Across the Line: The Exodus of Charlie Wright (2010)

The Worst Film Ever

The acting in this movie is really good.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Perhaps the symbolism was heavy handed, but I thought this was a really good low budget movie. What I walked away with was three men, at the end of their prospective careers, each having a decision to make about their next step. And the casting was superb, all men who have had good careers in their own right, but have, for whatever reason, dropped out of the limelight of blockbusters. Andy Garcia never disappoints, but his acting is incredible in this movie (compare his delivery in this movie as a beaten man vs. Oceans Eleven). But I was really surprised at Aidan Quinn, whom I have acknowledged as a good actor, but he really did a great job in this movie. Cinematography was OK, the acting had some gems, there was no good use of sound or music, but the layered story of three men facing their end was compelling. Like I said, given the budget, I thought they did a good job.

The Exodus of Charlie Wright works on many different levels. The story, by R. Ellis Frazier is timely considering the recent Bernie Madoff scandal and Frazier gives us a behind the scenes look at a man who scammed 11 Billion dollars from investors and got away with it. With the FBI on his trail, led by Agent Hobbs (Mario Van Peebles) who is determined to save face with his superior officer, a crass and effective Corbin Bernsen. Hobbs sets off to find Wright, (Aidan Quinn) but soon finds others on the money trail, including vigilantes hired by one of Wright's victims ( led by Luke Goss) and a Mexican businessman (Andy Garcia) and his brother Danny Pino) who need to find Wright's stashed away money to save themselves from some kind of big debt they have in Mexico City.With all of the action brewing Tijuana is the perfect backdrop for finding Charlie Wright. Charlie, however is more concerned with finding his long lost daughter and making up for the time he's lost and the lives he's destroyed.One of the strong points in the film is the consistent depth of acting. All the performances are solid. Van Peebles brings a mature and reflective depth to his role. Garcia adds vulnerability to his strong exterior and Quinn has a depth of soul in his life's reflection that makes watching him so enjoyable.Strong performances are also turned in by the scene stealing Claudia Ferri as an prostitute who helps Charlie find his daughter and his way. And also Luke Goss as the intense hit-man bent on killing Wright. The performances can be attributed to strong direction by Frazier and solid editing. Scenes move quickly and the pace is fluid while maintaining the depth of the performances without lagging on any moment too long. The camera moves fluidly and cuts are pinpoint getting to the point and driving home the emotion and action. The action scenes work without any big budget effects, so kudos to the sound, music and editing departments for making it work.Also solid camera work and lots of hand-held or steadicam shots put you in the action and keep you there. The cinematography really helps set the tone. There are many interesting angles and movements which really help define the character of the film.Exodus is woven together with a beautiful score. A virtuoso blend of guitar mixed with some orchestral arrangements and strong percussion make listening to the film a pleasure. Some great original songs are also scattered throughout the soundtrack. I especially liked the end title theme.Another strong point is the sound mix. Really great clarity on blu-ray. My surround speakers picked up the subtle background sounds and a lot of the accented effects punctuated the sound mix to give it a surreal yet realistic feel. The mix was harmonized and balanced.This is great low budget filmmaking. Judging by the credits list, Frazier did a lot with a very little. This seems to be about a quarter of the staff of a studio film and the results are on par with any major indie, so hats off to all the people who worked on this. I'm going to watch La Linea this week because I think this is an up and coming writer/director to look out for.

Shame I spent full price on "The Tourist" when "Across the Line" was leagues more enjoyable for a dollar Redbox rental.Charlie Wright (Aidan Quinn) is a man apart-he ripped off billions from unsuspecting people in a Las Vegas Ponzi scheme and has retreated to Tijuana to escape persecution. His self-imposed exile is quickly interrupted by Andy Garcia's character, a Mexican gangster who wants a shot at Charlie's money, as well as Raymond J. Barry and Luke Goss playing former clients going for revenge.This was a great film about redemption. I'd agree with another reviewer in that it's an "artsy" portrayal, in that the cinematography is vastly beautiful. The shots of Tijuana and the glimpses of Vegas are astounding for a straight-to-video film.The cast is also great. Aidan Quinn just knocks it out of the park in the lead role, Luke Goss is great as the leader of a group of thugs that includes the grossly underrated Bokeem Woodbine, and Andy Garcia is pitch-perfect as well. Mario Van Peebles does a great job as the tough federal agent going after Wright."Across the Line" was immensely enjoyable, a cool flick with just the right touches of drama and action. Definitely recommended.

With no other reviews of this film at present, I guess I'm working without a net but I'll give it a try. I'll let the pre-provided summary above handle the plot description and move directly into the film itself, which I could best describe as a somewhat "artsy" crime drama, (and I mean that in a good way.)Filmed mostly in Tijuana, it takes wonderful advantage of the various atmospheres and the smaller sets were also extremely well chosen for realism and visual interest. There are some action sequences but the film is not particularly violent nor "action" oriented, there are numerous personality conflicts and those are what mainly propels the story through the urban Mexican landscape, providing tensions which are occasionally punctuated by violent confrontations. The players put forth a fine effort in delivering a multi-layered plot which is interesting enough to hold our attention but only barely, it's that type of movie that if you wander away from it for a few minutes, you may not care if you return to finish it. The story-line is littered with implausibilities which in themselves are not deal-breakers, for instance: the quandary of how to arm a foreign hit-squad traveling over the border is beautifully handled by the artifice of having the weapons cached in a pit in a field for them before they arrive but when recovering them, the squad parks about eighty feet away and unnecessarily carries the weapons back to their van in plain view of the surrounding buildings instead of parking right next to the pit and blocking the view of the transfer with the van.But if it's not going to be uber-realistic like Traffic or testosterone driven like Die Hard or mentally intense like The Usual Suspects or absolutely drip atmosphere like The Godfather or Once Upon a Time in New York or be over-the-top like Kill Bill, it does need something to hook us into it and really hold us there. For me, ultimately that turned out to be the scenery but I don't think that they were actually trying to make a travelogue.As a kiosk/netflix rental there is enough to recommend here, some great scenery and vignettes, very solid acting, some very good twists and a great score and while the whole may not quite be the sum of the parts it is still a decent enough crime flick. Looking over reviews of the writer/director's few earlier works it appears he is quickly maturing and there is a lot of potential here, to be certain. His eye is excellent but the story is just a little too clichéd, I'd really like to see his considerable talents utilized in a better story. I would like to see what he, the cast and crew could do with a story that has more impetus, like Man on Fire. I may seem a little harsh because there are no other reviews and I'm trying to cover everything alone; so do your duty - go out and rent it and write an accompanying review.