Cannonball (1976)

Admirable film.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The acting is good, and the firecracker script has some excellent ideas.

I saw the sequel first, so I expected an entertaining, sometimes funny car race. What I got was an action movie with a surprising amount of death and even some sex scenes (even though not explicit ones).It had some nice details. Like a driver getting tired during twilight because the lights don't work. Or using the crash barrier to lift a car and change tires because he couldn't use the jack. Clever!Granted, the movie had some plot holes and the story wasn't always top-notch. Another downside is the acting. David Carradine did his part and the "evil" drivers played well, but the rest seemed quite forgettable to me. Still a decent road movie with quite a few twists and turns. As long as you don't second-guess things too much.

Here's yet another reason to accentuate the 1970's was the absolute greatest decade for cult-trash cinema output (as if we weren't convinced enough already): Carsploitation movies! There are only a handful of them, they all look alike and most film-loving audiences will probably detest them, but … damn, are they ever entertaining! "Cannonball!" – although I must say I prefer the much cheesier video title "Carquake" – is brought to us by the same team that made the brilliant and unequaled "Death Race 2000" one year earlier, and it many ways it feels as if writer/director Paul Bartel injected all the silly comedy that he couldn't put in "Death Race" into this film instead. This film is more of a straightforward comedy whereas "Death Race" was a black comedy (apparently not everybody finds the idea of wiping pedestrians off the road for points funny). The concept of this film is much simpler: bunch of eccentric people participate in an illegally organized cross-country race from California to New York City. Ex-convict Coy Buckman is obviously the most talented racer, so his competitors will have to revert to ingenious cheating if they want to stand a chance. The main storyline as described here is obviously very simplistic, but one could also claim there are numerous little sub plot story lines that are all terrific and imaginative. The lead character Coy Buckman is already quite intriguing. He dragged his sexy female parole officer along in the race and has a mechanic who idolizes him so much that he literally wants to be Cannonball! Every contestant in the race is worth mentioning, like the obnoxious German in his canary-yellow sport car and the psychopathic Redman and his country-singing and guitar-playing co-pilot. Outside the race there's quite a lot going on as well, like Coy's sleazy brother Bennie trying to sabotage the most important rivals because he bet a huge some of money on the winner. Although the comical ambiance definitely overrules, "Cannonball!" nevertheless remains a bona fide action/spectacle movie with copious crashes, macho showdowns, explosions and violent painful deaths. The climax, which features a mass accident with cars piling up seemingly forever, exactly demonstrates the blending of humor and action. The cast is full of pleasingly familiar faces, especially if you know a thing or two about B-movies. Apart from the brothers Carradine (David and Robert), there's Mary Woronov, Dick Miller, Carl Gottlieb and director Paul Bartel himself (in a hilarious role). Buckle up for some sheer cult-excitement!

A motley collection of petrolheads compete in an illegal trans-America coast-to-coast car race from Santa Monica in California to downtown New York City.This movie is stupid, completely irresponsible, has no redeeming qualities and is terrific fun. It's also probably the definitive seventies Roger Corman / New World Pictures cult classic (although Death Race 2000 is more famous), featuring virtually every cult actor and director who ever worked for the great Corman (and later for Joe Dante) in its large cast. Everyone is terrific in it, though my favourites are the elder Carradine, Miller, the adorably cute Balaski, and Woronov. Keach has a hilarious bit as a professional German racer with a Von Richthofen accent, Arkush and Dante are equally funny as a couple of goofs who lend Carradine their car, and Scorsese and an unbilled Stallone have cameos as two mafia hoods. There really isn't much to say about the movie except that if you like B-movie stars, nutty stunts, fights, bad jokes and girls in nurses' outfits (all of which I do), this is the film for you. Written by Bartel and Simpson, along with The Gumball Rally it kicked off the spate of big studio road-racer movies (most of which were made by Hal Needham). Featuring great guerilla-style hand-held photography by Tak Fujimoto, high-octane stuntwork by Alan Gibbs, some very bad songs by David Axelrod, Bartel and Graham, and lots of corvettes, pontiacs, mustangs, lincolns and caddies. In the UK, this was given the stupid alternative title of Carquake.

This film is proof positive that you do not need a large budget, an A-list cast, or a complex script to entertain. Some times ya just need Fast cars, beautiful girls, and quirky characters(some played way over the top). Cannonball delivers just that,and becomes a joyride of a film. One of the first two car films based on the real"CANNONBALL SEA-TO-SHINING SEA RACE",(the other being"THE GUMBALL RALLY")it is far better than Hal Needhams "CANNONBALL RUN" films. Where they are goofy,and unintresting, "CANNONBALL" and "GUMBALL RALLY" are funny, and entertaining.The acting,and directing while not awe inspiring is consistent.(comon we have seen much worse). And I love the seventies(porno film) stock that this was shot on. Maybe im just too sentimental, but at two in the mornin,fix some hot pockets, open a cold beer, and start your engines. Unfortunately this film is not available on dvd, and even Amazon doesnt show a copy on vhs.