A Reason to Live, a Reason to Die (1974)

Good concept, poorly executed.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

"A Reason to Live; A Reason to Die" is a American Civil War saga about a cashiered Union colonel who commands twelve condemned men to carry out a suicide mission. Initially, this do-or-die adventure epic opens like a "Dirty Dozen" clone before it turns into quasi-"The Good, the Bad, and the Ugly." Although Colonel Pembroke (James Coburn of "Duck, You Sucker") wants to clear himself of being a traitor, he really wants to appropriate a half-million dollars in gold from impregnable Fort Holman. Pembroke's nemesis at Holman is none other than Telly Savalas! Savalas' presence bolsters the allusion to "The Dirty Dozen." As the commandant of Fort Holman, Savalas is not going to take the easy way out. Tonino Valerii of "Day of Anger" helmed this standard-issue, Spaghetti western. Rafael Azcona and Ernesto Gastaldi co-wrote the screenplay about treacherous men with Valerii. Gastaldi had penned his share of Spaghettis, including "My Name Is Nobody," "Man from Nowhere," "Arizona Colt Returns," and "10,000 Dollars for a Massacre." Previously, Azcona and Gastaldi had co-written the Bud Spencer comedy oater "I Can Be Done, Amigo." The splendid, sun-baked scenery of Southern Spain; a seasoned cast headed up by Coburn and Savalas, and Riz Ortolani's flavorful orchestral soundtrack are the chief assets of "A Reason to Live; A Reason to Die." Actually, most of Ortolani's score sounds like excerpts from his "Day of Anger" soundtrack. Valerii creates some moments of suspense, particularly when they are stringing a rope to themselves. Bud Spencer goes in undercover as a Confederate soldier to help Pembroke and his men get into Fort Holman.Interestingly, although neither the director nor the writers drew any parallels to history, "A Reason to Live; A Reason to Die" sounds something like the siege of Vicksburg. At Vicksburg, on the bluffs of the Mississippi River, Pennsylvania born John Pemberton commanded the city and forted themselves up against the Union Army and U.S. Grant. Eventually, Grant starved the Confederates out of Vickburg and Pemberton was branded as a traitor for surrendering the city. When the Union Army captured Vicksburg, they cut the Confederacy in half, severing the Eastern Theater from the Western Theater. The officers in "A Reason to Live; A Reason to Die" depicts Fort Holman as a stronghold for the Union. When Pembroke gave up the fort, he was branded as a traitor like Pemberton for losing Vicksbug. Of course, events have been changed throughout the film, but you can see the dregs of history percolate up to the surface. In this respect, "A Reason to Live; A Reason to Die" isn't strictly a western

"A Reason to Live, A Reason to Die" (1972) is a exciting, Civil War-set Spaghetti Western, directed by Sergio Leone's protégé Tonino Valerii and stars James Coburn, Telly Savalas and Bud Spencer.The script by Rafael Azcona, Ernesto Gastaldi, Jay Lynn and Tonino Valerii is hardly original, amounting to nothing but a "Dirty Dozen" rehash, but it is adequate: during the American Civil War, the disgraced Colonel Pembroke (James Coburn) tries to retake a heavily defended fort that was taken by the Confederates from him without a shot fired, a mystery that helps drive his character, by using twelve recruits who he has saved from death sentences.Despite the lack of originality in the screenplay department, the spirited direction makes the story rattle along at a breathless pace to the expertly staged, wholesale carnage at the end. Throughout, the the three leads fare remarkably well and are the only ones who are given any sort of more than superficial examination of their past. The music by Riz Ortolani, all powerful horns, is masterly, compensating for uninteresting photography.The fast pace and direction help raise this Spaghetti Western into a higher plane, turning it into a very, very enjoyable film.

Another western taking place during the Civil War.Colonel Penbroke (James Coburn) is trying to redeem himself after losing a fort to the rebs, and, like The Dirty Dozen, gathers condemned men to take a fort. He only has six or eight, not a dozen, but they manage to get to the fort anyway. Getting in is another matter.This is where it changes from a western to a commando flick, a la WWII. The condemned all die thinking they would be rich off the gold supposedly buried in the fort, and Coburn gets his chance to once again face Maj. Ward (Telly Savalas).Lots of dead Rebs and only Pembroke and Eli (Bud Spencer) survive, but his honor is restored.

Who wouldn't jump at the chance to get off a gallows and take a chance at living? The motivation is, of course, gold...lot's of it. James Coburn does a very good job of portraying a soldier seeking justice for his murdered wife, and goes after Telly Sevallis with a vengance, using condemmed men as his team. Much like the Dirty Dozen, but without the military structure of WWII. Liked this movie but the sound track is typically Italian...overmodulated and scratchy. When I first saw this film I thought I was watching a Sergio Leone spaghetti western...even the music sounded the same. In spite of the similes and plagarised plots from other films in this genre, this one still turned out well. Good photography and special effects. Hope someday someone will remaster the sound and turn out a smashing DVD. Enjoy!