he gets into a lovable family and loves the hospitality shown by the members of the family. The film has an excellent cast with everyone preforming their role with sensibility. The act of Mahesh Babu and Prakash Raj is note-worthy. although, the film starts off with a sequence of criminal acts, it enters into a family drama afterwards. Thrivikram has done an excellent job with his dialogues. He also earned good name with his directional skills. As a whole, its a worth watch film for everyone. Already it has bagged good part of audience and hope it continues