The Portrait of a Lady (1996)

Sick Product of a Sick System

People are voting emotionally.

Best movie ever!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

"We'd have a good time, if only we'd stop trying to be happy." - Edith Wharton Jane Campion directs "The Portrait of a Lady", a film based on a Henry James novel of the same name. The plot? Nicole Kidman plays Isabel Archer, a young expatriate living in nineteenth century London. Though expected to be "sensible" and "marry a wealthy man", Isabel opts instead to be "free"; she travels around the world, turning down various marriage proposals along the way.Eventually Isabel meets the devious Gilbert Osmond (John Malkovich), whom she "freely" chooses to marry. This backfires; Gilbert's simply using Isabel to get at her impressive financial assets. The film's final act finds Isabel attempting to fight for the independence of Gilbert's daughter. If Isabel cannot be "free", then she will ensure that others can be.Anyone familiar with the proto-feminist novels of Edith Wharton, Jane Austen, Virginia Woolf etc will find very few surprises in "The Portrait of a Lady". This is ultimately a by-the-numbers account of 19th century upper-middle-class social circles, a sexist and classist milieu which cinema often delves into. The film's themes of "female independence" are given a subversive twist – Isabel would have been happier had she not enslaved herself to vague notions of "freedom", and had she succumbed instead to the very notions of romantic love which she cynically deems old-fashioned – but pale in comparison's to Campion's best films. Consider Campion's "Bright Star", also set in the 19th century, and "Holy Smoke", also about an adventurous expatriate, both of which handle this material in fresh and exciting ways.Unlike the vast majority of Campion's pictures, "Portrait's" screenplay wasn't written by its director. Because of this, "Portrait" lacks that distinct personal stamp which makes Campion's other films so special. "Portrait's" aesthetic is also routine, though Campion's able to conjure up a number of wonderful moments. The film's New Age prologue, in which Campion's camera captures the awakenings of 20th century women whose sexual revolution the film's 19th century characters will later be denied, is particularly wonderful. Several dream sequences and black-and-white interludes also hint at what Campion is capable of at her best. Nicole Kidman is excellent as the conflicted Isabel Archer.7.5/10 – See "The Remains of the Day", "The Story of Qiu Ju", "Red Sorghum" and "Raise the Red Lantern".

I remember going to see this movie with a boyfriend back in 1997. I wanted to see this movie because I thought it would be romantic. I practically had to drag my boyfriend to see it with me, he laughed and slept thru most of it, while I tried desperately to understand the plot of the story. Nothing in this movie captured my interest!! I was so disappointed when I left the theater, I was tempted to ask for a refund!!!! I have even thought about renting the movie, if just to see if my understanding of the plot will become clear, but afraid it will only leave me feeling angry and unfulfilled. I can't give this film a good, not even a mediocre rating.

I must say this first: Jane Campion is one of my absolute favorite directors and this is her most thoroughly worked-through piece of film yet and perhaps even her best film. (She has only had one failure and that was In the Cut, which instead was really bad.)Saying this it goes without saying that i am astonished over the low rating on this movie, here at IMDb; it just tells you in the end that you can never be sure on what other people feel.The Portrait of Lady, based on the brilliant 19C novel by Henry James, tells the story of a young orphaned woman, Isabelle Archer, who is taken under the wing by an aunt and later an uncle and a cousin, and brought to Europe. Being a woman "fond of her own ways" and her personal freedom, Isabelle guards her future very well; she declines a couple of favorable marriages in favour of her own independence. As she inherits money and becomes self sufficient, she travels through Europe and soon comes to realize that independence is quite a hard position to guard, and far more difficult to manage that in real life than just having the young persons idea of it. Her travels becomes a journey of maturity and struggle with herself.What James novel so brilliantly exhibits is the mechanics of a mind of a young person, even a person of any age; and James does this so balanced.Campions film in turn, takes on the essentials from the novel, drags it through a bit of Freud and end up with a version that transcends the barriers of time, up to our days. What Campion succeeds with is to modernize the novel; make it more accessible to a modern audience; and in the end, to portray what another costume piece did, Orlando; transcendence.She does so with a brilliant cast (amaze yourself over the actors involved above!!) with Nicole Kidman in the lead as Isabelle. Others, to mention a few is Martin Donovan as her cousin Ralph, Richard E Grant as Lord Warbuton (like cut from the from the novel!! Brilliant!!), John Malkoviich as Osmond, Barbara Hershey as Madame Merle and John Gielgod (also brilliant here; so downplayed). All actors are brilliant, mentioned or not.Although I really like Marin Donovan, who I think is a much neglected actor, it would have been interesting to see Malkovich as the consumptive cousin Ralph; the part was originally offered to him but got lost somewhere...).Campion also have the magnificent help of cinematographer Stuart Dryburgh, who makes it possible to to render the movie its pictorial qualities, and in the end its total art impression, instead of just a costume drama.Personally I like the Piano but it is reportedly to be only a prior sketch to this one.My recommendation is SEE IT, no matter what judgment has been passed on it on these pages.

PORTRAIT OF A LADY is a sincerely made exquisitely-shot exploration of a woman wrestling with the universal conflict between the freedom to choose and the resignation and acceptance of her lot. (Men share the dilemma too!).As such, Campion's modern opening is appropriate and thought-provoking, and the intensity of the performances from all the players (perhaps with the notable exception of Shelly Winters) gives it a complexity and power that clearly many writing here just don't get.Rarely will you see such powerful images and to-die-for settings. I suspect that the car-crash action movie fans who find this too slow walked into the wrong movie-theatre or rented the wrong DVD. This film is well worth seeing and the character John Malkovich plays, Gilbert Osmond, is very believable (contrary to what the Malkovich-haters have to tell us). Manipulative cruelty is at the heart of many a long-term relationship and, like DANGEROUS LIASIONS, is a game played by the ruthless and heartless on the vulnerable and weak. Again I refer to the car-chase sensation-seekers who expect their baddies to spring from comic books. Malkovich does not have to be anything other than cold and cruel, and many a woman has fallen for a 'bastard' only to realise that she has passed on better men.GIVE THIS FILM A CHANCE - and tell us if you liked it! (I am always staggered by the vitriol poured onto movies that have some merit. What is left for the films that are truly awful?)