Anne of Green Gables (2016)

Simply Perfect

I'll tell you why so serious

It's easily one of the freshest, sharpest and most enjoyable films of this year.

This movie feels like it was made purely to piss off people who want good shows

This movie is so syrupy. After having seen other renditions, including the new series on Netflix, "Anne, With an E," this one is put to shame. First of all, as a teacher, I used these books many times. They are extremely well written and have a real edge to them. Marilla's slow acceptance of Anne is totally lost here. She is a harsh, practical woman and Anne really gets on her nerves. I'm a big fan of Martin Sheen going back forty some years. But his portrayal of Matthew is a total miscast. His cutesy, confident character is the opposite of the Matthew I know. First of all, Matthew is generally frightened of his sister and doesn't dare to confront her. The problem is that she gives up right away and lets Matthew have much more freedom than the real story portrays. Anne's previous experiences are so harsh and are hardly exposed in this new telling. When Marilla starts to accept the sad little girl, it is when she sees the pain of loneliness brutality she has experienced. This makes her turnaround an act of triumph. Ann is also less interesting. She so quickly catches on with the other children, we lose the harshness and unfairness of them. There is only one girl who is really unlikable and she quickly becomes at least tolerant of Anne. Mostly, I just found this so quick and formulaic and lacking in depth with easy plot transitions.

I was very excited to watch a remake of Anne of Green Gables, one of my favorite stories.The movie was refreshing and so well done that I hoped it would have been longer. Martin Sheen, Sara Botsford and Ella Balentine were so excellent in their parts. All the acting added to the story line. The scenery was beautiful and the farm delightful. I hope to watch this movie over and over.This is a must-see movie remake of the classic novel. I gave this movie a 10 because it deserved it. I look forward to the next series of Anne of Green Gables with the same actors.

We anxiously waited for the new new "Anne" series hoping it would be on a par with the previous version staring Colleen Dewhurst and Richard Farnsworth. It took about two minutes for us to see that the acting was stilted with characters simply reading the script rather portraying a believable story in an imaginative way. To state that the show lacked chemistry is a tremendous understatement. The production was somewhat faithful to the book but lacked an understanding of the emotional depth of the book, was not true to the story, and foisted 21st century values on the audience. For example, at the time there was no such thing as a social service agency. It put me, a reader of L.M. Montgomery for 50 years, into "the depth of despair". It was only slightly better than watching a stupid NFL game.

This version of Anne of Green Gables was absolutely dreadful. Where do I begin? Right off the bat, when I knew I was doomed to disappointment, was Martin Sheen playing the soulful shy Matthew as if he was some kind of slapstick comic. Yakitty yakkity Yak to his horse, and then falling face first into a mud puddle. SMH.Too bad, because the scene on the train was actually quite promising. I thought Martin Sheen was a good actor and was willing to give him a chance, but this was disgraceful. It was probably the direction. The young actress who played Anne, delivered her lines. Period. Whenever a line came close to echoing a line Megan Follows said, the contrast would have been laughable if it weren't so inept. One of the pivotal comic scenes, (Anne's "apology" to Rachel after her rude behavior) took place in a wide shot and without audible dialogue. It was probably a mercy. She wasn't helped by the freckles put on with a pencil that kept appearing and disappearing, and that dye job on her hair! When she got into the sunlight, it looked like something a cheap tart would do to her hair. Again, probably the direction rather than the young actresses fault.Any production has a tough row to hoe to even come close to the perfection that was The Sullivan Production. That whole cast was perfection itself and truly inhabited their roles. I won't talk about the lack of depth. The whole Minnie May episode,I swear, clocked in at under a minute and that included the reconciliation scene. And "Matthew" continually on the verge of a heart attack. I guess stay tuned for the next installment. The Actor who played Gilbert looked younger than Anne and came across as a bratty little brother. The actress who played Marilla actually was not bad, though not the same character that Colleen Dewhurst interpreted. And Rachel was also excellent. The little actress who played Diana was a bright spot, as little screen time as she had. Again, no depth. And miscasting. She should have played Anne. There will probably be a second installment to this as many of the key scenes were left out entirely (no Lily maid of Astalot. No Miss Stacy.) If they recast an older Anne and Gilbert, and kill Matthew off quickly, it might have a chance to be half-way decent. There is hope. The early 1930's version with Dawn O'Day (Anne Shirley), Tom Brown, and Helen Westley was a wonder and showed that you could convey the charm of this story in 78 minutes flat, and even manages to include a satisfying romance between Anne and Gilbert.