The Good Life (2007)

Very Cool!!!

So much average

Good movie but grossly overrated

Excellent but underrated film

Sad, poignant, and rich, this quiet film will give you a glimpse of the human condition from the unique voice of Stephen Berra who writes and directs. He has created something to be forever proud and for those of us that run across it over time on NetFlix (or like I did recently on The Movie Channel) to be thankful for.The presence of wonderful actors including Harry Dean Stanton, Bill Paxton, and Zooey Deschanel should draw people to this film and the excellent acting and writing will hold them until its end.Mark Webber is warm and believable as the young man stuck in a Nebraska town that is frigid both physically and existentially.Zooey creates a memorable character and even briefly sings in this film which is always a delight. Give this one a try. It will not waste your time.

Jason Prayer lives his sad life as a round peg in the square black hole of college football-obsessed Lincoln, Nebraska. Writer/director Stephen Berra has provided his hero with plenty of bizarre baggage so that an audience can easily tag him as one of Indie Film's stereotypical oddball protagonists. He suffers from alopecia, an auto-immune disorder which has left him completely hairless. His father has committed suicide, and he lives with his mother in a shabby house besieged by the electricity company's debt collectors - and he works the day shift at a gas station where he's terrorized by a muscle car maniac. Jason's evenings are spent assisting the senile owner of a decaying cinema, where vintage movies are projected over empty auditoriums. His prospects perk up when beautiful, warmhearted Indie-girl Frances shows up at the theater, and recognizes him as a kindred spirit. Later that night she drives him home after he gets beaten up by the psychotic motor-head, but unfortunately the course of true love never runs smoothly for sensitive Indie heroes. By the end of the film it's uncertain whether Frances is escaped-from-an-asylum crazy, or a figment of Jason's imagination created by too many nights at the movies. Either way, she's the catalyst that prompts him to embark on a mythic Indie quest for a Golden Fleecy life beyond freezing wintry Nebraska - and that can't be all bad.

Imagine the life of Jason, a sensitive man suffering from a strange illness, Alopecia, that made him lose his hair. When we meet him, he is working at his daytime job in a desolate gas station. At night, Jason works at the old movie theater that Gus has run for many years. Jason's life is at the center of this bleak story that will reward the viewer that takes a look at it without any expectation. The opening sequence shows Jason walking toward a crowded downtown area with a gun in his hand, something that gives us an indication of the desperation going on his mind.Life in Lincoln, Nebraska for Jason and his mother is not exactly what one would expect. They are hardly making a living; their electric bill has not been paid in quite a while, and the house has seen better days. Yet, for all the problems Jason has to face on a daily basis, he is not bitter at all.Hope arrives in the form of Frances, a kind soul that loves to watch the old movies shown at the Capitol. She bonds with Jason in many ways that might lead us to believe they will go beyond the friendship into something deeper. Yet, Frances has the opposite effect on Jason when he discovers she has been telling hims lies based on borrowed lives of larger than life stars, like Judy Garland, one of her favorites. Jason comes to an abrupt decision after he finds Gus dead in the projection room. The idea of losing his one true friend serves as a waking call for Jason to escape to a different kind of life and leave his miserable days behind. Meeting Robbie, the strange fellow that is attracted by the old films, makes Jason realize how cruel Frances has been to him, while at the same time, going to Robbie's apartment makes one think that perhaps he was looking for an affection, any kind of affection, being from Frances, or from this man."The Good Life" is one of the most misleading titles for an Indie in recent memory because it is not exactly a film that is uplifting, yet, it has some positive message in the way things turn out. Director Stephen Berra shows great promise with this movie that he also wrote. Mr. Berra's second movie shows a sensitivity that in someone else's hand could have turned in another direction. He is to be commended by the performances he got from his cast. Best of all is Mark Webber who makes a great appearance in the leading role. Mr. Webber has been involved in a lot of worthwhile movies and has a bright future that one hopes will take him far. Zooey Deschanel is perfect as Frances, the dippy girl that brings some happiness to Jason while not telling him the truth about herself. Harry Dean Stanton is seen as Gus, the older man whose life has changed after his wife died. Bill Paxton, Patrick Fugit, Chris Klein, Drea DeMatteo, Deborah Rush and Bruce McGill are part of the ensemble players.Patrice Lucien Cochet does justice to the seedy backgrounds where this dark movie takes place. Don Davis incidental music is also effective. The film is worth a look by discerning fans of this genre because the good work of Mr. Berra and his star, Mark Webber.

The arc of the plot is much like THE RIVER KING. Though entirely different as far as genre and intended audience, both movies do a very good job at introducing a multitude of characters and potential conflict and then shamelessly just ignore any attempt at resolution, be it good or bad, moral or immoral, clear or ambiguous, etc.Having said so much, TGL is the more highbrow of the movies. The acting, shots, script are excellent and for about an hour this viewer was very involved with the main character and engrossed in his conflicts (indeed, our protagonist is the focus point in every scene, except for the football coach TV blurbs that serve as the backdrop of the setting).There are multiple, well conceived and introduced plot conflicts: coming of age, love interest, parental, Oedipal, antagonist, death (even, though not-so-well, sexuality) just to name a few. Plot conflicts do not have to be resolved, life is not so neat. They can be compromised, contained, accepted, condoned, absorbed (name your own disposition!). But they must be treated in some form or manner. Mr. Berra has made a movie of interest and we can look forward to more. Next time, however, he should finish his film.