Ride Clear of Diablo (1954)

You won't be disappointed!

Wonderful character development!

the audience applauded

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Audie Murphy's name may be at the top of the bill but it's pretty much Dan Duryea's picture the way he overtakes any scene he's in. Duryea reminded me of Richard Widmark as Tommy Udo in the 1947 film "Kiss of Death" the way he laughs maniacally whether the situation calls for it or not. I was thinking that if there was an old lady in the story, he might have thrown her down a flight of stairs just for the fun of it.Murphy's character is Clay O'Mara, returning from a railroad job (no, really, he worked for a railroad, he wasn't railroaded) to track down the villain who murdered his father and brother during a cattle rustling operation. His quarry is upstanding citizen Tom Meredith (William Pullen) doing a hide in plain sight in concert with crooked Santiago town sheriff (Paul Birch). The pair send him on a mission sure to get O'Mara seriously killed when they finger Whitey Kincaid (Duryea) as a prime suspect.It's never explained in the story how Clay O'Mara came by his skill with a six shooter. I was probably more surprised that Kincaid when the 'kid' shot the gun right out of his hand in a barroom face off. Sure you expect it of the story's hero but the groundwork was never laid for it, and O'Mara himself never gave a clue how he was so handy with a gun. Maybe he should have been the ringer in the story instead of Russell Johnson.Say, did you notice the bars of the jail cell Whitey got locked up in - what's with the flimsy cross-hatch design? It looked like you could have pried them open with a decent crow bar if you had one. Probably why Kincaid didn't have one. He didn't need it actually since the sheriff gave him his gun back.I don't know what might be considered the first revisionist Western but Duryea's performance here might be considered one of the earliest examples of a cowboy anti-hero. He's a villain you come to terms with the way Murphy's character did when he turned his back on the outlaw and lived to tell about it. It's too bad really that he didn't make it to the end of the picture.

In this rather routine-plotted Western, the men keep referring to Audie Murphy as "the boy" or "the kid." It seemed to fit. He was almost thirty but didn't look it. He wasn't big, like John Wayne, or deep of voice. He was self effacing. His acting talents were modest. He gave one memorable performance in "The Red Badge of Courage," a flawed movie, but not flawed because of him. And all his life suffered from what we would now call PTSD. It practically wrecked him. He slept with a pistol under his pillow and had recurring dreams of being attacked by Germans while his M-1 fell apart, piece by piece, in his hands. He really earned those decorations.In "Ride Clear of Diablo," a mid-career movie, he's the good guy whose father and younger brother have been killed while trying to prevent their cattle from being rustled. He comes to town from Denver, where he's been working as a railroad dispatcher or something equally clerical. The local sheriff and lawyer, being particeps criminis themselves, send him after Whitey Kinkaid, the gunslinger in a nearby town, played by Dan Duryea, thinking that the kid will draw on Whitey and get his head shot off. Murphy outdraws Whitey, shoots the gun out of his hand, and takes him captive. It's the kind of movie where no one bothers to explain how a railroad bureaucrat has learned to shoot so well.It gets kind of interesting because a bond of wary friendship develops between Duryea, who happens to be innocent of this particular crime, and Murphy. Not that they hug each other and take showers together, but Duryea shows his respect for Murphy by doing him little favors, such as not shooting him in the back when he has the chance to do it.Duryea is his usual wisecracking self, all smiles. He laughs a lot. He laughs so much that sometimes he seems like a maniac and the director should have reined him in. But, okay. He's one of those likable rogues. It's a familiar enough figure in movies. The relationship is complex enough to keep the viewer interested. Without it, you're just watching another Audie Murphy Western.Susan Cabot is the good girl. She's as innocent and well behaved as Audie Murphy. Murphy has one drink in the movie, except for a lot of water and milk and coffee. Cabot may have been mentally unbalanced and met a bad death. Abbe Lane is the naughty girl. She has hair the color of a tangerine and sings in a saloon, so we know she's bad. But, though she may have slept with her boyfriend or something, she's not evil. Both women are made up like mannequins and sport false eyelashes the size of tarpaulins.I won't give the ending away except to reveal what the experienced viewer must already know -- Murphy and Cabot live happily ever after.

This is a classic style western with Audie Murphy as the good guy seeking out the killers of his father and brother. Fortunately, he's got experience in the field of "troubleshooter", and can handle things better than the killers, the town's most respected men, think. They send him on suicide missions against the likes of wild cards Dan Duryea, the professor Russell Johnson, and Jack Elam, only to be stunned by Audie's survival against these odds.In making this, you could see that all involved allowed Duryea's overwhelming persona to take control. And that was the key. A great work relies not only on the great persona, but also the others to be willing to work off of him. "Great actors are great reactors" is known well to the acting community. A pity that many of the plebes who post on IMDb will laud the wrong actor.Anyone can play a sadist. The real actors are the ones who can react to the sadist, and let him come across with power. Anyone can shout "That ain't no country I ever heard of", but the real actor is the one who is willing to stutter "What?" over and over.However, here, Duryea deserves his praise. He's not your cliché bad guy. He's Duryea, full of fun and laughter, and each film he manages to make the character a little different. Just saying that the others deserve respect, too, for their cooperation.Full of thrills, the film seems to last only a few minutes. And that's the sign of a good director. You get your bang for the bullet here.Plus the classic combo of Murphy and Duryea. The only thing more magical than that would be to add in Stewart with an accordion.

Ride Clear of Diablo is directed by Jesse Hibbs and adapted to screenplay by George Zuckerman from a story by Ellis Marcus. It stars Audie Murphy, Dan Duryea, Susan Cabot, Abbe Lane and Russell Johnson. Irving Glassberg is the cinematographer with location filming in Technicolor at Lone Pine and Victorville in California. Plot sees Murphy as Clay O'Mara, a railroad surveyor forced to return to his home town after rustlers kill his father and brother. Getting the sheriff to make him a tin star wearing deputy, Murphy sets about finding out who was responsible for the murders. His first port of call is a meeting with notorious gunslinger Whitey Kincaid (Duryea)...Lively and utterly enjoyable B Western in the cannon of Audie Murphy. Standard revenge formula of plotting is elevated to better heights by the central relationship between Murphy's honest do gooder and Duryea's rough and tumble bad dude. Director Hibbs smoothly directs and the story has one or two surprises to off set the expected lack of credibility in the story. Glassberg's photography is beautiful and there's good support to the leads from Jack Elam and Denver Pyle. The girls look sexy and are costumed in style, while the action sequences, notably a horse pursuit featuring a gorgeous white stallion, are good value for money. Everything, tho, is in Duryea's shadow, stealing the movie, Duryea is having a great time as the cackling villain forming an uneasy friendship with Murphy. It's this coupling, and the turn of events in the finale, that most will fondly remember the film for.Real solid stuff. 6.5/10