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A Pistol for Ringo

A Pistol for Ringo (1965)

May. 12,1965
|
6.5
| Western

Giuliano Gemma stars as a cool, cocky mercenary enlisted by a sheriff to infiltrate a ruthless gang of outlaws. Ennio Morricone provided the score to this early spaghetti western hit.

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Lawbolisted
1965/05/12

Powerful

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Crwthod
1965/05/13

A lot more amusing than I thought it would be.

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Afouotos
1965/05/14

Although it has its amusing moments, in eneral the plot does not convince.

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Lachlan Coulson
1965/05/15

This is a gorgeous movie made by a gorgeous spirit.

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TankGuy
1965/05/16

After killing four men in self defence, gunslinger Ringo(GIULIANO GEMMA),also known as "Angel face" is arrested by the town sheriff(GEORGE MARTIN).Shortly after Ringo has been locked up in the town jail, a massive bandit gang led by Sancho(FERNANDO SANCHO)crosses the Rio Grande and arrive in the town, where they proceed to hold up the bank. The bandits subsequently flee in the chaos of a shootout and are pursued by the sheriff and his posse. Sancho and his men take refuge at a Hacienda owned by Major Clyde(ANTONIO CASAS)and his daughter Ruby(LORELLA DE LUCA)who is the Sheriff's fiancée. The outlaws lay siege to the property and take everyone inside hostage. The sheriff releases Ringo, who goes to the Hacienda and infiltrates Sancho's gang in the hope of freeing the hostages and recovering the stolen money. He gains Sancho's trust whilst the sheriff plans to attack the Hacienda after the hostages safety has been secured. Can Ringo successfully free the hostages without having his cover blown...?After the release of A FISTFUL OF DOLLARS(only 8 months prior to the release of this film),the Spaghetti western was firing on all cylinders. A PISTOL FOR RINGO is an excellent sign of things to come regarding the Spaghetti western. The film is just a joy to watch and this is down to several factors. It is fantastically scripted with strong characters and robust performances. The script provides Ringo and Sancho with sharp dialogue and cracking one liners which are scattered throughout the film. These one liners inject humour into the film and create fantastic chemistry between the hero and the villain, which is rarely seen in a Spaghetti western. The sharp dialogue meant the two leads could portray their characters vigorously and with aplomb.This,as well as the script is why I enjoyed the film so much. I found myself smiling and occasionally laughing throughout most of it's duration. The film was quite fast paced and I was impressed with the snappy editing which sped things up. Ringo is an immensely likable character, even though he's not the rugged,sadistic,stereotypical Spaghetti western brute, he is one of my favourite western action heroes. He's charming, witty and cool and is up there with granite edged characters played by Randolph Scott, James Stewart and John Wayne in the American westerns .Giuliano Gemma acquits himself magnificently in the role, he's definitely full of the get-up-and-go which is showcased in awesome fashion, particularly in the final shootout. Fernando Sancho is rather hilarious as the cruel bandit leader, although he still brings an air of ruthlessness to the film. There's one particular scene in which he is shaving and he brutally guns down a male and female hostage by aiming his pistol over his shoulder and looking at their reflection in his mirror. The well crafted dialogue and brilliant one liners are shared between himself and Gemma. George Martin also turned in a great performance as the sheriff and Lorella De Luca was quite a beautiful distraction.The action scenes were utterly gripping and of quite a spectacular nature. The first shootout after the bandits rob the rob the bank set the tone for the other shootouts. These shootouts were also superb and included typical Spaghetti western deaths like guys flinging their arms in the air as they get shot and falling from rooftops. I also found some of these deaths rather funny,there's one where a guy opens the blinds and yawns, only to be shot in the head. The bruising fistfight between Ringo and one of the bandits was stupendously shot and choreographed. The frenzied final shootout between Ringo and Sancho was energetic and featured more terrific set pieces. I could really feel the tension as the two men shoot it out. The atmosphere could only be described as taut. Sancho's death is brilliantly overacted. The main title song "Angel face" by Maurizio Graf was exceptional and is one of my favourite Spaghetti western songs.Masterfully directed by Duccio Tessari, A PISTOL FOR RINGO is escapism at it's greatest. This film, and many other Spaghetti westerns like it helped lay the foundations for what I believe to be the best sub-genre in the history of cinema. With a satisfying script,appealing characters and staunch performances from the two leads as well as rollicking action sequences, this one is a winner. I only hope Tessari can live up to expectations with the sequel, THE RETURN OF RINGO.10/10.

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FightingWesterner
1965/05/17

When smarty-pants bandito Fernando Sancho and his gang rob a bank and begin executing hostages while conducting a standoff at a near-bye ranch, local authorities send in ultra-slick (and equally glib) gunfighter Giuliano Gemma to infiltrate the ranch and hopefully rescue the survivors.Sancho is a hoot and Gemma oozes charm in this light-hearted, action-filled, and fast-paced flick that spawned a slew of bogus "sequels" and catapulted the name Ringo to icon status, like fellow one-name spaghetti stars Djang, Sartana, and Trinity.Although not quite a masterpiece, A Pistol For Ringo is an awful lot of fun, with a memorable score by Ennio Morricone, making it worthwhile viewing for fans of European westerns.

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zardoz-13
1965/05/18

Writer & director Duccio Tessari, who co-scripted Sergio Leone's "A Fistful of Dollars," helmed this entertaining, above-average Spaghetti western, "A Pistol for Ringo," starring Roman-born actor Giuliano Gemma--billed here as Montgomery Wood-as the eponymous hero with perennial villain Fernando Sancho as his treacherous adversary. For the record, the profligate Sancho appeared in over 230 movies and basically played the same slimy Mexican outlaw in 35 westerns. Tessari penned a number of other Italian oaters including "Seven Guns for the MacGregors," "Return of Ringo" and "A Train for Durango." Tessari also worked on the Italian peplum--muscle man movies--before he embarked on these trigger happy westerns, most notably co-writing Sergio Leone's "The Colossus of Rhodes." In "A Pistol for Ringo," Tessari imitates American westerns more than his native variety. Gemma is a clean-cut, good-looking, well-dressed gunfighter who is too fast on the draw for his own good. At least twice in this lively horse opera, he guns down opponents in self-defense. The way that Ringo handles a six-gun, however, comes pretty close to murder. Moreover, Ringo is a wise-cracking gringo with a comeback line for everything. Indeed, the dialogue by Tessari and co-scenarist Alfonso Balcázar, who also knew his way around continental westerns with writing credits on "Nevada Clint," "Five Giants from Texas," and "$100-Thousand Dollars for Ringo," crackles with humor and imagination. Simply said, nothing about this hostage crisis western set in the arid Southwest that co-stars George Eastman, another Italian who made his share of Spaghettis, is half-baked. Ennio Morricone composed the beautiful orchestral score and Morricone's magical music is far above what this violent western could have hoped for, especially the lyrical title tune about the wily protagonist.The first time that we lay eyes on our hero, Ringo (Giuliano Gemma of "Day of Anger"), he is playing hop-scotch with a bunch of children in a village. Word has arrived that Ringo has been cleared of murder charges in the shooting death of another gunman, but the Benson brothers decide to make him pay for their brother's death. No sooner have they challenged Ringo-who is also known as 'Angel Face'-than he whips his six-shooter out of his waistband and blows all four of them away without wasting a shot. Indeed, like Clint Eastwood in "A Fistful of Dollars," Ringo doesn't wait for them to draw and only one of the Benson's clears leather with his revolver before he is shot dead. The sheriff (George Eastman of "Ben and Charlie") arrests Ringo and puts him in jail where our hero demands a glass of milk. Later, Ringo pours out liquor on the floor when he doesn't get his trademark glass of milk.Meanwhile, Sancho (Fernando Sancho of "Mission Phantom") rides across the border alone only to be confronted by a couple of U.S. Cavalrymen who tell him to turn around and ride back across the Rio Grande. Sancho feigns ignorance and removes his sombrero in humility while the soldiers chew him out. Little to the troopers know that Sancho has taken his large hat off to hid his hand pulling his pistol out. He guns them down and his gang joins him in the border town where they shoot it up and rob the bank. During the hold-up, Sancho catches a bullet in the shoulder. The sheriff forms a posse to follow them and the villains hightail it out of town and ride to a sprawling ranch near the border. They take the owner, Major Clyde (Antonio Casas of "The Texican"), his pretty daughter Ruby (Lorella De Luca of "The Swindle"), and their servants and ranch hands hostage.After the posse lays siege to them at the ranch, one character points out how impregnable the ranch is. "The walls are high and thick. You'd need a company of cavalry to attack it. Half of the soldiers would be killed in the charge." Nevertheless, the stalwart sheriff informs Sancho that his men and he are cornered in the ranch and there is no escape for them. The murderous Sancho responds, "Meanwhile, in case it takes you a while to make up your mind, we'll send out two dead men a day, one at dawn and one at sunset, first the ranch hands and last of all, the girl and her father." At the same time, the townspeople send for the U.S. Cavalry. They know Sancho by his reputation: "His favorite sport is shooting unarmed men, preferably in the back." Another posse man observes, "The only sure method to handling them is to slaughter them like cattle." The sheriff is bothered by Sancho's ultimatum. Particularly, the sheriff worries because Ruby is the love of his life and he doesn't want anything that might jeopardize her life. "If we could get a man inside the ranch," he opines, "we could help them to escape." Reluctantly, he approaches free-wheeling Ringo with a scheme that would see Ringo turned loose. Initially, Ringo is reluctant to help them. "Don't look for trouble," he points out, "It'll come by itself." Nevertheless, after the sheriff clears Ringo of the shooting death of the Benson brothers and the citizens grudgingly agree to 30 per cent as a reward for our hero, he agrees to help them. However, to establish his credentials as a villain, he has the sheriff and his posse pepper the air with bullets as he rides hell-bent-for-leather to the ranch. Once Ringo shows up, he operates on Sancho and removes the bullet. Ringo tells them about his predicament as well as their predicament and demands 40 per cent of the loot in exchange for getting them out of the ranch."A Pistol for Ringo" is head and hands above most generic Spaghetti westerns. Director Duccio Tessari keeps things popping. Gemma is perfectly cast as the agile Ringo. The rugged Spanish scenery is gorgeous and the formulaic plot provides a couple of surprises.

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Bruce Long
1965/05/19

"A Pistol for Ringo" is an above-average Spaghetti Western. The anti-hero (Gemma) and villain (Sancho) are both very charismatic, and each has a good sense of humor. The basic plot situation is interesting: Fleeing from a bank hold-up in which their leader was wounded, a gang of bandits takes refuge at a farm. Although the farm is surrounded, the posse cannot attack because of the hostages. The anti-hero is highly paid to infiltrate and destroy the gang, and recover the money. The film has some unusual twists; for example, the bandits are executing two hostages per day, even after the anti-hero joins the gang, and he makes no effort to halt the executions. There is an interesting contrast between the behavior of the anti-hero (Gemma) and the sheriff (Martin) who behaves like a traditional Western hero. The film has a nice music score by Ennio Morricone. But somehow, this film failed to fully satisfy this viewer. The heroine is dull and bland, too much of the film takes place at the farm, and the anti-hero kills the villain in an absurd manner. There are also some gaps of logic-why didn't the bandits lock the sheriff in his jail? In any event, the film was such a financial success that the seven principal actors were reunited in "The Return of Ringo" (a sequel in name only, since all characters were different). This review of "A Pistol for Ringo" is based on the (poorly) English-dubbed home video version, titled "Ballad of Death Valley." The video suffers greatly from lack of widescreen; for example, the first shootout has Ringo against four opponents at once, but all you can see on the TV screen is Ringo and one of the opponents, so you don't even know who drew first. If you want to see this film, try to see it in widescreen.

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