Superman and the Mole-Men (1951)

That was an excellent one.

In truth, there is barely enough story here to make a film.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Where to even begin? For starters, this is more of a B-grade science-fiction picture that happens to feature Superman than a "Superman" movie outright. Whatever the intentions of the producers, it certainly is a product of its time. By that, and given its low budget, I mean that it's kind of what you'd expect from a sci-fi film in the 1950's: shoddy production values, questionable acting, and overt message-making. Still despite all of this there is a certain B-movie charm, and of course George Reeves has a great screen presence as the Man of Steel (not so much Clark Kent, who is played too similarly). Other than Clark Kent/Superman and Lois Lane, though, there isn't much else here that ties it to the Action Comics source material. Ergo, no Daily Planet, no Metropolis, etc. But I didn't really mind. As long as you do away with any expectations of what a Superman movie "should" be, this film can be a lot of fun. And, at 58 minutes, it never wears out its welcome. Considering the time in which this film was made, with liberal Hollywood under attack by fear-mongering by the likes of Joseph McCarthy and racial tensions coming to a boil, the message it conveys is actually quite radical (again, for its time). It basically says that as beings who inhabit this planet, we should all just get along regardless of who we are. There are also other things you could read into it, like anti-oil drilling and gun control, but those are secondary concerns. Did I like it? Well, yes and no. It isn't my idea of what a comic movie should be, but taken as a cheesy sci-movie, it has its charms. I wouldn't bend over backwards to see this if you haven't already, but fans of George Reeves of Superman would be remiss for not checking it out.

Superman and the Mole Men (1951)*** (out of 4) Reporters Clark Kent (George Reeves) and Lois Lane (Phyllis Coates) are sent to Texas to do a story on an oil rig that has dug six feet into the ground but soon the big story becomes the mole men that have crawled out of the hole. I really wasn't expecting too much at of this film but it turned out to be pretty entertaining in the same form that a lot of science fiction "B" movies are from this period. The most shocking thing is how good the story is. Sure, it only runs 58-minutes but there's really no dry spells in the film, although I wish the mole men had more to do in the story besides be chased around. Superman also doesn't get too much screen time but when he's on he really shines especially one scene where he must disarm a group of men who want to kill the creature. Reeves is excellent in the roles of Kent and Superman and I loved his no nonsense way of handling everything. Coates was also very good in her role as is Jeff Corey as the nutty local who wants the creatures dead. He makes for a great villain and really delivers in each scene he's in. The special effects are quite campy but they just add to the entertainment value of the film.

This film is notable for three reasons.First, apparently capitalizing on the success of the two 'Superman' serials, this low budget feature was made and released to theaters, marking George Reeves' and Phyllis Coates' initial appearances as Clark Kent / Superman and Lois Lane. Part of the opening is re-used in the series. Outside the town of Silby, a six-mile deep oil well penetrates the 'hollow Earth' allowing the 'Mole-Men' to come to the surface. Forget about the other holes (those in the plot).Second, unlike most SF invasion films of the fifties, the hero plays a dominant (and controlling) force in preaching and enforcing tolerance and acceptance of difference against a raging mob of segregationist vigilantes. No 'mild mannered reporter' here! Clark Kent, knowledgeable and self-assertive, grabs control of the situation throughout ("I'll handle this!"), even assisting in a hospital gown in the removal of a bullet from a Mole-Man! As Superman, he is gentler than Clark towards the feisty Lois, but is also the voice of reason and tolerance as he rails against the vigilantes as "Nazi storm troopers." Third, you will notice that the transition from the Fleisher-like cartoon animated flying of Superman in the two serials to the 'live action' flying in the 'Adventures of Superman' had not yet been made.

I am of "the Christopher Reeve Generation" it is fair to say that he was the best actor to play Superman yet, but that doesn't stop me from enjoying other actors in the role, and George Reeves makes a pretty good bid to knock Chris off the top, though he just barely falls short. That doesn't stop me from enjoying this film, it has a lot going for it. It has all that a movie needs, a plot with beginning, middle, and end, plus all those parts are intelligently written. The film is edgy both in acting and storyline, something a film-noir but with tights. The story is both exciting and meaningful, this is a movie with a message that isn't too preachy. I am still amazed this was shot over 12 days, oh the glory days of Hollywood, when we didn't have to wait 5 years just to see if the movie would fall into development hell... The film is polished and expertly made, directed by Lee "Roll'em" Sholem, best known for directing with both speed and efficiency. It never lets the constraints of technology slow it down, in fact there is some creative things done to create the effect of flight, including putting a camera on a boom on a truck and shooting high and traveling fast to make it look like we are seeing it from Superman's point of view, also a few closeups of George in process work, and a long shot of an animated Superman. This is now available on DVD as an extra feature on the first season of the George Reeves Television series. A DVD worth owning in its own right, the inclusion of the film as its original whole, is icing on the cake.Give Blood Today God Bless!