Born to Win (1971)

Although it has its amusing moments, in eneral the plot does not convince.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The film may be flawed, but its message is not.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

From the seventies comes another seventies flick that has a lot to do with drugs and junkies. The main character played by George Segal, JJ, is a junkie whose main goal in life is to get fixed everyday. As a result, everything else is secondly important. His relationship with his girlfriend, and in a surreal way, even the fact that he has children, which is only mentioned in the film two times, and briefly.From the way it starts, we are almost tricked into believing this will be a comedy. Then, from then on, it becomes the tragic portrayal of life on the streets. The footage we see on the screen seem dirty, and the gritty look of the film is meant to add to the brutality of the film. It's too bad that the part of George Segal is not so believable as a junkie, because it's not written well. There's too much emphasis on interaction and not enough emphasis on the characters themselves. The only times when we really see JJ break down is when we don't know what is going to happen to him. Drugs have driven him to a selfishness that is hard to side with. We don't pity him, but we literally hate what he has become.The editing is horrible, hard to believe that it came from the same guy that did the editing for Annie Hall. The direction is careless and throws whatever good there was in the screenplay as of secondary importance, focusing the film around a plot that doesn't exist, and oversthetching the bit in the middle, in making us think that there is a plain plot. The actors are also scattered around loose. Robert DeNiro's presence does nothing for the standards of the cast, he too in fact doesn't know what he is doing. While Segal cannot get away with playing a junkie, possibly because he isn't bony enough, Karen Black as his girlfriend is adorable, but her part is not well written. We know nothing of her.There is no good guy in this movie, and all in all there is little reason to watch it. There are parts that might have an impact, but all in all, there are better movies that deal with the same issues. It was certainly rushed.WATCH FOR THE MOMENT - A charming scene that shows the film had ideas. Karen Black and George Segal meeting the first time as he tries to steal her car.

'BORN TO WIN' Is a Downbeat, but Somewhat very funny look at drug addicts, in New York, The ever Excellent George Segal, plays JJ a former Hairdresser,Who is fixed on heroin,and with him on his quest for the perfect fix is his pal played by Jay Fletcer,One night on the streets JJ is attempting to steal a car,but is amusingly caught by the owner who is played by the free spirited Karen Black,who brings Segal home together the pair fall for each other despite Segal's, desperate Heroin ridden antics,Cult Favorite Paula Prentiss,(The Original Stepford Wives) plays JJ's former wife who is Highly strung, unfortunately she becomes property of the local pimp and supplier 'geek' played by Hector Elizondo, One scene in this classic that's worth mentioning is Segal's superb knack for physical comedy is the 'take your clothes off' scene, that see's Segal, at the mercy of the supplier's the scene where Segal attempts to get the attention of the teenager across at the adjacent apartment is a hoot! And Segal's subsequent chase clad only in a robe is hilarious! A Very Young Robert De' Niro, plays an undercover cop out to bust JJ,Don't be fooled by the many DVD's available of this classic with 'De Niro on the cover Segal is the Star!

George Segal's career encompasses a large body of work, spanning decades. I've seen only a few of his movies. "The Hot Rock" was a great ensemble comedy. "Terminal Man", timely and dark, pegs the other end of the spectrum. It's safe to say the 1970s were about challenging the Old Guard. In Hollywood, this meant reinvention and the search for Truth begun anew. From industry insiders all the way down to you and me it's understood "truth in film" is synonymous with or defined as risky and unprofitable, something other than standard fare. And though overused, the phrase 'they don't make 'em like that anymore' is applicable here, because "Born to Win" was produced for reasons other than profit. Its story is roughly drawn and its characters hunger for a pure, painless resolution that you know will never come by the end of the first scene. George Segal is at the center as J, a heroin addict who spends his time visualizing new plans for his next fix. All other characters within his orbit advance his desparation. There's a very palpable truth in the uncertainty the characters feel. They live, but have no lives. Segal's character has never called a shot in his life, yet he knows from years of experience how it will turn out, with him behind the 8-ball. Karen Black plays the love interest who extends to him the hope of salvation, only to be swept under. Hector Elizondo, Robert De Niro, Paula Prentiss and JJ's main junkie pal Billy (Jay Fletcher) exist to keep the downward spiral swirling. A refreshing and enjoyable film for people who feel a nostalgia for challenging, resonant stories that strike a chord as pure as a tuning fork.

"Midnight Cowboy"'s enormous commercial and critical success in 1969 created a ho-hum sub-genre of life on the mean streets of New York City in the early-1970s. In 1971, Al Pacino got a big break in "The Panic in Needle Park" and Robert DeNiro also was able to be recognized in a smaller role in "Born to Win". DeNiro is not the star here though, instead it is George Segal (who had actually received an Oscar nomination for "Who's Afraid of Virginia Woolf?" back in 1966) who stars as a junkie who has lost it all literally and continues to roam the darkest places of New York just looking for that next high. Karen Black is also along for the long and twisted ride as a woman who is little more than a prostitute herself. DeNiro and fellow detective Ed Madsden go to Segal to try and bring down a heartless drug-dealer/pimp (an early part for Hector Elizondo) that has terrorized the streets for years. "Born to Win" is one of those films that could have been really thought-provoking, but ultimately fails due to the fact that it becomes more of an exploit product by the final act. DeNiro would of course hit super-stardom not long after this and he is arguably the greatest asset here in spite of the fact that his screen-time is not near as great as it should have been. 2.5 out of 5 stars.