Law of Desire (1987)

Captivating movie !

Admirable film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I once read that Pedro Almodovar wanted to reach out his audience via their hearts, their minds and their genitals, with this, my first experience with the director, he most certainly sticks to his aims. The film opens with a young man masturbating upon the orders of his director, from here on in the tone is set for what is, a bonkers, yet highly entertaining picture.The plot revolves around the sexual adventures of gay director Pablo Quintero and his transsexual sister, Tina, her struggle with men and the duty of bringing up a young daughter who she fathered when she was a he!, still with me?. Into their lives comes Antonio Benitez, he's sexually fascinated with Pablo but gets his nose put out of joint upon learning of Pablo's love of another guy called Juan, things are about to get darkly unnerving.Law Of Desire is stylish and full of tricky eccentricities, it's also very much in your face with its blatant urge to be seedy, however it's backed up by wonderful performances from Antoino Banderas {Benitez}, Carmen Maura {Tina} and Eusebio Poncela {Pablo}, whilst it's director is clearly a talent that was, at this time in his life, making films with attitude and a devil may care spirit. 7/10

You will find all the familiar Almodovar devices here: telephones, drug use (cocaine in particular), dysfunctional families, sexual ambiguity, pedophile priests, and hospitals. These themes permeate his work, but they are woven intricately throughout this film.Pablo (Eusebio Poncela) is a writer/director of fantastic movies. He gets into the snares of an obsessive (Antonio Banderas in a great performance) who has a fatal attraction and will kill for his love. At the same time, he has to deal with his transvestite sister played by Carmen Maura (Volver, Women on the Verge, Matador) in another magnificent role.It is a melodrama about love as that is the overriding need for Banderas and for Maura, who has given up on men since her father left her. It is also about family. Of course, there is a crossing of genres as there is some comedy, but that is minor.Another magnificent Almodovar film.

I first saw snippets of this film ages ago and finally saw the whole film. Prior to watching this film, I've read countless hyped-up, mixed reviews over it. People say it's a great comedy, others say it's a kinky, perverted piece of work. I guess when this film was released in 1986, people didn't know what to make of it. And now after seeing this film, I don't blame them.I watched this film originally expecting a thriller. It has some thriller elements in it, especially towards the end, but the main plot - a gay film director pursued by a psychopath - is often overshadowed by the quite inappropriate story of the director's "sister" and her struggle to raise an ex-lover's daughter.You can see here a young Antonio Banderas as the 'baddie' of this film. Apparantely this was the first film where Antonio performs very hot sex scenes with another male actor.So is the film good? Yes... only if you're a fan of any of the cast, or of the director, or of dark kinky Spainish films in general. What are the flaws?... well there aren't any that I can pick out. It's a decent film with decent directing. Nothing to get too excited over.Perfect to watch on a quiet Saturday night.

One of director Almodovars early films--and one of his best. A gay writer is basically stalked by a psychopath. The films manages to weave together comedy, drama and tragedy and make them all work! Also it manages to work in fairly explicit gay sex scenes and male nudity without it being exploitative--it just fits the storyline and characters. The movie takes a serious misstep about halfway through, throwing in a murder, but manages to regain its footing. The acting is pretty good--not great. Antonio Banderas is so-so as the psycho. I give him credit for engaging in gay sex scenes with no hesitation (I'd love to know what he thinks about this movie now!). The best thing about the movie is the direction--even when the story bogs down in spots, there's always something to look at on screen. Almodovar knows how to make films look beautiful and he, somehow, manages to have the settings fit the tone of the scene. How many directors can you say that about. An excellent film--well worth seeing. But if you're offended by explicit gay subject matter, stay away.