Soldier of Fortune (1955)

Fresh and Exciting

Best movie ever!

As Good As It Gets

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Normally, with Hugo Friedhofer as orchestrator and Lionel Newman as conductor, I'd expect the music to be the most wonderful part of the movie. I could pay that compliment to Soldier of Fortune, except there was no wonderful aspect of this movie at all. The music could have had a pleasant theme if it were scored for The Best of Everything or Imitation of Life, but for a pseudo-mystery, pseudo-foreign intrigue drama, it didn't really fit. With two powerhouse actors taking the lead, I'd expect wonderful romantic tension and great performances of a dramatic story. Ernest K. Gann's adaptation of his novel didn't translate very well on the screen, and while Clark Gable isn't given anything to do, Susan Hayward is given the wrong things to do. She plays a woman whose husband has gone missing, and she travels to his last known location, Hong Kong, to find him. From the second she makes her entrance, she doesn't act like a woman afraid for her husband's safety, or even wanting him to come back! She saunters into the room with her famous strut, capturing the eyes of every man, and calmly asks for information from bartenders, hotel clerks, and shopkeepers. When they're not helpful, she smiles and calmly thanks them. Also, she flirts with several men, not just Clark Gable. This is not the behavior of a woman concerned about her missing husband!If ever you're in the mood for an incredibly boring, poorly acted, poorly written, boring drama that doesn't really cut it in the mystery genre, you can rent Soldier of Fortune. Otherwise, stick with Clark and Suzy's finest hours. This one's just painful to sit through.

Fiery Jane Hoyt, played by Susan Hayward of the blazing red hair, arrives in the British Crown Colony of Hong Kong in search of her husband, Louis, a photographer who disappeared while on a shoot in Mainland China. Louis, played by Gene Barry, entered China illegally without a visa and has been detained by the Communist authorities. Hayward enlists the aid of a shipping magnate with connections, Clark Gable, to locate her husband and bring him out. While the chemistry between Hayward and Gable is lukewarm at best, an on-screen romance ensues, which undercuts the credibility of Hayward's portrayal of a loving faithful wife in search of her missing husband. The gruff mature Gable, who incongruously has adopted three Asian children, makes the moves on Hayward, who stoically receives his kisses and allows him to hold her hand across a table. Actually, the coolness between Gable and Hayward is a torrid fire compared to the freeze between Barry and Hayward. Thus, both the motivation for Hayward's journey to Hong Kong in search of her missing husband and her attraction to Gable are undercut by the lack of warmth between the actors; what the script says and what the performers suggest are miles apart. When not being pursued by Gable or other wolves on the prowl, Hayward searches the city for information on her husband. The search brings her into contact with a number of supporting players, including Michael Rennie, Alex D'Arcy, and Tom Tully, and several distracting subplots, which only serve to remind viewers that the film was adapted from a novel by Ernest K Gann, who also wrote the script.Director Edward Dmytryk keeps the action scenes going at a decent pace, and Hayward's search is initially intriguing. However, even Dmytryk can do little with the unconvincing love affair or the lack of chemistry between his three stars, who acquit themselves professionally, but no more. Leo Tover's colorful cinematography captures an exotic, but now bygone, Hong Kong of junks, sampans, and stunning vistas of mountains and bays. Set in the 1950's, "Soldier of Fortune" would make an ideal double bill with "Love is a Many Splendored Thing," a more successful romantic film that shares both location and period with the Gable-Hayward vehicle. The Dmytryk film has much in its favor: an exotic locale, fine cinematography, two top stars, an able supporting cast, and a fairly good story. Unfortunately, "Soldier of Fortune" is one of those movies that is worth seeing, but less than the sum of its parts.

I agree with just about everything Greg said about the film. Perhaps I am wistful about the old Hollywood and the way movies were made back then. The teaming of Gable and Hayward is perfect. She could hold her own against any male lead. Gable was still in his prime and chews up the scenery. Susan Hayward, so strong and yet so vulnerable, was elegant in her circa 1954 wardrobe. The photography is splendid with so many great Hong Kong locations. It reminds me of "Love is a Many Splendored Thing," also from 1955. But, as Greg pointed out, it is the majestic, sweeping score by Hugo Friedhofer that lingers in my mind. I want that soundtrack! Overall, I loved the movie. It was exciting and had a Hollywood happy ending. They just don't make them like they used to!

The film in which "The Brooklyn Bombshell," Susan Hayward, met "The King of Hollywood," Clark Gable, 1955's "Soldier of Fortune" is a middling adventure that should have been much better. In this one, Hayward journeys to Hong Kong to begin her search for her missing husband, a journalist being held prisoner in mainland China, and enlists the aid of junk-fleet smuggler Gable as a last resort. If this scenario of a journalist being held captive by an Asian Communist country strikes anyone as being implausible, just consider what is happening in North Korea today, and the plight of newswomen Ling and Lee! Anyway, with old pros like Gable and Hayward, the film is certainly well acted and interesting, and the two, in their only screen pairing, DO have a nice chemistry. They are ably abetted by Gene Barry (as Susan's husband) and Michael Rennie (as a sympathetic British police officer), and the scenery of mid-century Hong Kong is at least as spectacular as that shown in "Love Is a Many Splendored Thing" and "The World of Suzie Wong." Unfortunately, the picture has its problems. Despite being scripted by Ernest K. Gann, from his novel, the story seems inadequately fleshed out, and several subplots (that bar wedding, the Chinese ex-general) peter out and seem pointless (maybe they are there simply to add color?). Perhaps worst of all, the rescue of Barry from his jail on the mainland is accomplished waaay too easily; if only WE could send some can-do guys into North Korea to conk a few heads and waltz those women out! Hayward did not go to Hong Kong during the filming of this picture, and though director Edward Dmytryk (who would make another movie based in China that same year, "The Left Hand of God") & Co. work their magic, this fact is sometimes distractingly obvious. I must add that I enjoyed "Soldier of Fortune" more during a repeat viewing, with lowered expectations. But then again, I can watch Susan Hayward in anything....