Mammuth (2010)

I love this movie so much

Memorable, crazy movie

Absolutely Fantastic

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Lets just concentrate on one small matter The knowingness of the filmmakers is apparent with there choice of bike. At the time Serge would have been a biker this would have been an aspiration for a European working man that was possible of fulfilment. In his comatose state the world moved on and his icon becomes a forgotten relic as many of the Mammuths did. Out of touch he would be unaware that the bike has now become a cult and consequently recently accrued great value. I have also had my Sidcup moments and in a sort of way also been redeemed by art so I understand that sector of the film, although perhaps in this film is slightly unbalances the structure And then Yolande Moreau can make shaving an armpits so moving that I cried.

Perhaps if you're a devoté of what used to be called art-house films this movie might not seem so different to you. Otherwise, it is likely to strike the average mover-goer accustomed to average movies as very strange indeed. Much if the dialogue is delivered in a very dead-pan style. Some of the cinematography, however, is really both very original and very beautiful. These are not introspective characters. They sometimes aggravate us because they don't think about their situation and are constantly astounded by what happens. This leaves them the victim of government bureaucracies that are simply too complicated for them to understand. You are unlikely to identify with these characters. Often you wonder whether to take them as mocking caricatures or sympathetic portraits. Still, the movie almost always held me, which is more than I can say for many more "normal" movies.

First of all, you're not going to watch a typical French movie here. So don't get mistaken by the actors list (Gérard Depardieu, Isabelle Adjani...). Benoît Delépine and Gustave de Kervern, the writers/directors, are mostly known from their characters in the TV show named "Groland", but their movies are less famous. If you never heard about "Aaltra", "Avida" or "Louise-Michel", then you'll probably encounter this kind of movie for the first time.This isn't a glamorous story with pretty people. The acting/dialogs feels quite real, with their silences and boring/silly situations. Most of the characters are a bit nuts or flawed. The rhythm is slow, but so is the main character, and it's hard not to get attached to him and his simplicity.This is the story of Serge, a somewhat depressed simple-minded butcher who's just retired and is asked to find old salary papers to get his full pension. For that, his wife, the strong character in their couple, sends him to take a trip on his old bike while leaving her at home. No need to say his trip won't exactly go as planned and he will mostly revisit his young adulthood while encountering a number of atypical people.

Some time ago I helped my mom look for some missing documents that she needed to have if she wanted to have her full pension when she retired. It was bureaucracy hell: hurrying from one department to another; long queues; indifferent public functionaries. A person works all his life to survive and to have some peace in his final years, but in the end all he has to show for is a collection of little papers that can be lost or destroyed. So I sympathise very much with journey the protagonist undergoes to recover his own missing documents, in Mammuth.Gérard Depardieu plays Serge, nicknamed Mammuth (because of his size?), a man who began working at sixteen and who has reached retirement age. After a lifetime of work, he finds settling down a difficult task: he can't relate very well to his wife (Yolande Moreau), who continues to work for a minimum wage at a supermarket; he doesn't have any hobbies; and he's not good at fixing little things at home. To make matters worse (or better, depending on the perspective), Serge discovers he's missing some paperwork that enables him to receive his full pension, so he hops onto his old bike and goes out on a journey to find his former employers and to simultaneously rediscover his lost youth.Mammuth is a serious-comic movie, full of odd-ball characters and dark humour, which tries to say something about modern labour. Minimum wages, social resentment, fiscal fraud, exploitation and the erosion of labour rights are discussed, with varying degrees of insight and success. The movie is very unbalanced and hits its targets as often as it misses them. The movie fares well during its comedy parts. But its attempt at seriousness is undermined by the superficiality of the way important matters are treated.The movie also suffers from trying to be too many movies in one. From road movie to social satire it's an easy jump, you can mix the two together. But the filmmakers also decided to include an awkward subplot involving a bike accident in Serge's past that killed his true love (played, with usually creepy eyes, by Isabelle Adjani). And what does that have to do with Serge's quest? OK, he uses the journey to meet old friends and relive his youth, but this ties directly to the main story of a man who wasted his whole life working and who's now trying to fill it with something. It makes thematic sense. But Adjani's ghostly presence seems to belong in a horror movie or a heavy drama and I can easily imagine Mammuth working without her subplot.In spite of the movie's shortcomings, Depardieu's performance is spotless. First all I love how unglamorous he looks in this movie. He's old, he's got long, dishevelled hair, and he's obese. And he's not shy about showing it, as his many nude scenes prove. It's so rare to see characters without perfect bodies in movies (except to be the target of bad jokes), that Depardieu's shabby looks already make this movie stand out.But it's Depardieu's acting that deserves attention. The movie isn't anything special but Depardieu makes it soar above mediocrity. He took an incoherent screenplay and transformed himself into a moody, brusque, but likable working class guy. With Serge's rough manners and dry humour guiding us through the movie, Mammuth becomes a palatable experience. Fans of solid performances will enjoy it, and fans of Depardieu must watch it. Otherwise my suggestion is to give this movie a pass.