Vanishing Point (1971)

Not even bad in a good way

Excellent, a Must See

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Worth seeing just to witness how winsome it is.

Kowalski (Barry Newman) is a speed freak in more ways than one, popping uppers so that he drive 24/7, having bet his drug dealer that he can deliver a supercharged car to California in record time; in doing so, he becomes a wanted man by the police.The car chase is a staple of the action movie genre, but Vanishing Point, by director Richard C. Sarafian, IS a car chase - the whole damn thing! As such, the plot is virtually non-existant, the film largely reliant on the vehicular action which sadly isn't jaw-dropping enough to sustain interest for almost 100 minutes.Being a product of the hippie generation, the whole thing is given a pseudomythological, existentialist vibe, in which driver Kowalski is elevated to legendary anti-hero status by DJ Super Soul (Cleavon Little), and there are plenty of off-beat characters along the way, all of which has secured the film a cult following, but I found the whole thing highly over-rated and ultimately pretty boring.On a more positive note, the cinematography is great, while the mythical road warrior angle and much of the shots seem to have influenced George Miller's Mad Max movies (leading to Fury Road, which for me, is the ultimate car-chase movie).

Very good, and surprisingly so. I only watched this because it gets many reverential references in Quentin Tarantino's "Death Proof". Expected it to be nothing more than a revhead movie, but it is far better than that.More like Easy Rider on four wheels. A movie about freedom and individuality. Good script, but it is the direction and the setting that makes this movie great. Richard Sarafian sketches Kowalski's character through flashbacks and delivered information, showing you why he is doing what he is doing. The ending is perfect.Barry Newman hardly had much dialogue, but in playing Kowalski he defined anti-authoritarian freedom-loving figures forever.

Vanishing Point is the type of movie rarely seen these days. It has so many identities, a car chase movie simply being one of them. It both deconstructs and pays tribute to the American love affair with the automobile and cinema. It's also a love letter to the 60s, playing up themes of freedom and escaping oppression. Most importantly, it's a classic heroes journey. Kowalski, the hero has a mission, a romantically Americana mission, and he let's nothing get in his way. Movies like Vanishing Point aren't duplicated, because they cannot be. They are products of their time, a tribute to both films and ideals past.

VANISHING POINT is a mix of the classic car chase film and a more existential movie along the lines of EASY RIDER; the good news is that it's substantially better than EASY RIDER, and has a sheen of quality lacking in the more crowd-pleasing car flicks of the 1970s (like GONE IN 60 SECONDS and SMOKEY AND THE BANDIT).Barry Newman, playing it understated, is the driver who's tasked with delivering a car cross country under a strict time limit. Before long, the cops are on his tail for speeding, and what follows is an intense pursuit flick with some great filming of high speed chases. VANISHING POINT is a film that's all about the visual, and it does look lovely, the director capturing the sleekness of the vehicles and by contrast the wildness of the desert locales very well.And, of course, there's THAT ending, which is unforgettable once seen, and helps to add immeasurably to the experience. I think the story as a whole could have been a little more powerful - it's very slim, and there's barely any characterisation - but this is a classic production far above more recent Hollywood stabs at the genre (like DRIVE ANGRY).